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Josef Ritter von FührichScene from The Life and Death of Saint Genoveva - Original Etching - 1830s1830s
1830s
$542.17
£408.36
€460
CA$747.67
A$839.97
CHF 438.89
MX$10,252.28
NOK 5,572.60
SEK 5,245.43
DKK 3,501.35
About the Item
The bowing scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian.
This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva".
Good conditions except for minor decoloration stain.
Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence.
The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann's only opera was based on Tieck's play and was first performed in Leipzig in 1850.
- Creator:Josef Ritter von Führich
- Creation Year:1830s
- Dimensions:Height: 11.42 in (29 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1245351stDibs: LU65038907552
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Located in Roma, IT
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This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva".
Good conditions except for minor decoloration stain.
Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence.
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