Vertical Prints and Multiples

Artist: Pablo Picasso Title: Bacchanale (back cover) Portfolio: Picasso Lithographe III Medium: Transfer lithograph Date: 1956 Edition: 3000 Frame Size: 20 3/4" x 17 3/4" Sheet Size:...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

The donkey is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Medium: pochoir (after the 1872 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Color lithograph on Arches paper, edited in 1959. Limited edition of 200 copies , numbered as 114/200 in lower left. Hand signed in pencil by Pablo Picasso in the lower right corner....

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...

Pablo Picasso, Spanish (1881 - 1973) - Woman With Mirror, Portfolio: Vingt Poemes Luis de Gongora y Argote, Year: 1948, Medium: Etching on Marais, Edition: 275, Size: 12.75 x 10 in....

Paper Size: 25.25 x 15 inches ( 64.135 x 38.1 cm ) Image Size: 19.5 x 15.5 inches ( 49.53 x 39.37 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. Pri...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Original Fly TWA India vintage travel poster. Artist: David Klein. Archival linen backed in very fine condition, ready to frame. This poster features a...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 149, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Tom Sachs - TOO DARN HOT Date of creation: 2022 Medium: Screen print on Somerset paper Edition: 1337 Size: 77.5 x 60.9 cm Condition: New in mint conditions, never framed This is a 13...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Cancer, 2018, collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

hand pulled lithograph edition 100 signed and numbered by the artist unframed

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 36-37-38. Published by Aimé Maeght, Éditeur, Paris; printed by Édi...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Chinese Herbal Book is a Rare book with beautiful oriental herbal wood prints realized in the 19th century. In 29 pages. All titled in Chinese. In go...

Rare Keith Haring Party of Life IV invitation, 1991: “Party of Life IV A Celebration of Keith Haring. Thursday, May 23rd, 1991, Shelter. Pr...

This is a second state impression from three states.

Print published by Jean-Paul Loup. Unframed, but we have framing options available. Measures: 31.50 x 24.50

Church is a modern artwork realized by Giovanni Stradone in the mid-20th century Black and white etching Hand signed and numbered on the lower margin Edition of 19/70 Includes frame

Andy Warhol, American (1928 - 1987) - XIV Olympic Winter Games, Year: 1982, Medium: Poster, Size: 36 x 24 in. (91.44 x 60.96 cm)

Robert Longo Men in the Cities: Rare original 1985 announcement card published on the occasion of: Men In The Cities from November 9 - December 7, 1985 at Brooke Alexander, Inc.; 59...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

Moulin Rouge. La Goulue and Valentin le Désossé  is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Moulin...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Pablo Picasso (1881-1973) - Bacchanale Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publishe...

A colorful signed lithograph by French Modern artist Jean Cocteau. This print features a stylized dancing lion with the title “Lions Club” in the upper left corner and a signature an...

Original excellent condition, linen backed United Airlines: Seattle, the 1968 airplane airline aviation travel poster promoting travel to Seattle, Washington aboard United Airlines and featuring art of a Native American Indian totem pole...

FAMILY IN BLUE is an original hand drawn limited edition lithograph by the Trinidadian-American artist, Geoffrey Holder an actor, dancer, choreographer...

This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...

Church of San Pietro In Banchi, Italy - 1908 Original Etching Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...

Marc Chagall (1887-1985) - Esther Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

"Large Head of Vincent" by Alex Katz - sugarlift aquatint on Arches Cover paper. Offered in simple white wooden frame. Print size: 61 x 35.5 inches Frame s...

Morris Cox (1903-1998) A Feminity of Nudes, 1979-80 Screenprint 11.0 x 8.0 cm 25.0 x 21.0 cm Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmaker, ...

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...

Lithograph in seventeen colors, on Arches paper. Year: 1958 Paper: Arches wove Signature & Inscription: Plate signed and dated in red at top center: “pour Gilberte et Serge, Picasso,...

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Snipe is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed in plate. This work is part of a print su...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Sku: AW1177 Artist: Willem de Kooning Title: Spoleto-14 Giugno Year: 1974 Signed: No Medium: Offset Lithograph Paper Size: 41.25 x 29.5 inches ( 104.775 x 74.93 cm ) Image Size: 41.2...

Grand Tête, Portrait of Jacqueline with sleek hair Color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark Numbered 14/50 from the edit...

With hand-deckled edges. Obey publishing chop in lower left corner. "Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhyth...

The Resurrection by Salvador Dali, Spanish (1904–1989) Date: 1979 Lithograph on Arches, signed and numbered in pencil Edition of 243/250 Image Size: 23 x 16 inches Size: 29.5 x 21.5 ...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "John Gotti (Time Magazine Cover)" Series: Time Magazine *Signed by Warhol in the plate (printed signature) lower center Year: 1986 Medium: Offset-Lithography; The complete September 29, 1986, Vol. 128, No. 13 issue of "Time" magazine Reference: "Andy Warhol Prints: Catalogue Raisonné 1962-1987" - Feldman/Schellmann No. IIIB.50, page 278 Framing: Recently framed in a black contemporary moulding with black 100% cotton rag matting and 99% UV protective Museum Glass Framed size: 18.94" x 16.25" Sheet size: 8.25" x 11" Image size: 10.38" x 8" Condition: A complete pristine copy. In excellent condition with strong colors Notes: Provenance: private collection - Gulfport, MS. Warhol was commissioned by Time magazine to design this image for their September 29, 1986 issue. The image featured on this cover is a variation of Warhol's 1986 screenprint edition "John Gotti", (Feldman/Schellmann No. IIIB.50). Based on a publicity photograph. Retains its original mailing address label on verso. "Time magazine, for instance, approached Warhol to produce a number of covers, which furthered his interest in the world of commerce and art, or what he called 'business art'. These include 'New Coke...

Abstract Composition is a beautiful colored serigraph on cream-colored paper, realized in the 1970's by the Italian artist, Luigi Montanarini (1906-1998) and published by La Nuova Fo...

Dali’s Inferno by Salvador Dali, Spanish (1904–1989) Portfolio: Dali's Inferno Date: 1978 Lithograph on Arches, signed and numbered in pencil Edition of 2...

Ancient Roman Bust, from the Series Antiquities of Herculaneum is an original etching on paper realized by Filippo Morghen. Signed on the plate, on the lower right. Good conditions ...

Untitled 1 Etching original painting Plate, Iron 100x70 cm Jaume Plensa Suñé (Barcelona, 1955) is a Spanish plastic artist, sculptor and engraver. Very versatile artist who has also ...