Small Prints and Multiples

Jean Degottex, Vintage Poster Exhibition is offset print realized in the occasion of the exhibition held in Meo Gallery in 2010. Good conditions.

A yellow dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their ow...

Abstract Composition is a Lithograph realized by Joan Mirò (1893-1983) within the suite "Mirò Lithographe". The artwork is from gallery "Toninelli Arte Moderna" in Milan. No signat...

Nu is an original etching realized by Jean Fautrier in 1937. Hand signed in pencil on lower right margin, Artist's proof. Excellent conditions. Elegant laying female figure realized...

Artist: Joan Miro Title: Miro as Sculptor Medium: Lithograph in colors Date: 1976 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in ...

Artist: Pierre Corneille Van Geel (Flemish, 1796-1838) Title: "Iris" Portfolio: Sertum Botanicum Year: 1828 (First edition) Medium: Original Hand-Colored Lithograph on wove paper Lim...

Jaremi Picz (1955) - Dark Matter Halo Giclée from 2025. The edition of 10. Dimensions of work: 50 x 50 cm. Hand signed. Publisher: Dell'Arte Foundatio...

Jaremi Picz (1955) - Phoenix Cluster Giclée from 2025. The edition of 10. Dimensions of work: 50 x 50 cm. Hand signed. Publisher: Dell'Arte Foundation, Cracow. -- Jaremi Picz ...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Artist: Hermann Max Pechstein (German, 1881-1955) Title: "Weib Vom Manne Begehrt (Woman Desired by Man)" Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time) *Unsigned edition Year: 1919, (published 1920) Medium: Original Woodcut Engraving on cream wove paper Limited edition: 500, (there was also a signed and numbered edition of 30) Printer: Unknown Publisher: Klinkhardt & Biermann, Leipzig, Germany Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114 Framing: Recently beautifully framed in a modern gold moulding with 100% cotton rag matting and Museum Glass Framed size: 19.69" x 16.13" Sheet size: 12.75" x 9.5" Image size: 9.88" x 6.25" Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition Notes: Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY. "Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)" brings together woodcuts, lithographs, and reproductions by thirty-one artists representing a cross-section of styles from Impressionism to Expressionism, uniting under a single cover works ranging from naturalistic self-portraits to left-wing political caricatures. It features works by artists associated with the Berlin Secession (an exhibiting society comprised primarily of German Impressionists), with Expressionist groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists like Max Beckmann who were not affliliated with any group. In his introduction, art historian Kurt Pfister identified Expressionism as the leading force in German art at the time, while stressing the plurality of approaches to style and subject matter that the movement encompassed. Pfister emphasized the openness of German artists to foreign sources, and cited the importance of Paul Cézanne, Edvard Munch, and Pablo Picasso as well as Japanese, Indian, African, and Gothic art for the development of German art. There was a fifty-year difference in age between the oldest artist, Max Liebermann, and the youngest, Conrad Felixmüller, featured in the collection. The volume also included Lyonel Feininger, an American who had lived in Germany since 1896, as well as Austrian artists Oskar Kokoschka and Alfred Kubin. Biography: Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures. From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

This artwork titled "Greetziel, North Sea, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand...

Shepard Fairey Muhammad Ali "Heavyweight Ideals" Shepard Fairey Screenprint Contemporary Art, 2023 Fine Art Thick Cream Speckletone Paper Silkscreen Print with Gold Metallic Inks 24 ...

DETAILS: 27 x 17 inches 2020 Offset lithograph 80# Classic Linen Solar White Cover

A limited edition print by Michael Sanders. Carne Beach is a staggering beautiful place... the backdrop of the huge headland never fails to impress. My favourite time to visit is whe...

A very good impression of this color photolithograph with strong colors on Magnani Pescia paper. Signed and numbered 101/150 in pencil by Fontana. Printed by Le Arte Grafiche Pardini...

This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a trapeze artist an acrobat on the high wire. This came from a portfolio inscribed by Vertes and also signed by the Surrealist Jean Cocteau. MARCEL VERTES FRENCH HUNGARIAN 1895(Ujpest, Hungary)-1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

Antoni Tàpies Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issued...

Very nice psychedelic poster from 1968 for the Jeff Beck Group. Lee Conklin's early influences were pen and ink masters Heinrich Kley and Saul Steinberg.Aft...

"Ceremonial Day at Taos" is a captivating vintage black and white etching by renowned American artist Gene Kloss. Created in 1953, this drypoint etching depicts the vibrant life of T...

Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 19 1/4 inches (320 x 490 mm). This work was published as a folded ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Landscape is a vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is exc...

While you might not have heard of Getulio Alviani, he was very popular among the other Op Artists of his time. Jesus Rafael Soto asked Alviani to be th...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Claes Oldenburg Chinati Foundation, Marfa Texas (Hand Signed), 2003 Offset Lithograph poster. Hand signed by Claes Oldenburg 23 1/2 × 13 1/2 inches Exceedingly rare when hand signed....

Abstract Composition is a beautiful original lithograph, realized in the 1970s by Luigi Veronesi. Hand-signed on the lower left. Numbered. edition, 4/99. In good conditions except...

