Abstract Abstract Prints

Oil on paper, signed lower right corner. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspire...

Lithograph from three zinc plates printed in emerald green, red brown, and grey with hand colouring in yellow watercolour and red gouache. On Velin Arches mould-made paper (300 gsm) ...

untitled Color serigraph, 1941 Signed and dated lower right (see photo) Very small edition (less than 10) (Looks like a red brick building with white windows, probably in Chicago where he lived) Provenance: Estate of the Artist Condition: Excellent Image size: 12 5/8 x 12 inches Sheet size: 18 7/8 x 112 1/2 inches Primarily known for his work in abstract expressionism, Myron Kozman was born in Muncie, Indiana on January 3, 1916. He attended the Cedar Rapids Jr. College in 1935. During the late 1930s, Kozman produced several abstract paintings for the Works Progress Administration which were displayed in public venues around Chicago. It was in the WPA that he learned serigraphy, which he later taught to Maholy-Nagy. He received his degree from the Chicago School...

Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour (a yellow wash background) and green gouache. On Stoneridge mould-made etching paper Signed with initials and dated 1980 in black wax crayon, lower centre. Numbered in black wax crayon, lower left Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261 (ill.); Elizabeth Knowles...

Maze Me 01, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Un...

Four parts each 57 x 76.5 cms (22 1/2 x 30 1/4 ins) Edition of 60, Set of 4

Signed, titled and numbered by the artist. From the "Ten Commandments" series, this represents the commandment "Thou shalt not bear false witness against thy neighbour". Born in 19...

Singularity 02, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unfr...

The Mask 02, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfra...

Maze Me 03, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Un...

There, Here 02, by Angelica Tcherassi From the series "Universe Within" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11...

Gaze Into The Lake 01, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of...

The Block 01, by Angelica Tcherassi From The Journey Series Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 33 Unframe...

Look Up 03, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 U...

Precise rectangular and square lines and shapes in tints of yellow, green, turquoise and mauve, are an interpretation of the brilliant summer sun in this silkscreen print on paper by...

Beyond (sic) - IX Mezzotint, n.d. Signed, titled and numbered in pencil (see photos) Edition: Unique impression (i/I) Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: excellent Plate/Image size: 9.75 x 7.75 inches Sheet size: 12 1/2 x 9 5/8 inches Provenance: Ninion and Sheldon Landy, Hamanishi's patrons EXTREMELY RARE-UNIQUE Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black. To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships. His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing. There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends. Exhibitions: Worcester Art Museum, Massachusetts --2 person show with Hamaguchi Ibiza Biennial, Spain--Grand Prize Original Colored Graphic Print Triennial, Switzerland--Grand Prize Cabo Frio International Print Biennial, Brazil--Grand Prize CWAJ Print Show, Tokyo--Art Grant winner Republic of China Print Exhibit--Gold Medal Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print Art Institute of Cleveland University of Alberta, Edmonton, Canada--visiting artist Shun-yo-Kai, Tokyo--prize winner Bhara Bhavan International Print Biennale, India Ren Brown...

Stronger 02, by Angelica Tcherassi From the series Return to Source Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 33...

A New Life 01, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfr...

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board. Signed, dated, and inscribed "For Pat" in ink in the image. N...

Etching and relief, 1982, on white TGL handmade paper, signed and dated in pencil, lower right: F. Stella ‘82, numbered from the edition of 30, workshop number in pencil, verso, printed by published by Tyler Graphics, Ltd., Bedford Village, New York, with their blindstamp, 169.5 x 129.5 cm. (66¾ x 51 in.) Swan Engravings is one of Stella’s most extensive printmaking projects to date, including twenty-five prints published over a three year period. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The series was initiated by nine large-scale black and white intaglio...

Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...

97.5 x 71.1 cms (38 3/8 x 28 ins) Edition of 50 Paper: Arches Cover Signed lower left; numbered lower right, publisher's chop lower left.\Publisher: The Litho Shop, Inc., Santa Monica, California. Printed by George Page...

He Said 03, by Angelica Tcherassi From the series "Power" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unframed Al...

The Block 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x ...

CoCreate 01, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unframe...

Etching, edition of 60

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in black gouache. On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon...

Lithograph on white Arches paper, torn and deckle edges

Follow U 01, by Angelica Tcherassi From the series "Portal" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unframed ...

Connected by 5.1, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 3...

Blender 01, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfra...

Stronger 01, by Angelica Tcherassi From the series Return to Source Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 33...

