Contemporary Abstract Prints

Joe Webb, New Beginnings, 2023 Silkscreen with UV archival inks and diamond dust on Somerset Enhanced Velvet 410gsm paper Edition of 50 60 x 75 cm (23.62...

Robert Irwin Cacophonous (hand signed by Robert Irwin), 2015 Softback exhibition catalogue with stiff wraps (hand signed by Robert Irwin) Hand signed by Robert Irwin on the title pag...

Dan Baldwin, Human, 2016 Silkscreen with deckled edges made to celebrate 'Dan Baldwin in print ' Saatchi Gallery 2016 Edition of 75 50 x 70 cm (19.68 x ...

Photolithograph with a label from Museum of Contemporary Art, Chicago verso, unsigned Edition of 100 This was the first Wrapped project Christo did in North America Provenance: Pr...

Limited edition giclee print by Polish multidisciplinary artist Jan Kanty Pawluskiewicz. Technique of the artwork is mixed- it is giclee with gel-art which is artist's own method of ...

Lithograph in colors, on Rives BFK paper, 1973 Signed in pencil, numbered 16/30 Published by The Litho Shop, Inc. California with their blindstamp Very good condition Sam Francis w...

This piece titled "entanglement" is an original piece by Cassie Normandy White and is made from collaged monoprints, telescopic images, watercolor. Thi...

This piece titled "Mercury in Retrogradient" is a digital print by Danielle Clough. This piece measures 43.5" x 43.5" and is an edition of 22. The threads that link the ancient and ...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 606 70 cm (27.5 in) (diameter) Signed on the front Mint. Sold in th...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches Unsigned

This piece titled "learning to see" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolor. ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This piece titled "time of scattering" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, photos, t...

This piece titled "Hey Billy-Mae" is a digital print by Danielle Clough. This piece measures 43.5" x 43.5" and is an edition of 22. The threads that link the ancient and the modern ...

This piece titled "Portal to Bermuda" is a digital print by Danielle Clough. This piece measures 43.5" x 43.5" and is an edition of 22. The threads that link the ancient and the mod...

This piece titled "the sacredness unfolds" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, water...

This piece titled "a path to becoming" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolo...

"Verse" Art print 38" x 47" inch Edition of 15 by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 15 Picture size: Height: 38" inch Width: 47" inch *...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 40 x 27 inches / 102cm x 68cm ...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

LA Parking by Frank Schott a burst of red in an urban landscape of striking minimalism from a series of photographs capturing the mid century modern architecture and architectural el...

We Are The Square Jocular Clan #4 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a contemporary white moulding. From the edition o...

Sarah Morris November 2021, 2021 Lithograph on wove paper The work itself is not signed and it comes with a certificate of authenticity - hand signed by Sarah Morris (the artist) as...

Pastel chalk on textured paper, Series of 20 unique pieces. 100cm x 70cm x .05cm - framing option available.

ROY DE FOREST Untitled Trial Proof, 1981 Lithograph on Arches paper with four deckled edges. 22 1/2 × 30 inches Hand signed and annotated Trial Proof, aside from the regular edition...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 72 x 48 inches / 182cm x 122cm...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Edition of 224 70 x 70 cm (27.6 x 27.6 in) Signed on the front Mint Sold in the original HENI packaging

Ai Weiwei Cats (Red), 2022 Screen print on Saunders Waterford 300gsm paper Hand signed, dated, and numbered 87/150 by Ai Weiwei on the front 13 1/2 × 17 inches Unframed This print was originally published by Kettle's Yard - before it rapidly sold out. It is accompanied by the Certificate of Authenticity issued by the publisher to the original owner. The print was editioned by master printer, Kip Gresham at The Print Studio, Cambridge for Kettle's Yard. It was made using an original drawing ‘cut’ into an acrylic sheet. The image is then reversed when printed. Description from the publisher: "Drawing has been fundamental to Ai Weiwei’s artistic practice from an early age. He also has a longstanding love of cats, and they appear frequently in the artist’s social media posts. Many cats used to roam his studio in Beijing. As part of the Kettle’s Yard exhibition, Ai’s ‘Cats wallpaper’ (2015) will be displayed in the Castle Street window. This artwork was originally exhibited as ‘Studio Cats’ in the exhibition Andy Warhol / Ai Weiwei at the National Gallery of Victoria in Melbourne, reflecting both artists’ mutual love of cats. For Kettle’s Yard, the drawing of Maple and Birch has been inserted among the other cats depicted on the wallpaper." Quote from Ai Weiwei: "I like cats very much because of their independent character, alertness and understanding of human beings; I have feelings approximating to reverence for them. Cats have been regarded as psychic animals since ancient times, no matter in China or ancient Greece. What’s even more interesting is that if a selfie of mine would be seen by 100 people, a cat photo...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Edition of 657 40 cm (15.8 in) Diameter Signed on the front Mint Sold in the original HENI packaging

