Op Art Abstract Prints

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Artist: Jean-Pierre Vasarely Yvaral, French (1934 - 2002) Title: 50 Shades of Blue Year: circa 1970 Medium: Screenprint, signed and numbered in penci...

This artwork titled "Dawn of a New Era" 1980 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, date...

This artwork titled "Terrestrial Decade" 1982 is a color serigraph on wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 65/130 ...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Blue Target Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21.25 x 25 inches Size: 23...

This artwork titled "Fiesta" 1982 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 66/130 in pencil by...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Hand signed and numbered from edition of 90 Jakob Weder, (Switzerland, 1906-1990) Swiss color/music kinetic artist. known for his oil and tempera painting ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Fiesta Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 130 Image Size: 18 x 26 inches Size: 22 x 30 in...

Artist: Rita Simon, American (1938 - ) Title: Spacescape Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 30 Image Size: 32 x 24 inches Size: 36 i...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Untitled Year: 1968 Medium: Silkscreen on Japon paper, signed and numbered in pencil Edition: 10 Image Size: 17 x 17 inches S...

Color Grid. Ziggurat form. Hand signed and numbered silkscreen. Tony Bechara, Artist born in Puerto Rico in 1942. Painter, printmaker. Bechara attended Georgetown University in Washi...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Trespass Year: 1981 Medium: Screenprint, si...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Artist: Arthur Boden, American Title: Puzzle Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 8/75 Size: 21.5 in. x 21.5 in. (54.61 cm x 54.61 cm)

A geometric abstract print by Japanese artist Takaaki Matsumoto. World Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 54 Size: 24 x 24 in. (60.96 x 60.96 cm)

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Sixties Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 68 Size: 24 x 24 in. (60.96 x 60.96 cm)

Marathon Man Roy Ahlgren, American (1927–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of 125 Image Size: 23 x 17 in...

Centered Rings Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystam...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Stanley Hayter, British (1901 - 1988) Title: IV from the Aquarius Suite Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x 2...

This grid of squares and circles quickly folds in on itself and seems to warp the fabric of space around it. Perfectly symmetrical, this print gives the illusion of diving headfirst into an old computer...

Artist: Peter Markgraf, Canadian (1924 - 2008) Title: Fugue VII Year: circa 1970 Medium: Screenprint, signed, numbered, and titled in pencil Edition: 56...

Artist: Rita Simon, American (1938 - ) Title: Spacescape II Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 30 Size: 25.5 in. x 36 in. (64.77 cm x ...

VICTOR VASARELY, Pecs 1908 - Paris 1997 Composition, 1982 Original hand-signed color silkscreen print. (mm.508x508). Bibliography: Marcel Joray, Vasarely Ed. du Griffon, Neuchâtel. P...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Artist: Babe Shapiro, American (1937 - 2016) Title: Purple v. 1 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 28 x 28 inches Size: 35 x 3...

This beautiful serigraphy is full of color, emblematic from the Vasarely work.

Artist: Babe Shapiro, American (1937 - 2016) Title: Red v. 2 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 99 Image Size: 25 x 25 inches Size: 35 x 35 in. (88...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Signed, titled, numbered and dated in pencil Edition: 150 Serigraph on paper Sheet: 22 1/4 x 30"

Artist: Babe Shapiro, American (1937 - 2016) Title: Blue Hexagons Year: 1971 Medium: Screenprint, signed in pencil Edition: AP Image Size: 30 x 22 inches Size: 33 x 25 in. (83.82 x 6...

Artist: Allan D'Arcangelo (American, 1930-1998) Title: Landscape Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)

"TRI-DAGG" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A MASTERWORK OF OP ART MOVEMENT "Tri-Dagg" is a captivating original serigraph by Vic...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Silkscreen, metallic ink in colors on vélin paper. Paper size: 26.5 x 26.5 inches. Inscription: Hand signed and numbered 67/100, as issued. Notes: Published by London Arts Inc., Detr...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

TECHNICAL INFORMATION: Victor Vasarely Teke c. 1970 Screenprint 34 1/2 x 30 1/2 in. Edition of 250 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. C...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Celebrate New York Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image Size: 28.75 x 22.25 inches ...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

TECHNICAL INFORMATION: Victor Vasarely Nebulus II c. 1980 Screenprint 32 1/2 x 30 3/4 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art....

Artist: James Norman, American (1927 - 2011) Title: Summer Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 39/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Victor Vasarely “Oltar-Zoeld” 1985/86 Silkscreen on paper Edition 57 of 295 42 x 68 in Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely a...

Artist: Julian Stanczak (1928-2017) Title: Continual Year: 1979 Edition: 41/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscription: Si...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Negative - Positive is an original print realized by Bruno Munari in 1993. Mixed colored lithograph Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX Printed...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Artist: Yaacov Agam, Israeli (1928 - ) Title: Agamograph no. 17 Medium: Agamograph, signed and numbered in ink Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 cm) Frame Size: 20.5 x 2...

TECHNICAL INFORMATION: Victor Vasarely Cinetique 1973 Silkscreen in two parts; paper and mylar 12 3/4 x 10 1/2 x 1 1/4 in. Edition of 10, numbered in Roman numerals Signed in ink on...