Contemporary Abstract Prints

Limited edition of 125 prints, numbered and hand signed.

Untitled Plate 10 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect co...

Untitled Plate 9 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Untitled Plate 5 from the Paroles Peintes Suite is an etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of...

Untitled Plate 2 from Paroles Peintes Suite is a wonderful limited edition print. Etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lowe...

Hand signed and numbered. Edition of 260 prints, belonging to the Suite "Olympic Games Beijing 2008". Each work of this portfolio is recognizable by the official stamp of the Olympic...

Hand-signed. Edition of 60 pieces.

Erma Bifronte in an original etching realized by Emilio Greco in 1969, hand signed, titled and dated in pencil on lower right margin. Artist's proof. Printed and published by Il Biso...

Artist's Proof. Hand signed lower right. Titled lower left. Image Dimensions : 24.5 x 36.8 cm

Justin Pollmann "For Best Results, Cut Along The Belief Bias" 2023 Inkjet Transfer Collage, Monotype 17"x15" Inches The inkjet transfer images are made by collaging transfers of i...

Acrylic. Hand signed and dated lower right: "Carruana 77". From the series: "Palmas I". Dimensions with white frame: cm. 136x101. Jorge Carruana was a Cuban painter, illustrator and...

Deconstructed and cropped images of a turntable, a cassette tape, and a mid century modern chair are represented on 12 x 12 inch Red River photo paper in v...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...

Tunji Adeniyi-Jones (British, b. 1992) Poetic Feet, 2022 Medium: Digital print on paper Dimensions: 29.7 x 20.7 cm Edition of 25: Signed and numbered on accompanying certificate of a...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Push Pin" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on unbranded wove ...

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981. H...

Tauba Auerbach (American, 1981) Pilot Wave Induction (altered stills), 2018 Medium: Set of two C-prints Dimensions: each 30.5 x 22.9 cm (11.9 x 8.9 in) Edition of 50 + 10 AP: Hand-si...

Signed, titled, and numbered from the edition of 25. There are seven related images in this series, all the same size. Tachibana’s prints take their inspiration from nature, a medit...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Sayed Haider Raza (1922–2016) was a pioneering Indian modernist painter. A co-founder of the Bombay Progressive Artists' Group, Raza and his contemporaries sought a new beginning fo...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

A very good impression of this color lithograph on Rives BFK. One of 2 numbered printer's proofs, aside from the edition of only 10 in this color combination (there is a total editio...

Collagraph with Monoprint technique. Each print is one-of-a-kind.

Color lithograph with pearlescent and metallic powder, Edition 15. Barbara Takenaga is a painter who made her first lithograph at Shark’s in the summer of 2002. Her abstract works...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

"Arroyo" is a woodcut and monotype signed by Carol Summers. The print is a break from the usual bright coloring of Summers' images, though is rendered in his typical style and fields of unmodeled color. A pair of trees stand front and center before an arroyo, a Spanish term for an intermittently dry creek, running out to the ocean. A white sunrise glows in the distance beyond the sea. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 14.25 x 14 inches, artwork Numbered from the edition of 120 This print was commissioned by the Madison Print Club, Madison, WI Carol Summers (1925-2016) worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world, and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction, and Icarus) was shown for the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content, and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision that would have a significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain, and Greece. However, as evidenced in Aetna’s Dream, Worldwind, and Arch of Triumph...

Woodcut printed in colours, 2018. Signed in pencil, numbered from the edition of 15.

Joana Vasconcelos, Pandora I Pandora I, Contemporary, 21st Century, Pigment Print, Limited Edition, Edition Pigment Print Edition of 25 111.7 x 85.1 cm (44 x 33.5 in) Signed, numbere...

André Butzer (German, b. 1973) Untitled (Ich will erstmal 'ne Cola!), 2011 Medium: Etching on wove paper Dimensions: 34.7 x 25 cm Edition of 30: Hand-signed and numbered in pencil Co...

Richard Meier Bagan, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meie...

FLUXUS POSTER. Intermedia Art Festival. Tokyo, January 1969. Offset. Conceived by de Sugihura and the prestigious artists of "The Map" by Kawada, Barakei, Hosoe and Saint Marco of Narahara. The Festival was organized by Kosurgi and Chiomi. The participating artists were Junzo, Ishiko, Tukumi Kazekara, Akimichi Takeda, Koichi Tanigawa and Li-Lan and the wonderful work of George Brecht...

