Figurative Prints

Created by Keith Haring in 1985 as an original color lithograph, Untitled (Free South Africa #2) is hand-signed, dated and numbered in pencil, measur...

2013 Ukiyo-e style woodcut in colors, on Japon paper Image/sheet: 16 1/8 x 11 1/4 in. (41 x 28.6 cm) Edition of 25 Signed, dated and numbered in pencil, top margin Unframed, pristine...

Helicopters, Mountains, People (from The Valley Suite) by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings...

Figure and Fish (from The Valley Suite), 1989 by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings...

Created by Keith Haring in 1987, Pop Shop I (Plate 4) is an original color screenprint measuring 12 x 15 in. (30.5 x 38.1 cm), unframed. The artwork is hand-signed, dated and number...

color silkscreen, edition of 70

The Coca-Cola Girls series by Alex Katz is an homage to the bold and daring girls depicted in Coca Cola’s advertising images from the 1890s to the 1960s that celebrate an idealized A...

Robert Indiana Title: Zero Medium: Original Screen Print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimensi...

Robert Indiana Title: Two Medium: Original screen print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimensio...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Time Bokan, camouflage moss green, 2009 by Takashi Murakami Offset print, numbered and signed by the artist in gold and silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 116/300 ...

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and printmaker. Born in 1928, Tilson served in the Royal Air Force (1946–49), after which he studied in London at St Martin's School of Art (1949–52) under Leon Kossoff and Frank Auerbach. He later attended the Royal College of Art in London, where he won the prestigious Rome Prize. The artist represented the United Kingdom in the 32nd Venice Biennale in 1964, which famously included the works of Robert Rauschenberg, Jasper Johns, Claes Oldenburg, and Jim Dine. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently taught at the Slade School of Fine Art, University College London and The School of Visual Arts, New York and the Hochschule fur Bildende Künste, Hamburg. In 1961 he exhibited at the Paris Biennale. During the 1960s Tilson became one of the leading figures associated with the British Pop Art...

1999 Screenprint in colors, on wove paper Sheet: 23 1/4 x 19 3/4 in. Edition of 110 Signed, titled, dated and numbered in pencil, lower margin Authenticated by Kusama Studio, Tokyo a...

1963 Offset lithograph in colors, on wove paper Sheet: 18 x 24 inches Edition unknown Signed in pencil, lower right Framed

Digital print mounted on plexiglass. Unique. Léo & Steph Franco-Brazilian duo passionate about "Pop Art" who likes to transform everyday objects into unique and exclusive works of...

Raymond Pettibon illustrated Punk flyer 1981: Throbbing Gristle at Veteran's Auditorium May 22, 1981 featuring original artwork by Raymond Pettibon. ...

An indelible part of American culture in the 1950’s and incorporated into The Myth’s suite of ten individual screenprints, Andy Warhol’s, Howdy Doody was c...

The print is Diasec® framed. This mean the print is mounted between acrylic glass (UV-resistant) and a dibond (aluminum) backside, with an attached frame for easy hanging. Depth of t...

Francis Bacon Grand Palais, 1972: Vintage 1970s Francis Bacon exhibition poster published on the occasion of: Francis Bacon at the Gran...

Ariel 2021 Silkscreen on Saunders Waterford 425 gsm fine art paper Diptych 60 x 37 inches (153 x 94 cm) each Edition of 60 Suite of 2: $32,000 Single print also available. Please c...

Printed on Schoellershammer paper by Domberg, Stuttgart. Published by the artist. (Lullin 62).

TECHNICAL INFORMATION: Andy Warhol Mick Jagger FS 11.140 1975 Screenprint on Arches Aquarelle Paper 43 1/2 x 29 in. Edition of 250 Pencil signed and numbered by Warhol. Signed in bl...

TECHNICAL INFORMATION: Andy Warhol Pete Rose Trial Proof 1985 Screenprint on Lenox Museum Board 39 3/8 x 31 1/2 in. Trial Proof Edition of 30 Pencil signed ...

2005 Set of two lithographs in colors, on wove paper Sheet: 11 4/5 x 8 9/10 in., each Edition of 72/100 Each signed, dated and numbered in pencil, lower margin Framed, excellent cond...

2019 Inkjet print in colors, on wove paper Sheet: 34 x 43 in. (86.4 x 109.2 cm) Edition of 35 Signed, dated and numbered in pencil, lower margin Framed, pristine condition

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...

