Small Prints and Multiples

Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...

Pallas Athene, no. 9 from the third installment of Das Werk Gustav Klimts The Klimt-led Vienna Secession which rebelled against the Academic State-run e...

IPAD DRAWING NO.281, 2010 iPad drawing, 8-colour inkjet print on cotton-fiber archival paper Co-published by the Artist and Taschen, Berlin, to accompany the Art Edition of 'David ...

Nude Figure with Breast & Hand, Platinum Palladium Print on Wove by Contemporary British Artist, Malcolm Pasley (Born 1956) Art measures 14 x 11 inches...

Artist: Andy Warhol Title: Untitled (Plate 17) Portfolio: In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sheet ...

The portfolio consists of six screen prints on Lenox museum board. Each hand-signed and numbered. Each print is unique. Printed by Rupert Jasen Smith, New York. Published by Andy War...

Hand signed and dated, and signed on plate. Artist's proof. Good conditions.

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Yoshitomo Nara Let's Talk about Glory, 2021 Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...

Senghor, Leopold Sedar. POEMS OF LEOPOLD SEDAR SENGHOR with illustrations by Lois Maillou Jones. Limited Editions Club, NY, 1996. Number 88 of the e...

This rare exhibition poster, titled "Blue Umbrellas," commemorates the remarkable installation created by Christo and Jeanne-Claude in October 1991. The project featured 960 yellow u...

Artist: Henri Matisse Title: Teeny Portfolio: Other Portfolios Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19" x 16 1/4" Sheet Size: 12 1/4” x 9 1/2” Image Size: 11 7/...

Frank Stella Sharpesville, from Multicolored Squares I (Axsom 79), 1972 Lithograph on J. Green mould-made paper Signed in graphite pencil, dated and numbered 31/100 (there were also ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

Polaroid transfer on Rives BFK paper Signed, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Clam...

This reproduction of Joan Miró's "Dragonfly with Red-Tipped Wings in Pursuit of Serpent Spiraling Towards a Comet" was published by Te Neues in 2010. The artwork is framed in a sleek...

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

Norman Rockwell, American (1894 - 1978) - Self Portrait, Medium: Lithograph on Japon paper, numbered in pencil and plate signed, Edition: AP, Size: 22 x 21 in. (55.88 x 53.34 cm), Fr...

Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard Direxit is a French 19Th Century artist, engraver. Benar...

Luciano Pavarotti & Frank Sinatra in Concert Music Legends Grammys Litho Al Hirschfeld (1903-2003) Luciano Pavarotti and Frank Sinatra in Concert Limited Edition Etching Sight: ...

Joan Miro, Spanish (1893 - 1983) - Miro a l'Encre I (Cramer 161), Year: 1972, Medium: Lithograph on Wove Paper, signed in the plate, Size: 13.5 x 10 in. (34.29 x 25.4 cm), Frame S...

M.F. Husain - Horse - 14 x 20 inches (unframed size) Serigraph on Paper, Edition 238/250 ( Unframed & Delivered ) MF Husain , world acclaimed artist has been famous for various of his series ,  however Ganeshas have been a close favorite by him which he has painted over and over again. The set of serigraphs make his works more affordable and helps us have a piece of Husain in our lives. Needless to mention they satiate the much needed space for the very auspicious imaginary of Ganesha in our spaces. This work is from the series of Ashtavinayak , meaning Eight Ganeshas of which the series comprised. A wonderful wonderful work to collect by one of the famous Indian Artist...

The Motherhood is an original lithograph on paper by Carlo Levi in 1960s Hand-signed on the lower right. Artist's proof. good conditions except for a lon...

Robert Indiana New Glory Banner 1997 Silkscreen on heavy woven paper Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Gallery COA provided Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal...

Michael Wittmann Spacegod 3D-construction Year: 2020 Signed and numbered by hand Edition: 25 Size: 21.8 × 14.8 on 23.8 × 16.9 inches COA provided (gallery issued)

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

RF ART Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom) 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23...

Keith Haring Crack Down! 1986: Vintage original Keith Haring anti-drug poster, 1986. Off-set lithograph on heavy weight paper. Dimensions: 17 x 22 inches. Minor signs of handling; ...

Kiki Kogelnik wurde 1935 in Graz geboren und wuchs in Bleiburg, Kärnten auf. Nach ihrem Studium an der Akademie der bildenden Künste in Wien wurde sie Teil der Avantgarde rund um Ott...

Bursting with motion and saturated color, this celebrated Perrier poster from 1979 captures Bernard Villemot at his most exuberant. A whorl of stylized ...

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "I'm Losing You" first released on "Double Fantasy" in 1980. It was written when Lennon was in Bermu...

Palesio Nua is an colored lithograph realized after Paul Klee in 1960.  Hand-numbered in the lower left in pencil. Copy n. 61 from an edition of 200 prints.  On slightly tinted vel...

A fine impression with good margins published by Associated American Artists.

The limited editions are hand painted on Giclee , made of the best quality of aluminiums and 80% of the edition is hand painted and finishing with original paints and hand varnished ...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

Joan Miró Maravillas con variaciones, plate 8, 1975 Lithography Sheet size 49 x 36 cm Signed in the plate Edition of 1500 copies on Guarro paper Publisher: Poligrafa Barcelona Refere...

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...

"Homage to the Square - P2, F17, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

Henri Matisse: Colour Lithographs after the Cut-Outs, Framed Print, 1958 In 1941 Matisse underwent abdominal surgery after which he found painting to be physically taxing. Increasi...

The unapologetic Portrait of Maya #10 (2024), originally conceived as a monumental 8-foot-tall artwork as part of the Broad Collection 2017, is a bold celebration of love and sexuali...

Pasta is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...

This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition, About the artist: Tanna Kasimir...

This reproduction of Experience by celebrated British artist Eduardo Paolozzi showcases his signature collage style, blending pop art with elements of technology and surrealism. Publ...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold and stitch perforations, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Joan Miró (Spanish, 1893–1983) Cartones, 1965 Original color lithograph on paper Hand-signed in green crayon by Miró Dimensions: Printed by Mourlot, Paris Published by Pierre Matiss...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Kiss By Roy Lichtenstein Roy Lichtenstein was a prominent American pop artist known for his bold, comic strip-inspired paintings. Emerging in the 1960s, his work featured bright co...

Marc Chagall Le Peintre, from Songes (cf. C. books 112) etching with aquatint in colours, 1981, Signed low right Edition 31/50 Published by G. Cramer, Geneva, with wide margins Ima...

Artist: Joan Miro Medium: Original lithograph Title: Jardin au Clair de Lune Portfolio: Hommage A Teriade Year: 1973 Edition: Unnumbered Framed Size: 20 1/4" x 16 3/4" Sheet Size: 13...