Small Prints and Multiples

Disparate General- from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 9 fr...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....

Edition of 25. "Fire (America) View 2" is a new print edition related to Teresita Fernández's wall drawing "Charred Landscape (America)." Images of raw charcoal create the illusion ...

Color Interpenetration is an original artwork realized by Carlo Lorenzetti (Venice, 1858 - Venice, 1945) in 1969. 60 numbered and signed copies. Edi...

The circa 1970 original political poster for "Jornada de solidaridad con Cuba" (Day of Solidarity with Cuba) by OSPAAAL (Organization of Solidarity with the People of Asia, Africa, a...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

Wes Wilson designed this poster in 1966, advertising a concert by the legendary American rock band The Turtles, appropriating the whimsical images of the tu...

A very good impression of this lithograph on Rives BFK. Signed, inscribed "state I" and numbered 111/150 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blin...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 29/90 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : [Mourlot 203, page 26] 38.00 cm. x 56.50 cm. 14...

The 1968 original poster for the "24 Heures du Mans" race, featuring photography by André Delourmel, captures the essence of one of the most iconic endurance racing events in the wor...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Mildred Dienstag "She & He" Original Mid Century Framed Serigraphs c.1975 Vintage mid 1970s abstract portraits of a man and woman by noted artist Mil...

A young apprentice geisha from Kyoto poses before a gold leaf screen. She is both alluring and slightly distant at the same time, not an easy balance for an artist to convey. This p...

This poster printed in lithography is very rare, it comes from a limited edition of 500 copies for the promotion of their concert in Singapore. The Rolling Stones, this rock band that no longer needs to be introduced, composed of Mick Jagger, Keith Richards ,Charlie Watts & Ron Wood. Their image of rebellious bad boys, conveyed in the 1960s, is a major reference for the generations of rock musicians...

RF ART Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom) 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23...

Silkscreen Print on Fine Art Cream Speckletone 24 × 18 in 61 × 45.7 cm Edition of 500 Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary / Contemporary Academic Realism "The Earth's eco-system is beautifully complex but fragile. Biodiversity is essential to maintain the delicate balance our world needs to remain healthy. 68% of the Earth's species have disappeared in the last 50 years alone. Many beautiful creatures are gone forever, and each loss erodes the foundation of our eco-system. My poster...

“A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because they are no more.” This verse from Jeremiah 31:15 is the subject of this woodcut print by Jacob Steinhardt, depicting Rachel, who was the mother of the tribes of Joshua and Benjamin, and who was the wife of Jacob who was Israel, weeping for her children which is to be understood as after the destruction of the First Temple in Jerusalem, the Israelites were clustered into Ramah, the home of the Benjaminites, before being taken into the Babylonian captivity; Rachel is weeping for the destruction and expulsion of her descendants. This work is exemplary of the Jewish themes of Jacob Steinhardt, a German Jew...

ARTIST: Salvador Dali TITLE: Les Chants de Maldoror (Tongue) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Albert Skira, Paris EDITION NUMBER: 14/100 MEASUREMENTS: 22" x 16.5...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Artist: Joan Miro Title: Plate VI Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Hannes Grosse Title: Gestural Abstraction Medium: Color silkscreen Size: 23.6 × 15.8 inches COA provided Hannes Grosse (German, born 1932)

Wood engraving, 1964 Handsigned by the artist in pencil and numbered 55/170 56.50 cm. x 37.50 cm. 22.24 in. x 14.76 in. (paper) 36.30 cm. x 27.00 cm. 14.29 in. x 10.63 in. (image) ...

HUGNET, Georges. Huit jours a trebaumec [Paris]. Privately printed for the author, 1969. With 82 photogravures after photocollages by the author. Designed by Henri Mercher. Slim 4to, [92] pp; decorated two-color photogravure cover in imitation of a Michelin guide...

50x50cm, print on canvas Edition 20 pcs.

Black and Violet Composition is an original lithograph realized by Jean-Paul Riopelle for the Art Magazine Derrière Le Miroir, no. 171, in 1968. Printed by Ateliers de Maeght, Pari...

Ego Sum Deus Tuus  is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left. Yves Ganne first studied at the Ecole des...

Artist: Salvador Dali Title: Purgatory: Canto 21 Portfolio: The Divine Comedy: Purgatory Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Siz...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

This is an original gallery show poster the Boris Mirsky Gallery, Newbury St. Boston. titled Sculpture Prints Drawings. It is dated 1962. it is in red and black. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". AP of 10. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in excellent ...

"Expanding" is a color screenprint made by Adolph Gottlieb in 1967. The work is number 4 from an edition of 75. The work is signed and dated in pencil, lower left, "Adolph Gottlieb 1...

Signed lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28...

DETAILS: 27 x 17 inches 2020 Offset lithograph 80# Classic Linen Solar White Cover

Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...

Two big flowers is a colored screen print on paper realized by Ivan Rabuzin in the 1990s. Hand-signed in pencil on the lower margin. Excellent conditions...

Artist: Joan Miro Title: Plate III Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" ...

Vincent Longo, American (1923 - 2017) - Brown and Red Composition, Year: 1976-80, Medium: Etching and Aquatint on Arches, signed, dated and numbered in pencil, Edition: 3/20, Image S...

Sitting Woman is a beautiful original lithograph realized by the Italian master Domenico Cantatore. A wonderful original print representing a seated woman through vivid color in a w...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...

Artist: Guillaume Azoulay (1949) Title: Jacob’s Vision Year: 2003 Edition: 44/50, plus proofs Medium: Pigment print on wove paper Size: 23 x 18 inches Condition: Good Inscription: Si...

Kate Moss, 2010 Signed, countersigned, dated and annotated verso 'Life is beautiful" along with thumbprint Acrylic and silkscreen on wove paper 21 x 22 inche...

This original exhibition poster by James Rosenquist was created for the *Frederick R. Weisman Collection*, displayed at the Foundation of Art and sponsored by the American Center in ...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

Amy Winehouse Turquoise by BATIK Archival pigment pop art print signed & limited edition. paper size 20x20" inches / 51 x 51 cm signed and numbered by the artist on front edition...

Hermes in Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate, on th...

Abstract composition is a beautiful color serigraph and lithograph on paper, realized by the Italian artist Enzo Brunori (Perugia, 1924 - Rome, 1993). Hand-signed and numbered in pe...

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Artist: Henri Matisse (after) Title: Zulma Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 21" x 15" Sheet Size: 14" x 10 1/2" Sign...

An iconic female Frohsin figure with red and white stripes and heavy hand coloring. Monotype EV Ed 4/4. Signed front in pencil by Frohsin, who is strongly associated with the Bay Are...

The Story of Tamiya Bataro Color woodcut diptych, March 22, 1886 Signed and sealed by the artist (see photo) Yoshitoshi signature, Taiso seal Series: New selection of eastern brocad...

David Roberts R.A. 1796 - 1864 CALVARY - HOLY SEPULCHRE First Edition lithograph Full plate: 26 Presented in a acid free mount Modern hand-coloured lithograph for the first editi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Pink Bardot Triptych by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

James Kearns, American (1924 - ) - Jester, Year: circa 1975, Medium: Etching on Rives, signed, titled and numbered, Edition: AP, Image Size: 5.25 x 4.5 inches, Size: 19.75 x 12.5 i...