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Manuel RobbeLe Bouquet de Violettes (The Bouquet of Violets) /// Figurative Impressionist1903
1903
About the Item
Artist: Manuel Robbe (French, 1872-1936)
Title: "Le Bouquet de Violettes (The Bouquet of Violets)"
*Signed by Robbe in pencil lower right
Year: 1903
Medium: Original Hand-Colored Etching with Aquatint on Arches laid paper
Limited edition: 65. (There was also an unsigned edition of 100, with printed signature)
Printer: Unknown
Publisher: Edmond Sagot, Paris, France
Reference: Merrill Chase No. 105
Framing: Framed in a white floral moulding with fabric rag matting and white filet
Framed size: 28" x 21.5"
Image size: 17.5" x 11.75"
Condition: In excellent condition
Notes:
Provenance: private collection - Austin, TX. Edmond Sagot's chop mark/blind stamp "Ed. Sagot Editeur, Paris" lower right under signature, under matt.
Biography:
Emmanuel Robbe called "Manuel Robbe", born in Paris on 16 December 1872 And died in Nesles-la-Vallée in 1936, is a French painter and engraver. Son of Alfred Auguste Charles Robbe and Marie Alphonsine Henry, the young Emmanuel Robbe studied at the Lycée Condorcet where he became friends with Gaston de Pawlowski , then joined the Lycee Louis-le-Grand , one of the La France. He then became a pupil of the Julian Academy where he met many personalities and then entered the Paris School of Fine Arts .
In November 1897, he had a son named Céline Bluem, known as "Maud" (1877-?), Also known as Manuel, and whom he recognized in 1899 with witnesses Jules Depaquit and Georges Delaw at the mayor of the 18th arrondissement of Paris . The couple divorced in 1911. Robbe quickly became an accomplished engraver specializing in the technique of aquatint .
He regularly exhibits in the salons of the Society of French Artists ; The Parisian merchants Edmond Sagot , Georges Petit and Pierrefort publish and disseminate his engraved works. In 1895, his poster for the oil lamp L'Éclatante is reproduced in the magazine Les Maîtres de l'affiche published by Jules Chéret (1895-1900). An engraving entitled Minuet of Autumn , is published in L'Estampe moderne (1897).
In 1900, at the Universal Exhibition , his work was awarded the bronze medal for an engraving entitled The summer (color etching of 25.5 × 40 cm ). His drawings are published in Cocorico (1898-1900) and Le Frou-frou (1901-1902). In 1905, the Galerie Georges Petit presented his works as part of a large exhibition entitled Original engravings in colors .
During his life as an artist, Manuel Robbe produces many aquatints , dry spikes , strong waters and some advertising posters as well as many unique works (oil on canvas, watercolors or pastels). An accomplished athlete, he is captain of the Fencing team of the Fine Arts, during the interprofessional championship of Paris in 1912.
During the war of 1914-1918 , when he was relieved of all obligations, he enlisted in the air force as a pilot and was awarded the war cross with quotations for his heroic feats of arms; Which explains why there are hardly any works dating from this period, but which is worth several engravings representing German and French military aircraft. Manuel Robbe's works are a moving testimony to the lives of women and men of his time. Manuel Robbe loves to travel a lot and has a real attachment for Brittany that he has depicted on many occasions.
He died in 1936, after devoting a large part of his life to printmaking . He was buried in Nesles-la-Vallée ( Val-d'Oise ) where he had a second home.
- Creator:Manuel Robbe (1872 - 1936, French)
- Creation Year:1903
- Dimensions:Height: 28 in (71.12 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12121726453
Manuel Robbe
Manuel Robbe lived in Paris all his life, creating images that echoed the polished splendor of the Belle Epoque. He exhibited often at the Salons, first at the Société des Artistes Français (winning a gold medal at the Exposition Universelle of 1900) and after 1905 at the Société Nationale des Beaux-Arts. As the turn of the century, critic Gabriel Moury noted, Robbe's favorite subject was the "modern woman," her costumes, and activities and the visual elegance of her world. Absorbing the influence of Impressionism, particularly Renoir, Robbe applied a sensitive painterly touch to techniques that fit with the new paradigm of mass production. He designed and printed posters for corsets and bicycles, seeing, like Toulouse-Lautrec, the artistic potential of the new commercial era. Robbe also created illustrations for humorous magazines and made colored etchings of the works of contemporary artists. He was a favorite artist of the celebrated Parisian print publisher Edmond Sagot, who promoted his work. Robbe was a pioneer of the à la poupée process, enabling an artist to print multiple colors from a single plate. He invented his engraving technique known as “sugar-life,” using a mixture of sugar, India ink and gum Arabic on Zinc plates. The plates were heated, intricately worked and color was applied with brushes made of rags; Robbe then used his fingers to perfect the tones. Such technical mastery allowed Robbe to make each image unique, imbued with a lushness and immediacy befitting of the era in which he lived.
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By Anders Zorn
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920)
Title: "Dance at Gopsmor"
*Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left
Year: 1906 (second state of two)
Medium: Original Etching on cream Van Gelder Zonen laid paper
Limited edition: approx. 50 impressions
Printer: the artist Zorn himself, Mora, Sweden
Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192
Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival
Framed size: 22.75" x 18.25"
Sheet size (irregular margins): 16.5" x 11"
Image size: 11.88" x 7.75"
Condition: A strong impression in very good condition
Very rare
Notes:
Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet.
"Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK
Biography:
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By Tony Minartz
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944)
Title: "L'Avant-Foyer de l'Opera"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1903
Medium: Original Etching on cream laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival
Matted size: 17" x 14.5"
Sheet size: 12" x 9"
Image size: 9" x 7.25"
Condition: In excellent condition
Notes:
Printed in one color: bistre.
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
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Located in Saint Augustine, FL
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Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
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