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Édouard ManetWoman with Mantilla - Original Etching (Guerin #51 Fisher #46)1869
1869
$1,902.90
£1,415.95
€1,600
CA$2,614.47
A$2,917.98
CHF 1,535.19
MX$35,445.39
NOK 19,462.13
SEK 18,214.11
DKK 12,180.19
About the Item
Edouard MANET (1832-1883)
Exotic flower (or Woman with a Mantilla) 1869
Original etching
Signed in the plate
On vellum 36 x 26 cm
REFERENCES:
- Catalogue raisonné Guérin #51
- Catalogue raisonné Fisher #46
INFORMATION: Limited to 350 unnumbered copies. The engraving was published by Alphonse Lemerre in Paris for the portfolio "Sonnets et eaux fortes".
Good condition, tiny handling mark and yellowing on the edge of the sheet
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1869
- Dimensions:Height: 14.18 in (36 cm)Width: 10.24 in (26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU464315409162
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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