Items Similar to Bacchanal
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Giovanni Andrea PodestàBacchanal1649
1649
$2,400
£1,819.26
€2,124.17
CA$3,361.72
A$3,784.20
CHF 2,002.28
MX$46,938.37
NOK 24,736.66
SEK 23,658.43
DKK 15,847.37
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Bacchanal
Etching, 1649
Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium
Condition: Usual centerfolds from paper manufacture
Plate: 10 3/8 x 15 1/2"
Sheet: 11 1/2 x 16 1/2";
References:
Bartsch XX.4
Sopher Plate 145
An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington
An exceptionally rich impression in excellent condition.
From Wikipedia, the free encyclopedia
Putti as Allegory of Music
Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals.
Life
Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627.
His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa and the Flemish artists François Duquesnoy and Karel Philips Spierincks.
In 1650 Podesta became a member of the Accademia di San Luca in Rome. He died in Genoa.
Work
A majority of Podestà's paintings depict children playing amid classical objects in landscapes. Few of his paintings have survived and his work is now mainly known from the etchings he made himself after his compositions. In particular a series of prints published in Rome which date from 1636 to 1661 form an important source of information on his work.
Putti in a Landscape
Podestà made prints after the bacchanals of Titian, which he dedicated to powerful patrons. He dedicated a series of prints to the pleasures of wine to Paolo Giordano Orsini II, Prince of Bracciano. Orsini also owned multiple paintings by Podestà, including two landscapes and seven small paintings of seafood. A Worship of Venus etched after Titian was dedicated to Cassiano dal Pozzo and other prints of bacchanals to Fabio della Cornia. The artist clearly tried tocurry favour with the Barberini family through these dedications.[3] Cassiano dal Pozzo was known for his archaeological interests. Podestà's acquaintance with Cassiano dal Pozzo may have played a role in Podestà’s artistic development and may have put him in the circle of Poussin. This circle included Flemish artists such as the sculptor François Duquesnoy and the painter Karel Philips Spierincks who at one time or the other shared a home in Rome and also had common artistic interests. In this circle there was an interest in Classicism as well as a growing interest and admiration for the bacchanals of Titian. This found expression in copies and reproductions after Titian as well as new compositions inspired by the theme of the bacchanals. The mutual influence of the artists in this circle is clear from the fact that Podestà 's Bacchus and Ariadne (At Arte Antico) cites in the putto who scares another putto with a mask similar figures in a Drunken Silenus of the Flemish painter Karel Philips Spierincks.
The quality of his work and its closeness to the Poussin circle was such that it is often difficult to distinguish his work from compositions by Poussin and Spierincks. His work has considerable charm, a feature sometimes lacking in the work of his more illustrious contemporaries. One scholar noted that 'Although Podestà was neither a great designer nor a great draughtsman, his amusing conceits display the lighter side of the often sober classical devotees in Rome in the 1630s and 1640s.' Although a rather marginal artist, his works depicting putti at play definitely had an influence on late Genoese Baroque painting, such as on the decorative artists of the 'Casa Piola'.
The few drawings by Podesta that have been preserved show features familiar from his etchings: contorted facial expressions, small twisting figures, patches of dark cross-hatching and an interest in still-life. In their precision they are similar to and possibly derived from Sinibaldo Scorza, whose prints may have been an inspiration for Podestà's own etchings.
- Creator:Giovanni Andrea Podestà (1615 - 1674, Italian)
- Creation Year:1649
- Dimensions:Height: 11.5 in (29.21 cm)Width: 16.5 in (41.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA95541stDibs: LU14014429832
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
793 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Fairlawn, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllThe Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category
1660s Old Masters Figurative Prints
Materials
Etching
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
By Jacques Callot
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands)
Etching, 1618
From: Varie Figure (16 plates)
Condition: very good, aging
Im...
Category
1610s Old Masters Figurative Prints
Materials
Etching
Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
By Jacques Callot
Located in Fairlawn, OH
Les deux tures coifffes d’un turban avec une aigrette
(The two headdresses of a turban with a crest)
Etching, 1618
From: Varie Figure (16 plates)
Condition: Trimmed withing the plate...
Category
1610s Old Masters Figurative Prints
Materials
Etching
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
1770s Old Masters Figurative Prints
Materials
Etching
El Vergponzoso (The Shamefaced One)
By Francisco Goya
Located in Fairlawn, OH
El Vergponzoso (The Shamefaced One)
etching & aquatint, 1799
Unsigned (as are all Goya etchings)
From: Los Caprichos, Plate 54
From the First Edition, printed 1799, on laid paper
Ref...
Category
1790s Old Masters Figurative Prints
Materials
Aquatint
Crucifixion
Located in Fairlawn, OH
Jean Pichore workshop, 1500-1541
Crucifixion
Metal cut engraving printed on vellum with vintage hand coloring
c. 1500-1541
Miniature (image) size: 4 3/4 x 3 1/8"
Including decorated ...
Category
16th Century Old Masters Figurative Prints
Materials
Engraving
You May Also Like
The Smoker at the Window by David Deuchar, after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category
17th Century Old Masters Landscape Prints
Materials
Laid Paper, Etching
The Quacksalver
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Portrait Prints
Materials
Laid Paper, Etching
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Mid-18th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Etching, Laid Paper