Soft-ground etching from one copper plate printed in black. On yellowish grey Hodgkinson hand-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Jacqueline Brody, 'Howard Hodgkin, Alone in the Museum of Modern Art and Not Quite Alone in the Museum of Modern Art (1979)', The Print Collector's Newsletter, vol. 10, no. 3, July-August 1979, p. 93; Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 4 (ill.); 'Prints by Six British Painters: Stephen Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John Walker', Tate Gallery, London, 1981-82 (n.p.); 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261; Mary Rose...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Aquatint from three copper plates printed in black, violet, and green. On cream Velin Arches mould-made paper Published by Petersburg Press Signed, numbered, and dated 74 in pencil, ...

Look Up 01, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Un...

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Jean Arp, Signes, woodcut, edition 50, 1949. A fine, black impression, with all the fine lines printing clearly, on cream wove paper; the full sheet with wide margins (1 5/8 to 6 7/8 inches), in excellent condition. Signed and numbered '8/50' in pencil. Matted to museum standards, unframed. ABOUT THE ARTIST Jean Arp was born Hans Arp on September 16, 1886, in Strassburg. In 1904, after leaving the Ecole des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905 to 1907, Arp studied at the Kunstschule, Weimar, and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Vasily Kandinsky in Munich. Arp participated in the Erste deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amadeo Modigliani, and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922). In 1916, Hugo Ball...

Le vent et l'eau Signed, dated, titled and numbered in the lower margin (see photos) Edition: 10 (see photo) There were also 25 impressions with the typeface caption of the title below the image From: Eaux, pierres, sables (Wayer, Stones and Sand) Portfolio From the series Phenomena, Portfolio 10 This No. 3 from Portfolio Eaux, pierres, sables Edition: 10 (7/10), there were 25 other impressions with typeface inscriptions below image Other impressions can be found in the following museum collection: An unsigned impression is in the collection of Centre Pompidou, Paris, with the typeset title caption below Accession No. AM 1976-1118 (3) A signed impression is in the Metropolitan Museum of Art From the MMA entry: "Edition without typography printed...

Singularity 03, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x...

The Kingdom 03, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Un...

Willem De Kooning Landing Place, 1971 Lithograph 28 x 37 in (71.1 x 94 cm) Edition of 54

Tomasini Creek Wilderness continues a series of abstract prints based on landscapes from Eckart's native California. Signed and numbered from the edition of 7. Abstract print with s...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: Prestige Art, Ltd., Mamaroneck, NY Printer: Styria Studio, Inc., NY, with their blindstamp This earlier (1966) sculpture of the same title is the inspiration of the portfolio. The sculpture is in the collection of the Albright Knox Museum. The screenprints follow the neon of the sculpture. Greek-born American sculptor Chryssa—who went by her first name professionally—died on December 23, 2013, reports Margalit Fox of the New York Times. Born in 1933 in Athens, Chryssa Vardea-Mavromichali grew up during the Nazi occupation of Greece. After studying at the Académie de la Grande Chaumière, Paris, and the California School of Fine Arts, San Francisco, she began incorporating neon into her fragmentary, text-based work. Her first solo exhibition in New York was held at the Betty Parsons Gallery in 1961, which was quickly followed by shows at the Guggenheim, New York; Leo Castelli Gallery, New York; and the Walker Art Center, Minneapolis. Her work is part of collections of major museums, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, DC. Note: A set of Gates...

Edition of 75, Set of 6 33 x 71 cms (13 x 28 ins)

Robert Motherwell Black Sounds 1984 Lithograph, relief print, and collage 99.1 x 63.5 cms (39 x 25 ins) RM14197

Connected by 8.2, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 3...

Robert Motherwell Summer Light Series: Pauillac, No.2 1973 Lithograph, screenprint, pochoir, and collage, Edition of 55 91.4 x 45.7 cms (36 x 18 ins) RM12795

Maze Me 02, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Un...

Connected By 8, by Angelica Tcherassi From the series "We are one" Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 33 ...

Manifest 01, by Angelica Tcherassi From the series "Power" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unframed A...

Manifest 03, by Angelica Tcherassi From the series "Power" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Unframed A...

Look Up 02, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Un...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Screenprint, edition of 50 32 x 32 inches

Lithograph from one zinc plate printed in green with hand colouring in pink gouache. On Velin Arches mould-made paper (300 gsm) Signed with initials and dated 78 in pencil, lower centre Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Prints 1977 to 1983', Tate Britain, London, 18 September - 1 December 1985; 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Jacqueline Brody, 'Howard Hodgkin, Green Chateau (1978)', The Print Collector...