Op Art Abstract Prints

Screen print realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100.

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

TECHNICAL INFORMATION: Julian Stanczak Veiled 1972 Serigraph 32 1/4 × 26 in. Edition of 90 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: ...

Cosca II “VP 100” Screen print, 1982 Signed and numbered by the artist (see photo of signature) Edition: 325 plus 65 Vasarely Foundation (127/325) Editor: no editor/publisher is prov...

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar I, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in p...

Artist: Evelyn B. Johnson Title: Space Sounds No. 2 Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 2/25 Image: 27 x 21 inches Paper Size: 30 x 22 inches

Yaacov Agam Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph (hand signed by Yaacov Agam) Hand signed twice in black and ...

This optical screenprint was created by Hungarian artist Victor Vasarely. Vasarely is by far one of the world's most influential Optical artists, pushing the boundaries of art and pl...

Artist: Julian Stanczak (1928-2017) Title: Veiled (from Twelve Progressions) Year: 1971 Edition: 53/90, plus proofs Medium: Three color silkscreen on Fabriano paper Size: 32.25 x 26 ...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Victor VASARELY Jumping Zebra (Op Art) , 1984 Original lithograph Signed in pencil Numbered /75 On Arches vellum 61 x 47 cm (c. 24 x 19 in) REFRENCE : Catalog raisonne Vasarely Pri...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: Yaacov Agam, Israeli (1928 - ) Title: Time from the Mobility Within Series Medium: Agamograph, signed and numbered in ink Edition: 99 Year: circa 2000 Size: 11 x 11.5 in. (2...

Artist: Walasse Ting (1929-2010) Title: Lenk Series C Year: 1971 Edition: EA;100 Medium: Silkscreen, metallic ink in colors on wove paper Size: 26.5 x 26.5 inches Inscription: Signed...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition polymorphe (Polymorphic Composition), from the album Homage to Agam, Solomon R. Guggenheim Museum Exhibition ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Tres Torres Year: 1982 Medium: Serigraph, signed and numbered in pencil Edi...

Artist: David Simpson Title: Ringling Year: c. 1969 Medium: Serigraph, signed and numbered in pencil Edition: 80 Size: 30 x 22.5 inches

This artwork titled "Inward Eye" 1970, is an original colors screen print by renown artist Richard Anuszkiewicz, 1930-2020. It is hand signed in pencil by the artist. The image size ...

Evelyn B. Johnson was an American Optical artist. Her work specialized in striking geometric abstract forms in bright colors whose shading mimics the effects of neon lighting. These ...

Victor Vasarely Anthea Galleria D'arte Poster, ca. 1971 Offset lithograph poster Limited edition of 400 (unnumbered) 28 1/2 × 22 1/2 inches Unframed This historic offset lithograph p...

Lothar Quinte, Polish (1923 - 2000) - Blue Horizon, Year: circa 1970, Medium: Screenprint on heavy stock, signed and numbered in pencil, Edition: 40/100, Size: 25.5 x 25.5 in. (6...

Lattice is a contemporary artwork realized by Victor Vasarely (1906-1997) in 1978. Silkscreen in colors on wove paper. Hand signed on the lower right. Includes frame.

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

This artwork titled "Gull Point" 1987 is a color serigraph by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 60/100 in pencil by the artis...

Artist: Victor Vasarely (1908-1997) Title: Pink Composition Year: Circa 1982 Medium: Silkscreen on Arches paper Edition: 217/300, plus proofs Size: 27.5 x 20.25 inches Condition: Goo...

This exquisite lithograph and pochoir by Victor Vasarely (1906–1997), titled Pamir (Pamir), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originat...

The piece, by Pedro Friedeberg is unique and special because it powerfully executes the illusionistic principles of Op Art (Optical Art) while injecting the surreal, complex geometr...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Entraphy Year: 1979 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 250, AP 30 Image Size: 27.5 x 20 inches ...

Victor Vasarely, Hungarian (1908–1997) Date: 1955 Screenprint, signed and numbered in pencil Edition of 124/150 Image Size: 16 x 22 inches Size: 20 x 25.75 in. (50.8 x 65.41 cm)

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

Kandahar is a contemporary artwork realized by Victor Vasarely in 1955. Screen print on wove paper after a painting of 1951. Hand signed and numbered on the lower margin. Edition ...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Artist: Victor Vasarely (1908-1997) Title: DOR-OR Year: 1982 Medium: Silkscreen on Arches paper Edition: 96/325, plus proofs Size: 42.75 x 23.5 inches Condition: Good Inscription: Si...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Orion Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 26 x 19 inches Size: 30 in. x 22 in. (...

This artwork titled "Aztec" 1983 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 71/150 in pencil by ...

This artwork titled "Mesa" 1985 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 66/130 in pencil by t...

Victor VASARELY YKA : Cinetic Composition in Red end Blue, 1989 Original screenprint Signed in pencil Numbered /75 On Arches vellum 61 x 54 cm (c.24 x 22 in) REFRENCE : Catalog rai...

Roy Ahlgren (American, 1927 - 2011) Concatenation, 1970 Silkscreen (Print), signed, titled and numbered in pencil Edition 31/100 Image Size: 18 x 18 inches Sheet 20.5 in H x 20 in L ...

Artist: Walasse Ting (1929-2010) Title: Lenk Series A Year: 1971 Edition: EA;100 Medium: Silkscreen, metallic ink in colors on wove paper Size: 26.5 x 26.5 inches Inscription: Signed...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Lothar Quinte, Polish (1923 - 2000) - Quasar-Gelb-Grun, Year: 1973, Medium: Screenprint, signed and numbered in pencil, Edition: 25/40, Size: 35.5 x 35 in. (90.17 x 88.9 cm)

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Artist: Mark Rowland (American, 1953 - ) Title: Gamut Medium: Screenprint, signed, dated, and titled in pencil Edition 214/300 Size: 30 x 30 in. (76.2 x ...

Composition VII is an original serigraph realized by Franco Cannilla in 1971. The artwork is hand-signed in pen by the artist. Edition of 40 prints. ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Victor Vasarely Saeule HK (Detail), 1967 Silkscreen on thick glazed paper (after a painting from 1964) Image Size: 10.4 x 4.7 in. Sheet size: 10.6 x 10.6 in. Unsigned as issued Print...

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Me...

Facade I Screen print, 1970 Signed, dated, titled and numbered in pencil Edition: 100 (44/100) Provenance: Estate of the artist By decent Condition: Excellent Image: 24 x 29" Sheet:...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Signed and numbered in pencil Publisher: Eugene Shuster, London Arts Printer: Vistec Graphics, Rochester, New York Stamp verso: London Arts Copyright 1980 Edition: 175 (85/175)

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Ovalo Verde Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150, AP 25 Paper Size: 22 in. ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.