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition 21/50 (each entirely unique) Hand signed, dated and numbered 21/50 by Yinka Shonibare on the first front end page (see photo) Published by Yorkshire Sculpture Park, UK This gorgeous hand signed, numbered and dated monograph with hand made fabric covered boards was published on the occasion of the Yinka Shonibare MBE: Fabric - ation Exhibition at the Yorkshire Sculpture Park and the Kunstforeingen Gl Strand in 2013. 160 pages Hand signed, numbered and dated by artist in on the first front end page. Beyond the exhibition plates, the catalogue also includes an interview with the artist by Hans Ulrich Obrist and texts by Dr Rebecca Schneider and Jean Fisher. The book measures 12.5" x 11", and is 160 pages. Shonibare produced this beautiful catalogue in an edition of only 50, and is sold out. Each work is totally unique, and has been cloth bound using a different original Dutch wax print fabric with embellishments that was chosen by the artist. It is also signed and numbered by Shonibare. Taking place in three of YSP’s indoor galleries and the open air, FABRIC–ATION featured over 30 vibrant works from the period 2002–2013 including sculpture, film, photography, painting and collage, with many works never before seen in the UK. This major exhibition was sponsored by Guaranty Trust Bank. Born in London in 1962, Shonibare moved to Nigeria when he was three, later returning to the UK to study art. His work shrewdly explores and confounds stereotypes of race and class, engaging with ideas around identity and authenticity as well as dislocation, multiculturalism, global food production and revolution, often addressed through playful conceits. This approach is part of his determination to avoid being categorised: Shonibare accepted an MBE in 2004, adopting the title into his working name, saying, “it was the last thing you would have expected of me”. More about Yinka Shonibare: Yinka Shonibare CBE RA was born in London in 1962 and moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Master’s in Fine Art. Over the past decades, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities. In 2002, Shonibare was commissioned by Okwui Enwezor to create one of his most recognised installations, Gallantry and Criminal Conversation for Documenta XI. In 2004, he was nominated for the Turner Prize and was awarded the decoration of Member of the ‘Most Excellent Order of the British Empire’, or MBE. In 2019 Shonibare was made Commander of the same order, amending his professional name to include CBE. In 2008, his mid-career survey commenced at Museum of Contemporary Art, Sydney and toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission Nelson’s Ship in a Bottle was displayed on the Fourth Plinth in Trafalgar Square, London. In 2013, Shonibare was elected as a Royal Academician and his most recent contributions have included: the RA Family Album, which was used to wrap Burlington Gardens building during construction and his two curated rooms which were part of the 2017 Royal Academy Summer Exhibition, during which Wind Sculpture VI was also displayed in the RA courtyard. His recent major commission with the Public Art Fund, Wind Sculpture (SG) I, was installed at Doris C. Freedman Plaza, Central Park from March 7 through October 14, 2018. FRONT International: Cleveland Triennial for Contemporary Art presented The American Library at the Cleveland Public Library from July 14 until September 30, 2018. The British Library was recently acquired by the Tate London. In March 2021, Shonibare received Whitechapel Gallery’s prestigious Art Icon award, becoming the eighth artist to receive the honor. He was also selected to coordinate the Royal Academy of Arts 253rd Summer Exhibition in September 2021. Shonibare’s works are included in notable collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institution, Washington, D.C; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome; Pérez Art Museum Miami in Florida and VandenBroek Foundation, The Netherlands. -Courtesy of James Cohan Gallery

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

GRAY AND BLACK ABSTRACT by the American painter and printmaker Will Barnet is an original hand drawn lithograph, printed using hand lithography on archival printmaking paper 100% aci...

This is an offset print, limited edition out of an edition of 300, signed and numbered by Artist. Enjoy video of the unwrapping of this brand new print at our Los Angeles framer! This print is now sold framed, in Los Angeles, CA. "Kansei : The Golden Age" 潤声 ゴールデンエイジ 4c offset w/cold stamp + spot varnishing オフセット印刷4色＋箔＋厚盛ニス Dimensions: Art: 710 mm / 28 in. diameter Edition 300 Signed and numbered: Edition 118 of 300 Made in Japan Pristine condition, brand new Framed: Approx 34 x 34 x 2 in. Seller in Los Angeles...

Invader, Rubikubist Print set, 2022 Exclusive set of 10 posters featuring some of Invaders’s most famous pieces on display at the Mima Museum. Printed on Acrtic Volume Silk 130. Gr ...

Sean Scully Estampes, France (Hand Signed), 2006 Offset Lithograph poster Boldly signed in black marker on the front by Sean Scully for the present owner Unframed This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...

This is a 6-color hybrid print by Gerhard Richter offered by CLAMP in New York City. 6-color hybrid print on 260g Rives Handmade paper (Edition of 500) Abstraktes Bild 1992/2023 A...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This aquatint has implied movement shown by a blues and red palette. Sam Francis was an American artist known for his exuberant large-scale abstract paintings. His practice incorpor...