50x50cm, print on canvas Edition 20 pcs.

Danaë, no. 2 from the fourth installment of Das Werk Gustav Klimts Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...

This original 1967 poster by the legendary Stanley Mouse announces one of the foundational events of the American counterculture: A Gathering of the Tribe for a Human Be-In. Held on ...

Drinkers is an Etching realized by Georges Jeanniot in 1914. Signed on the lower, titled. Good condition.

All the hype is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-signed and...

After Pablo Picasso - Cubist Still Life - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his ...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Tabula A from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and nu...

Jupiter and Antiope is a beautiful black and white etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820). Signed on the...

Zao Wou-Ki (Chinese, French, 1921-2013) Les Poissons, 1953 Lithograph Hand-signed in pencil Lower Right Hand-numbered 16/55 in pencil Lower Left 18 x 23 1/8 inches 29 x 33 inches wit...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...

Etching and aquatint, 1975 Handsigned by the artist in pencil and annotated XXVII/XXX Publisher : Georges Visat (Paris) 54.00 cm. x 42.00 cm. 21.26 in. x 16.54 in. (paper) 30.50 cm....

Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Guerra in the 18th Century. Signed on the plate. Good conditions and aged with some folding...

"Figure" is an original Lithograph artwork realized by Ernesto Treccani. Hand-signed at the bottom. Numbered, edition XLII/L In excellent conditions. This is an original Artwork r...

David Roberts R.A. 1796 - 1864 CALVARY - HOLY SEPULCHRE First Edition lithograph Full plate: 26 Presented in a acid free mount Modern hand-coloured lithograph for the first editi...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures: 9 3/4 x 23 3/4 inches. Pencil signed and dated. Numbered 2/X St. IV full color. Rose catalog #176 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he travelled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they travelled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 World’s Fair...

ARTIST: Salvador Dali TITLE: The Cycles of Life 3 Piece Suite Vigor of Youth One's Identity Reflection MEDIUM: 3 Etchings SIGNED: Each piece is Hand Signed EDITION NUMBER: 182...

Original Biere Fine Luxem vintage linen-backed beer poster. Artist: Vertil. Printed in Belgium. Excellent condition, ready to frame. Own a piece of history with this authentic...

Beautiful poster for the 22nd International Paris Air Show. The Paris Air Show, better known as the Salon du Bourget, or SIAE, is one of the most important international events for t...

This signed lithograph, Gables Waterway by Kenneth Nedorost, captures the tranquil elegance of a waterside scene in refined duo tones of grey and black. The composition’s calm surfac...

Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

Woman's Face is an original Hand-colored lithography artwork realized by Mario Ceriacca. Hand-signed. Good conditions except for a small hole along the right margins that does not ...

Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787 Late 18th century hand colored engraving after Thomas Rowlandson A scene of a young student asking ...

REINHOUD D'HAESE - WOMAN READING Original lithograph, c.1974 Hand signed in pencil Printers proof printed in Paris France on Arches paper using traditional hand lithography WOMAN READING is a very loosely drawn, black line figurative portrait of a woman dressed in her pink robe seated in a dark brown armchair, totally engrossed in reading from a light gray green book. Her black tousled hair and visibly intense focus towards her book suggests she's settled in for the long-haul. WOMAN READING is an expressive and slightly humorous portrait...

Artist: Leonor Fini Title: La Grande Parade des Chats (The Great Parade of the Cats) Year: 1973 Medium: Color lithograph Edition: Numbered 1...

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate, with carborundum from three aluminium plates, printed in black and three shades of gre...

This listing is for 3 collotypes: "Medicine", "Jurisprudence", and "Philosophy", pictured, from the Das Werk portfolio by Gustav Klimt and k.k. Hof-und Staatsdruckerei, published by H.O. Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio. Further information below: About the portfolio: DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

Ancient Roman Decorations from the series "Antiquities of Herculaneum", is a etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditio...

Singing and Dancing is an original etching print on paper realized by Charles Kiffer in the Mid-20th Century. Hand-signed on the lower right and numbered on the lower left, edition ...

Jim Dine was one of the key artists who defined American Pop Art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images and icons. He used ubiquitous and familiar forms, like tools, food, and stylized clothing, as the basis for bold and colorful compositions inspired by Dada assemblage, Abstract Expressionism, and collage techniques. The "Heart" is the most celebrated icon in Dine's oeuvre. He uses its motif to explore pattern, color, and texture across mediums. This classic and iconic example of Jim Dine's hearts from his most sought-after period. Four coral hearts, adorned with flecks of blood orange, hover in the center of the work. The background features tactile grapefruit splotches that dance across the sheet to reveal and accentuate stretches of negative space. The result is a striking illusion of depth that simultaneously camouflages the hearts and accelerates them to the foreground of the work. Questions about this piece? Contact us. or visit our Toronto gallery on Thursdays or by appointment. "Dutch Hearts...

Artist: Thomas McKnight (American, 1941-) Title: "Maidstone" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16.13" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...