Small Prints and Multiples

Elektronik Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Medium: original lithograph. This is one of the Alexander Calder lithographs from his "Stabiles" series, printed in 1963 for the art revue Derriere le Miroir (issue number 141) and p...

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Salvador Dali (1904-1989) - The Paradise, Canto 32 - Preparation for Final Prayer Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 22 3/4 inches (4...

Vintage French fashion poster, original lithograph, by Jean Choiselat, (1947). Take a step back to the 1940s to immerse yourself in the surprising work ...

"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

This reproduction of Edingsville by renowned American artist Jasper Johns, published by Edition 5 in Germany, offers a faithful and striking representation of the original artwork. J...

Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...

Pablo Picasso (1881-1973) - Suerte de Picador Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Ce...

This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Nature Morte au Journal (Still Life with Newspaper), from the folio Contrastes, 13 Aquarelles, Gouache, ...

"Homage to the Square - P2, F32, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Artist: Henri Matisse (French, 1869-1954) Title: "Figure Endormie dans un Intérieur (Interior with Sleeping Figure)" *Signed and numbered by Matisse in pencil lower right Year: 1929 ...

Artist: Keith Haring Title: Plate 5 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

Paper Size: 23.5 x 16.75 inches ( 59.69 x 42.545 cm ) Image Size: 20.25 x 16.75 inches ( 51.435 x 42.545 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Poster re-created for the Louisiana Museum of Art of the 1972 poster...

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

Alvin Carl Hollingsworth, American (1928 - 2000) - Le Jazz Hot, Year: circa 1990, Medium: Hand painted Lithograph on paper, signed lower left in pencil, Size: 14 x 9.75 in. (35.56...

Signed lower left 'Ginghofer' for Raymond Ginghofer (American, 1934-2023) and painted circa 1975. A substantial monotype and gouache figural showing a woman reclining on her stomach...

This high-quality reproduction of Shamu by Niki de Saint Phalle captures the artist’s iconic blend of bold color, whimsical design, and expressive form. Featuring the beloved orca wh...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Artist: Jim Dine Title: Woodcut Heart. 1993 Image Size: 15 1/8 x 13 1/8 inches Paper size: 23 × 17½ inches Carrier: Mohawk Superfine Cover Medium: Woodcut Proiect Began:January 26, 1...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Image of a immigrants wading across the Rio Grande River at the border between Mexico and the United States. ...

Artist: Katherine Bradford Title: Swing Over Pool Medium: Archival pigment print with silkscreen shimmer varnish and matte seal on Somerset Tub Sized Radiant White 410gsm paper. han...

Dos Villancicos Sor Juana Inés de la Cruz (text) Artemio Rodríguez (linocut) Printed at Taller Martín Pescador, Mexico Published by El Tercer Milenio / Artes de México Signed and nu...

Joan Miro Lithographie Originale V (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1977 Size: 12.5 × 9.6 inches Framed: 18.25 x 15.5 x 1 inches Catalogue Rais...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Offset, 1972 Handsigned by the artist in pencil and numbered 123/150 Catalog : Weber & Danilowitz 29 60.50 cm. x 50.50 cm. 23.82 in. x 19.88 in. (paper) 38.00 cm. x 34.00 cm. 14.96...

Dining Room, Kanab, cinematic interior photograph from Richard Heeps Dream in Color sereis. Captured in an American region that was often used as Western movie locations due to its ...

L'EMPIRE DES LUMIÈRES, 1964 (THE EMPIRE OF LIGHTS, 1964) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Ri...

Artist: Michael Torquato deNicola Title: Moon Beam Surf Board Print Edition Details: Archival pigment print on 100% Agave/Cotton sustainable fine art paper, signed and numbered in the margins by the artist, and released in the following exclusive worldwide edition: 24x18, edition 70, $300. 32x24 sheet, edition 30, $780. Michael Torquato deNicola (know as Torquato) is an award winning professional surfer, visual artist and filmmaker. His work has shown in museums and galleries in the US and Europe, including shows at the Amstel Gallery in Amsterdam and Florida, Chase Edwards Gallery in the Hamptons, Art Project Paia on Maui, The Misfit Gallery in La Jolla, and The Laguna Gallery of Contemporary Art, as well as showcased at The Museum of Architecture and Design,The Surfing Heritage Museum and the California Surf...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 Unframed ID: CHO-112_1 Hand-sign...

Etching, burnished aquatint, drypoint, and engraving. Image dimension: 245 x 352 mm. Sheet dimension 330 x 475 mm. Numbered "19" at top right. Nineteenth plate from the Tauromach...

Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...

“A steady rain pelted our tent through the night. That morning a mist hung over the steep cliffs of Yosemite Valley. Gradually the skies cleared allowing the forested slopes above to...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

"Bullfight" this is a grano-lithograph taken from Picasso's Bullfight series, which he originally executed as a brush and ink drawing in 1960. This image is number ten from the seri...

'Buick in the Dust II', features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a spor...

"Homage to the Square - Portfolio 2, Folder 5, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Claude MONET (after) The Nymphs in Giverny Lithogrpah after a painting Printed signature in the plate Number / 300 copies On vellum 30 x 59 cm (c. 12 x 24 in) Excellent condition

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

Yoshitomo Nara Thinking My Home, 2021 Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

A fine original woodblock by the Japanese Ukiyo-e artist Utagawa Kuniyoshi (1798-1861). Signed with the artist's seal in the print. Handsomely presented in a thin wooden frame. On pa...

Original Don't Panic (publisher) envelope that these posters were issued in is included. Wonderful double sided print. Forgive Us Our Trespassing printed on bottom of boy praying sid...

Artist: Phillip Graybill Title: Three Horses Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper with a Baryta finish. Edition as follows: 24X24 from an edition of 25 Remastered and printed at FATHOM Los Angeles Frame: FATHOM solid hardwood frames are sourced from managed forests that meet or exceed FSC certification standards. The shadow box style frame is 1 1/4 in high by 3/4 in wide with premium plexiglass. Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker. Graybill was the primary photographer for the Nine Inch Nails...

Biagio Civale, Italian/American (1936 - ) - Nude Woman, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 65/100, Size: 19 x 13 in. (48.26 x 33.02 cm)

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

Salvador Dali, Spanish (1904 -1989) - Purgatory Canto 22 - Prodigality, Portfolio: The Divine Comedy, Year: 1964, Medium: Woodcut, signed and numbered in red pencil, Edition: 126...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

Print, limited edition of 15. Signed by the author.

This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...