Op Art Abstract Prints

Blue and Red Space Ilk Screen, 1971 Signed and dated lower right (see photo) editioned lower left (see photo) Edition: 75 (75/75) Sheet size: 22 1/8 x 29 7/8" Image: 21-7/8 x 29-5/8"...

Artist: Josef Levi, American (1938 - ) Title: Karen Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 12 inches Size: 14 x 18 in. (3...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Cloud Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 125 Size: 24 x 24 in. (60.96 x 60.96 cm)

An original hand-signed and numbered (edition 17/50) silkscreen by Ryo Tokita. Ryo Tokita is a Japanese born artist who emigrated to the United States in 1...

Artist: Yaakov Agam (1928) Title: Five Visual Orchestrations Year: 1990 Medium: Silkscreen on Arches paper Edition: 12/72, plus proofs Size: 30.25 x 42 inches Condition: Good Inscrip...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This abstract serigraph was created in 1981 by American Optical artist Evelyn B. Johnson. It is signed and numbered 17/25 in pencil, and the plate size is 25.5 x 25.5 inches. It is d...

Artist: Victor Vasarely (1908-1997) Title: DOR-OR Year: 1982 Medium: Silkscreen on Arches paper Edition: 96/325, plus proofs Size: 42.75 x 23.5 inches Condition: Good Inscription: Si...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eternal Vigilance Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 60 Size: 26 x 20 in. (66.04 x 50.8 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Allegro Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 23/100 Image Size: 18 x 25.5 inches Size: 22.5 x 30 in...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Safe Harbor Year: 1988 Medium: Serigraph, signed, titled, dated, and numbered in pencil Edition: 11/100 Size: 22 x 30 in. (55.88 x ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Artist: Josef Albers, German (1888 - 1976) Title: Portfolio I, Folio 33 from Formulation: Articulation Year: 1972 Edition Size:1000 Medium: Screenprint on Mohawk Superfine Bristol pa...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Inca Year: 1984 Medium: Silkscreen, signed, numbered, titled, and dated in pencil Edition: 150 Size: 30 x 22 in. (76.2 x 55.88 cm)

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Lineate II Year: 1969 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size: 20 x ...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Transection I Year: 1971 Medium: Screenprint on Scintilla paper, signed and numbered in pencil Edition: 75 Paper Size:...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Luna Year: 1977 Edition: AP Medium: Serigraph, signed and numbered in pencil Image Size: 17.5 x 17.5 inches Size: 20 x 20 inches

Artist: Isaac Inbal, Moroccan/Israeli (1945 - ) Title: Intertwining Forms - Grey Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 70/150 Size: 25 x 25 in. (...

Artist: Arthur Boden, American Title: Puzzle Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 8/75 Size: 21.5 in. x 21.5 in. (54.61 cm x 54.61 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Exploded View Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 17 x 17 inches Size: 20 x 20 in...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Tutankhamen Year: 1983 Edition: 150 Medium: Serigraph, signed and numbered in pencil Image Size: 25.5 x 18 inches Size: 30 x 22.5 ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Bir Sur Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 25.5 inches Size: 22.5 x 30 in...

Artist: Ludwig Wilding, German (1927 - 2010) Title: Squares Year: 1967 Medium: Screenprint, signed and numbered in pencil Edition: 38/100 Image Size: 15.5 x 15.5 inches Size: 23.5 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Oscillation Year: circa 1977 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18.25 x 25.75 inches Size:...

Screen print by Victor Vasarely 29 ⅛ x 24 ⅜ inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his groundbreakin...

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

Artist: Sue Gollifer, British (1944 - ) Title: Opticals Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 5/75 Image Size: 18 x 18 inches Size: 28 in. x 22 in. (7...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon IV Year: 1968 Medium: Serigraph, signed and numbered in pencil Edition: 25 Image Size: 17 x 17 inches Size: 20 x 20 in....

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aztec Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22.5 x 30 in. (57...

Artist: Roy Ahlgren, American (1927 - 2011) Title: City of New York Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 20 x 26 inches Size: 23 x 29 ...

Artist: AFter Yaakov Agam (1928) Title: An American Portrait, exhibition poster Year: 1976 Medium: Offset Lithograph on wove paper Size: 27.75 x 19.25 inches Condition: Excellent Not...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Convolution Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 19/80 Image Size: 18 x 24 inches Size: 20 x 26 in....

This swirling chrome and silver print is named in reference to the famous painting “Starry Night” by Vincent van Gogh. The spiral that pulls at the center of the composition is remin...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Artist: Wladimir Zwaagstra, Dutch (1937 - ) Title: Mobius - Brown Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 10/25 Size: 20 x 30 inches

Artist: Ludwig Wilding, German (1927 - 2010) Title: Untitled - Circle Year: 1967 Medium: Lithograph, signed and numbered in pencil Edition: 38/100 Image Size: 15.5 x 15.5 inches Size...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Tres Torres Year: 1982 Medium: Serigraph, signed and numbered in pencil Edi...

Vintage poster lithograph by Victor Vasarely advertising an exhibit Galerie Luhumiere in Paris. The print features a an Op Art composition featuring a grid pattern of repeated squar...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 f...

Signed and numbered in pencil Publisher: Eugene Shuster, London Arts Printer: Vistec Graphics, Rochester, New York Stamp verso: London Arts Copyright 1980 Edition: 175 (85/175)

Artist: Yaakov Agam (1928) Title: Wash Art Year: 1978 Medium: Silkscreen on wove paper Size: 38.5 x 23.25 inches Condition: Excellent Inscription: Signed in colored ink Notes: Publis...

TRIDIM Gris Screen print, 1986 Signed in pencil lower right (see photo) Edition: 200 (76/200) From: portfolio enetitled "35 ans apres" Printed at Atelier Arcay, Paris, France Publisher: Park West Gallery...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

Victor Vasarely (Hungarian-French, 1906–1997) Untitled (Spiegel 70), 1970 Medium: Screenprint on paper Dimensions: 83 x 62 cm Edition of 150: Hand-signed and numbered in pencil

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Carlos Cruz-Diez (1923-2019) Original silkscreen print, signed and numbered Title: Untitled, 1959/84 From: Exacta. Dal Costruttivismo all'arte sistematica 1918-1985 Media: Silksc...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...