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Chuck Close
Phil (Limited Edition Portrait of Philip Glass, uniquely signed by Chuck Close)

1976

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Process and Collaboration Met Museum poster (Hand Signed & dated by Chuck Close)
By Chuck Close
Located in New York, NY
Chuck Close Process and Collaboration (Hand Signed by Chuck Close), 2004 Offset Lithograph poster (Hand Signed & dated by Chuck Close in 2014) Boldly hand signed and dated by artist ...
Category

Early 2000s Pop Art Figurative Prints

Materials

Permanent Marker, Lithograph, Offset

RARE! Double Elvis Denver Museum poster hand signed 2x by Andy Warhol Provenance
By Andy Warhol
Located in New York, NY
Andy Warhol Exhibition Poster for Andy Warhol Exhibition at the Denver Art Museum Double Elvis (Inscribed to Maryanne and hand signed twice by Andy W...
Category

1970s Pop Art Portrait Prints

Materials

Lithograph, Offset, Permanent Marker

The Presidential Inauguration for Barack Obama, uniquely Hand signed Chuck Close
By Chuck Close
Located in New York, NY
After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...
Category

2010s Pop Art Figurative Prints

Materials

Offset, Permanent Marker, Lithograph

Sometimes the Dress is Worth More Money than the Money (1 of 50 Hand Signed)
By Tracey Emin
Located in New York, NY
Tracey Emin Sometimes the Dress is Worth More Money than the Money, 2001 Limited edition offset lithograph Signed and dated by Tracey Emin on the front (one of approx. 50 hand signed...
Category

Early 2000s Contemporary Portrait Prints

Materials

Permanent Marker, Lithograph, Offset

The Artist is Present lLarge poster (40" High) - Hand Signed by Marina Abramovic
By Marina Abramovic
Located in New York, NY
Marina Abramovic The Artist is Present poster (Hand Signed), 2012 Offset lithograph. Hand signed by Marina Abramović LARGE: 40 × 27 inches Boldly sig...
Category

2010s Contemporary Portrait Prints

Materials

Offset, Permanent Marker, Lithograph

O'Neill accuses Faulkner of lack of loyalty and support (Nancy & Jim Dine)
By R.B. Kitaj
Located in New York, NY
Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Accompanied by gallery issued Certificate of Guarantee Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...
Category

1970s Pop Art Figurative Prints

Materials

Mixed Media, Screen, Pencil

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