Collagraph with Monoprint technique. Each print is one-of-a-kind. This print used the Japanese Chine-Collee technique additionally.

Tauba Auerbach creates art about language and logic through painting, drawing, photography, sculpture and instrument building. Auerbach’s one-person exhibition, “Tetrachromat” was presented at the Bergen Kunsthall, Norway; traveled to Malmo Konsthall, Sweden; and Wiels Contemporary Art Center, Brussels. In 2011 Auerbach was awarded the Smithsonian’s Artist Research Fellowship. Her work was included in the 2010 “Whitney Biennial,” New York; MoMA P.S. 1’s 2010, Greater New York; and the New Museum’s 2009 “Younger Than Jesus,” New York. Her work is included in the permanent collections of The Whitney Museum of American Art and the Museum of Modern Art, New York among others. She is represented by Paula Cooper Gallery...

John Baldessari (American, 1931-2020) Man with Snake (Blue and Yellow), 1990 Medium: Lithograph in colors, on wove paper Dimensions: 45.7 x 35.5 cm (18 x 14 in) Edition of 170: Hand-...

Woodcut, 2020. Signed in pencil, numbered from the edition of 15.

Sister Mary Corita Kent Quaint Moonmarks screenprint of Pellon rice paper 30 x 40" edition of 95 1963 signed * Slight condition issues due to age.

The artist describes this project: My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

Patty deGrandpre’s “Leave the Flowers by the Back Door” is a 16 x 13 inch mixed media unique print represented on 19 x 16 inch Awagami Bamboo paper embracing both traditional printma...

Color lithograph, Edition 30. In the studies for this print, Juarez combined casual, small sketches made daily, found botanical prints and magazine illus...

Patty deGrandpre’s “Clines Corners” is a 8 x 8 inch unique mixed media abstract landscape represented on 12 x 12 inch drafting film combining ink and pastel with digital printmaking ...

Tony Caramanico, famed Montauk-based surfer, created a life around surfing since the first day he picked up a board in 1963- a day he fondly recalls. Though his surfing has taken him...

Artist: Damien Hirst Title: 'FRUITFUL' (LARGE) H8-1 Year: 2020 Medium: Laminated Giclée print on aluminium composite panel Edition: 1928; digitally signed and numbered on publisher'...

Patty deGrandpre’s “Rum & Pineapple (Lanai)” is a 12.5 x 10.25 inch unique abstract inkjet print represented on 14 x 11 inch Awagami Washi paper embracing both digital printmaking and creative photography. Vibrating layers of yellows and greens are used to create two distinct impressions of a glass of water and a Mai Tai cocktail and are the central focus of this vivid colorful print. A simple black bar interrupts a field of brown and sepia flowers...

Patty deGrandpre’s “Outside In” is an 6.25 x 12.5 inch unique abstract inkjet print represented on 11 x 15.75 inch Awagami Bamboo paper. The mirror image of this double exposed photo...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...

Sam Francis was an American artist known for his exuberant large-scale abstract paintings. His practice incorporated elements from Abstract Expressionism, Color Field painting, Imp...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13.5 x 21 inches framed This piece is featured in Bruckner’s 2024 solo exhibiti...

Archival print on canvas - artwork can be shipped in a tube or framed in a crate

Color lithograph, Edition 20. The artist describes this project: “The suggestive but ambiguous presence and narrative of the images “Bloob (?)” & “Dyad-O” reflect an ongoing creati...

"Untitled" screenprint by artist Carlos Alberto Garcia from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitali...

This colorful poster was produced for a 1981 exhibition at the Lincoln Center for the Arts in Milwaukee, celebrating glass art. The image is dominated by the exhibition title 'GLASS ...

Patty deGrandpre’s “Church Supper 2” is one of a series of dynamic abstract unique digital inkjet prints composed of multiple layers of digitally manipulated photographs of architect...

Patty deGrandpre’s “Fresh Cut Flowers” is a dynamic unique inkjet digital print composed of multiple layers of scanned images. Vibrant striations and a pair of cobalt blue scissors a...

This is a beautiful very small limited edition of only 10 - screen print. This is the only piece left and it is a beautiful no. 10/10. We love this piece because it imagines the fascinating upstairs...

John Thompson, American (b.1950), Neadson I, circa 2014. Titled lower left: "Neadson I"; signed and dated lower right: "John Thompson 2014". A fine impression in fine condition. Dime...