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Andy Warhol
Flowers (FS II.6)

1964

Price Upon Request

About

FLOWERS 6 Flowers 6 by Andy Warhol was the first print that Warhol published for his Flowers series. It was published to coincide with a Warhol exhibition at the Leo Castelli Gallery in New York that occurred from November 21 through December 17, 1964. The print came from a photo by nature photographer Patricia Caulfield that was found in the June issue of Modern Photography. Like in many of his works, Warhol appropriated an image, cropped and abstracted it, and then played around with the colors. The exhibition that this print was created for featured seven monumental-scale paintings featuring the same subject. The show was a sell-out even though it was such a departure from Warhol’s standard subject matter. This particular print features two pink flowers, a yellow flower, and an orange flower on green grass. The photograph was of Mandrinettes, which is a highly rare hibiscus flower. FLOWERS 6 AS PART OF ANDY WARHOL’S LARGER BODY OF WORK Like many of Warhol’s works, Flowers 6 was appropriated from a magazine. Warhol commonly sourced images from advertisements, magazines, and newspapers. What makes it particularly unique is that they are far from his usual mass-media, commercial imagery. With this print, he inverted the image, which is something he commonly did, and then personalized the prints using watercolor dyes. Flowers are one of the only subjects that he continuously revisited throughout his entire career in almost all mediums. Six years after this print was released, he released a portfolio of ten screenprints that were very similar in composition and has become one of his most popular series.

Details

  • Artist
    Andy Warhol (1928 - 1987, American)
  • Creation Year
    1964
  • Dimensions
    Height: 23 in. (58.42 cm)Width: 23 in. (58.42 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    West Hollywood, CA
  • Reference Number
    1stDibs: LU2637087982

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    Rates vary by destination and complexity.
    Ships From: West Hollywood, CA
  • Return Policy

    This item cannot be returned.

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About Andy Warhol (Artist)

The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, he expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York.


     Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials.


     As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The1967 silkscreen Marilyn 25 embodies his love of bright color and famous subjects.


     Warhol was a prominent cultural figure in New York during the 1960s, ’70s and ’80s. The Factory was a gathering place for the era’s celebrities, writers, drag queens and fellow artists, and collaboration was common. To this day, Warhol remains one of the most important artists of the 20th century and continues to exert influence on contemporary creators.

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