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Édouard Manet"The Urchin (Le Gamin) -Second and Final State, " Etching signed by Edouard Manet1862
1862
About the Item
"The Urchin (Le Gamin)" is an original etching by Edouard Manet. It depicts a young boy holding a basket with his long-haired dog. This is the second and final state and is signed upper left in plate "ed. Manet;" this is unique to the second state. Catalogue Raisonne: Harris 31
8" x 5 3/4" art
22" x 19 3/4" frame
Édouard Manet was the most important and influential artist to have heeded poet Charles Baudelaire's call to artists to become painters of modern life. Manet had an upper-class upbringing, but also led a bohemian life, and was driven to scandalize the French Salon public with his disregard for academic conventions and his strikingly modern images of urban life. He has long been associated with the Impressionists; he was certainly an important influence on them and he learned much from them himself. However, in recent years critics have acknowledged that he also learned from the Realism and Naturalism of his French contemporaries, and even from seventeenth century Spanish painting. This twin interest in Old Masters and contemporary Realism gave him the crucial foundation for his revolutionary approach.
His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1862
- Dimensions:Height: 22 in (55.88 cm)Width: 19.75 in (50.17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 13679g1stDibs: LU60532486701
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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