Abstract Abstract Prints

I Got Your Back 02, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 5...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed. 'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

Allan D'Arcangelo Constellation II, 1971 screenprint, edition of 90 26 x 26 in. (66 x 66 cm)

Jesús Rafael Soto Untitled, 1970 etching with embossing, edition of 95 37 x 37 in.

Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Below 02, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unframed ...

That Same Old Love 03, 2022, by Angelica Tcherassi From the series "Universe Within". Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size...

It All Moves 03, 2022 by Angelica Tcherassi From the series "Universe Within". Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Editio...

lithograph, edition of 80 24 7/8 x 31 3/4 inches

Lithograph Edition of 80

Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

This compelling singular signed print–one of a kind was created by the Czech born artist Joseph Drapell. The form is reminiscent of the popular sixties’ art game called Spirograph. B...

Below 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7...

Edition of 40 77.5 x 58.5 cms (30 1/2x 23 ins)

Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...

Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)

signed artist proof, from the edition of 10. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. He has exhibited regularly since 1995 and has won numerous pri...

Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)

Allan D'ARCANGELO Constellation IV, 1971 Screenprint, edition of 20 AP 26 x 26 inches

The Mask 01, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unframed All prints have a white border around the image Sticker label signed by the artist ________________ Dreaming with her eyes wide-open, Angelica Tcherassi strives to express with her artwork what inspires her in daily life: family, happiness, desires, dreams, light. Her computer-generated paintings give voice to a unique eclectic approach in which all merge to perfection. The overlapping analysis of craftsmanship and technology plays an important role in her paintings. For her, it is vital through her art to shine a light into the world through her artwork. Her creations have been featured by renowned design magazines and blogs worldwide such as Interior Design (USA), Azure (Canadá), Interni (Italia), Architectural Digest Italia (AD Italy Dec.), Elle Decoration Thailand, Creative Malaysia, Surface Asia (April-May), Habitar (Colombia), Elle Decor Spain, Glam Deko Malaysia, Spaghetti (Italia) Surface (USA), etc... ARTPOWER´s books: "Flourishing Furniture", "Food Player" and "Furniture Design Now". Websites like: Büro24/7 ME, Büro24/7 HR, Design Milk...

Etching and Aquatint, edition of 85

Jesús Rafael Soto Untitled (Variation en noir violet et bleu), 1970 etching with embossing, edition of 95 37 x 37 in.

Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)

Lithograph in colours, 1969, on BFK Rives paper, signed and inscribed ‘AP’ in pencil, an artists’s proof aside from the standard edition of 20, printed and published by Tamarind Lith...

Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)

Francis Bacon Study for the Human Body from a Drawing by Ingres 1982-84, 1984 lithograph, ed. of 180 34 5/8 x 23 7/8 in. (88 x 60.6 cm)

Etching, Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

The Awakening-Night From: Homage to Tobey Portfolio (Six Plates) Etching, 1974 Signed in pencil by the artist on the front lower right "Tobey" (see photo...

Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

D'ARCANGELO, Allan Constellation III, 1971 Screenprint, edition of 20 AP 26 x 26 inches

Thomas Nozkowski (American, 1944-2019) Untitled I, 2015 woodcut and linocut printed in 14 colors on Hahnemuhle paper paper size: 22 x 30 inches (55.9 x 76.2 cm) edition of 25 signed ...

The Block 02, 2022 by Angelica Tcherassi From "The Journey" series Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unf...

STANLEY WILLIAM HAYTER (British 1901-1988) GREETING CARD FOR 1946-7 (Black / Moorheard 176) Engraving, soft-ground etching, signed and dated 1946. Wit...

CoCreate 03, by Angelica Tcherassi From The We Are One Series Archival pigment print on Hahnemühle photo pearl Sheet size 59 x 47.2 in. Image size 51.1 x 37.7 in. Edition of 11 Unf...

Matt Magee Memorandum, 2022 Lithograph 65 x 49 in (165.1 x 124.5 cm) JPHB 5286

That Same Old Love 01, by Angelica Tcherassi From the series "Universe Within" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H...

Terry Maker makes three-dimensional works that get to the “guts” of the materials used, such as discarded shoes, vinyl records, candy dust and shredded doc...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

WERNE DREWES (1899-1985) UNTITLED, 1934 Woodcut on paper, Signed, numbered, and dated in pencil Ed. 15/20. Image 13 3/8 x 11 1/8 inches. Full sheet, 17 x 12 1/8 inches deckle edge o...

Into The Void 02, by Angelica Tcherassi From the series "Portal" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfram...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

CoCreate 02, by Angelica Tcherassi From The We Are One Series Archival pigment print on Hahnemühle photo pearl Sheet size 59 x 47.2 in. Image size 51.1 x 37.7 in. Edition of 11 Unf...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200—1 of 60 artist's proofs, 1952. Signed and dated in pencil. Numbered L/LX in pencil. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. ABOUT THE ARTIST Sigismond Kolos-Vari (1899-1983) was born in Hungary and attended the School of Applied Arts in Budapest from 1915-1918, and then the School of Decorative Arts until 1925. The artist settled in Paris and his first one-man show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions including the prestigious Galerie Bonaparte in 1929, and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII. Imprisoned in a German concentration camp, he managed to escape after two years, crossing the border into Switzerland. After the war he returned to Paris and dedicated himself to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at the important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was subsequently approached by the eminent art dealer Jean Bucher who gave Kolos-Vary a major one-man show at his gallery in 1948. During this post-war period Kolos-Vary participated in the avant garde exhibitions the Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop, Atelier 17...

Aquatint from three copper plates printed in black, red, and orange. On cream Velin Arches mould-made paper Signed, numbered, and dated 74 in pencil, lower right Published by Petersb...

A New Life 02, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H ...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Below 01, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unframed...

Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and then began his career as a printmaker. In 1993 he fulfilled a long-held ...

Gaze Into The Lake 02, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...