Rat at the border is an artwork realized by Leo Guida, 1971.  Etching, 50 x 70 cm. Limited edition. Good conditions

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

Pink rose is an original artwork realized byLeo Guida, 1971.  Screen print nd embossing on paper. 48 x 37 cm. Good conditions

Milton Glaser Poster Art 1981: Milton Glaser San Francisco Opera: Vintage original Milton Glaser poster designed by Milton Glaser on the occasion of the San Francisco Opera's First ...

The first edition to wear. The striking orange roughfiber work is brought to life by printing on high-quality satin silk and can be admired or worn....

Nude is an artwork realized by Leo Guida, 1971.  Etching. 35 x 49 cm. Good considitons!

Elisa and the dragon is an artwork realized by Leo Guida, 1989.  Etching, 50 x 35 cm. Titled, handsigned, dated lower bottom.  Very good conditions

Snake Eyes 4 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed in a ...

The encounter is an artwork realized by Leo Guida in 1972.  Etching, 34 x 50 cm. Hand signed, dated, titled lower side. Good conditions

Rat at the border is an artwork realized by Leo Guida, 1971.  Etching, 50 x 70 cm. Edition I/XXX  Handsigned lower right margin. Good conditions

A yellow leaf is an artwork realized byLeo Guida, 1970s.  Screenprint and embossing 50 x 35 cm. Good conditions!

While living and working in Soho, NYC, Japanese artist Kawakami produced these masterful etchings. These were obtained by a fellow artist of the Abstract New York School of Painting,...

Sean Scully Sean Scully Night and Day (hardback monograph, hand signed by Sean Scully), 2013 Hardback monograph with cloth covers and no dust jacket (hand signed by Sean Scully) Hand...

Damien Hirst, Superstition Exhibition Poster, 2007 Exhibition poster on 220gsm fine art paper 66 x 100 cm ( 25.98 x 39.37 in) A superb large poster by Leodensian living legend, Damien Hirst. This poster features Homage to a Government—The Dwelling Place (2006). It was produced by Gagosian in 2007 in conjunction with their London & Beverly Hills show Damien Hirst: Superstition. The exhibition included Kaleidoscope paintings that reference stained-glass windows in their intricate geometric patterns. Hirst has given each painting two titles: the first taken from High Windows by Philip Larkin, whose fatalistic, colloquial writings speak to a seemingly shared extinguished faith, and the second making direct reference to religious iconography...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Kristjana S Williams Taera Bretland - Blaeu British Isles, 2021 Giclée on Matt Smooth Fine Art Cotton 300 gsm paper Boldly signed and dated on the lower right front and pencil numbered on the lower left front by the artist 18 × 25 inches Unframed Hand signed and numbered 95/275 Story behind the artwork: A celebration of life on the British Isles, ‘Taera Bretland’ translates as ‘Clear Britain’, the islands of Great Britain here sitting in a crystal clear sea. This stunning map based artwork reveals fascinating details in every corner, but not necessarily where you might expect them… An aqua glow from the surrounding ocean lifts the land closer, whispering of its treasured secrets and cherished achievements. Here, the snaking Thames weaves its way not just through the capital, but across the whole country, connecting counties and unifying these Great British Isles, feeding colour popping flora and fauna along its path. Iconic and beloved landmarks rise like beacons, marking the steady flow of irrepressible revolution and impressive invention. In the spotlight, Murdoch’s ill-fated Titanic, Wren’s triumphant St Paul’s and Davy’s revolutionary lamp, rubbing noses with literary pioneers Dickens, Austen and Golding, and British icons Churchill and Chaplin. A bejewelled Ostrich, former resident at the Tower, stands haughtily atop the Truman Brewery; a regal stag, dapper in thimble hat and coiled suit of measuring tape, heads towards Saville Row’s Golden Mile; the subtropical splendour of Tresco Abbey has left its island home to perch in the Scottish Isles and The White Chapel Gallery, sits proudly, testament to Britain’s ‘New Generation’ post war art. A teasing glimpse of the continent affirms Great Britain's close ties with its European neighbours; an early Breeches Buoy rescue device symbolises unity in the face of threat and danger. About Kristjana S. Williams: Icelandic born artist Kristjana S Williams studied graphic design and illustration at Central St Martins, and quickly gained critical acclaim as Creative Director of 'Beyond the Valley', a position she held for eight years. In 2011 she began creating fine art pieces as well as illustrating books and designing interior items. Her designs are inspired by nature, and her technique involves digitally and physically layering nature upon nature to mirror the symmetry that exists in all living things. Each piece is its own magical universe of exotic botanicals and vibrant animals. Described by the New York Times as part of the ‘new antiquarian movement’, Kristjana’s three dimensional original work, Limited Edition prints and interior products feature Victorian engravings, which the artist has blended with verdant and exotic flora and fauna to stunning effect. Animals and insects are intertwined with lavish foliage, layered over ancient shipping maps...

Donald Sultan Yellow Roses, 1992 Screenprint in colors on wove paper Pencil signed, titled, dated and numbered by Donald Sultan on the front Frame Included This work is floated and f...