2008 Inkjet printed computer drawing on paper Sheet: 49 x 33 1/2 in. Edition of 12 Signed, dated and numbered in pencil, lower margin Framed

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 inches Edition of 300 Signed and dated in black ink, lower right Unframed, pristine condition

2008 Inkjet print on wove paper Sheet size: 40 3/4 x 34 in. Edition of 25 Signed, dated and numbered in pencil, lower margin Framed, pristine condition

1964 Offset lithograph in colors, on wove paper Sheet: 23 1/8 x 23 1/8 in. Edition of 300 Signed and dated in ballpoint pen, lower right Unframed, pristine condition

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and printmaker. Born in 1928, Tilson served in the Royal Air Force (1946–49), after which he studied in London at St Martin's School of Art (1949–52) under Leon Kossoff and Frank Auerbach. He later attended the Royal College of Art in London, where he won the prestigious Rome Prize. The artist represented the United Kingdom in the 32nd Venice Biennale in 1964, which famously included the works of Robert Rauschenberg, Jasper Johns, Claes Oldenburg, and Jim Dine. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently taught at the Slade School of Fine Art, University College London and The School of Visual Arts, New York and the Hochschule fur Bildende Künste, Hamburg. In 1961 he exhibited at the Paris Biennale. During the 1960s Tilson became one of the leading figures associated with the British Pop Art...

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 in. Edition of 300 Signed and dated in pencil, lower margin

Artist: Enrico Baj, Italian (1924 - 2003) Title: Meeting from the Furniture Series Year: 1988 Medium: Silkscreen on Flocked Paper, signed in pencil Edition: EA Image Size: 22 x 31 in...

1983 Woodcut in colors, on Tosa Koza paper S. 20 3/8 x 22 3/8 in. (51.8 x 56.8 cm) Edition of 200 Signed, dated and numbered in pencil, lower margin

1977 Oil on shaped aluminum S. 18 7/8 x 12 1/2 x 1/4 in. (47.9 x 31.8 x 0.6 cm) Unique Signed

Created in 1985 as one of ten prints within Andy Warhol’s, Ads portfolio, Blackglama (Judy Garland) is a color screenprint, hand-signed in pencil, and numbered, measuring 38 x 38 in....

TECHNICAL INFORMATION Tom Wesselmann Rosemary Lying on One Elbow 1989 Laser-cut steel with alkyd oil 9 x 14 in. Edition of 45 Signed, titled, dated and numbered on verso Accompanie...

1972 Screenprint on Beckett High White paper Image/sheet: 36 x 36 in. (91.4 x 91.4 cm) Edition of 250 Signed and numbered on verso

1990s Keith Haring exhibition poster: Original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 08-September 08, 1998; an exhibit which featured a complete retrospective of Haring's work, from his childhood doodles and early New York subway drawings to large-scale paintings during his final years. Off-set lithograph on heavy wove paper. 24 x 36 inches. Unsigned from an edition of unknown. Bright, vibrant colors. Some minor signs of handling; otherwise very good overall. Contains trademark of Haring Estate on lower center edge. Further Background: Image featured in this poster is Haring's, "Drawing for Headstand 1988. De Young Museum's regarding Haring's symbolism here: "Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumps are probably also depictions of break dancers." Haring’s work has long been a part of San Francisco’s visual culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Childcare Center (also known as the Saint Patrick's Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures) (1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace Cathedral...

1999 Offset lithograph in colors on paper Sheet: 14 1/5 x 10 1/5 in. Edition unknown Signed in plate on recto

1999 Offset lithograph in colors on paper Sheet: 14 1/5 x 10 1/5 in. Edition unknown Signed in plate on recto

1999 Offset lithograph in colors on paper Sheet: 14 1/5 x 10 1/5 in. Edition unknown Signed in plate on recto

1999 Offset lithograph in colors on paper Sheet: 14 1/5 x 10 1/5 in. Edition unknown Signed in plate on recto

Arguably the most iconic and instantly recognizable of Roy Lichtenstein’s prints, Crying Girl was created in 1963 as an offset lithograph in colors. Hand-...

Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s announcement for two Keith Haring exhibitions: Keith Haring at Tony Shafrazi Gallery, October 26...

Screenprint on Lenox Museum Board Edition of 40 Signed and numbered in pencil

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New York City Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Fernando Botero, Henri Matisse, Utamaro, Andy Warhol, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Roy Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...

Signed and numbered in pencil

Screenprint in 18 colours on Archivart 100% rag 4-ply Museum Board Signed and numbered in pencil with blindstamp

Lithograph on Rives BFK White paper Signed and numbered

1968 One-color lithograph Sheet: 16 x 22 in. (40.6 x 55.9 cm) Edition of 150 + 10AP Signed, dated and numbered in pencil Unframed, mint condition

Signed, dated and numbered in pencil on verso by Keith Haring estate. Published by Tony Shafrazi, New York. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-199...

Ronnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Sheet size 20 x 26.25 inches. Image size 19 x 23.25 inches. Frame size approx 27 x...

Vintage original Alexander Calder Lithograph Published by: Galerie Maeght, Paris, 1975 Portfolio: Derriere Le Miroir Excellent frame piece. Superb overall quality. Off-set lithogr...

Published by the Welsh Arts Council, screenprinted by Priestleys.