Engraving Figurative Prints

Louise Bourgeois Arched Figure, 1993 drypoint, edition of 50 15 5/8 x 22 in. / 39.7 x 55.9 cm

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

Henri Matisse Figure assise sur fond de carreaux fleuris, 1929 etching, on chine appliqué Signed in pencil and numbered 12 from the edition of 25 Plate: 4 3/8 x 5 7/8 inches (11.1 x ...

Henri Matisse Nu assis, bras croisés sur la poitrine, 1929 drypoint, on chine appliqué, signed in pencil and numbered 22 from the edition of 25 Plate: 5 9/16 x 3 15/16 inches (14.1 x...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Moonlight is an edition of 90 Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His...

Color mezzotint and aquatint, 1995. Edition of 120. 5 1/2 x 10 5/16 inches. Signed and titled in pencil. Also available unframed for $350. Tradition...

Helicopters, Mountains, People (from The Valley Suite) by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings...

Figure and Fish (from The Valley Suite), 1989 by Keith Haring (1958-1990) Without Frame: 10" x 8.75" With Frame: 18.25" x 17.25" Signed and Dated Lower Right Edition 31/80 Lower Left "The Valley" is a group of etchings...

At Low Tide by Sir Edward J Poynter 1832-1919 This is an old print with his signature on it Good Condition It has very small minor marks please see photos Sir Edward John Poynter 1st Baronet GCVO, PRA (20 March 1836 – 26 July 1919) was an English painter, designer, and draughtsman, who served as President of the Royal Academy. Poynter was the son of architect Ambrose Poynter. He was born in Paris, France, though his parents returned to Britain soon after his birth. He was educated at Brighton College and Ipswich School, but left school early for reasons of ill health, spending winters in Madeira and Rome. In 1853, he met Frederick Leighton in Rome, who made a great impression on the 17-year-old Poynter. On his return to London he studied at Leigh's Academy in Newman Street and the Royal Academy Schools, before going to Paris to study in the studio of the classicist painter Charles Gleyre where James McNeill Whistler and George du Maurier were fellow-students. In 1866 Poynter married the famous beauty Agnes MacDonald, daughter of the Rev. G. B. MacDonald of Wolverhampton, and they had three children. Her sister Georgiana married the artist Edward Burne-Jones; her sister Alice was the mother of writer Rudyard Kipling; and her sister Louisa was the mother of three-times Prime Minister of the United Kingdom Stanley Baldwin. Poynter held a number of official posts: he was the first Slade Professor at University College London from 1871 to 1875, principal of the National Art Training School from 1875 to 1881 and director of the National Gallery from 1894 to 1904 (overseeing the opening of the Tate Gallery). He became a full Royal Academician in 1876. In 1896, on the death of Sir John Millais...

Original print of Salvador Dalí's The Divine Comedy . Signature is signed in block on the plate. Beautifully archival gold framing SALVADOR DALI : Paradise 24 - The Joy of the Blessed...

This is a hand-colored copper plate engraving depicting flowering "Iris latifolia violaceo colore maior; Iris latifolia vulgaris coerulea; Iris latifolia maior variegata (Tall Bearded Garden Iris and Flag Iris) plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful hand-colored engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There is pinpoint hole in the periphery on the right and another on the left. There is a very faint vertically oriented crease on the right, related to the process of drying the paper during its production, which is common with original Besler engravings...

Armand Rassenfosse (1862-1934) Attractive Nude, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Very good...

Armand Rassenfosse (1862-1934) Stretching Nude, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Excellent...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Armand Rassenfosse (1862-1934) Young Model, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Excellent con...

Armand Rassenfosse (1862-1934) Awaking Model, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Very good c...

Image dimensions: 16 x 24 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. Anselm...

Drypoint on off-white laid paper Edition of 75 Signed & dated in pencil

Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...

George Caleb Bingham (American, Missouri, 1811-1879) Painted by G. C. Bingham. Engraved by Gautier, published by Goupil and Co. Stump Speaking, 1856 Hand Colored Engraving 22 5/16 x 30 inches (image) 32 x 39 inches (framed) The following exhibition review is from The Kansas City Star, September 8, 2013, and refers to an exhibition at the Jackson County Historical Society. By BRIAN BURNES The Kansas City Star Three judges can be found on the second floor of the renovated Jackson County Truman Courthouse in Independence. That wouldn't be unusual, except for the way the judges gaze upon visitors — steady, unmoving and frozen on canvas. Turns out all three judges sat for 19th century Missouri artist George Caleb Bingham. Now their portraits hang on a wall of the new Jackson County Museum of Art, opening Saturday in the recently renovated courthouse, not far from the offices of the county's assessments and collections departments. Many of the 27 Bingham artworks displayed are owned by Ken McClain, Independence lawyer and developer. "Bingham is recognized as a national treasure, but his Jackson County roots are not focused on that frequently," McClain said of the artist, who maintained a studio in his Independence home, later served as a Kansas City police commissioner and is buried in Union Cemetery. "I thought the courthouse would be an appropriate place for a museum dedicated to him." Jackson County Executive Mike Sanders worked with McClain to set aside during courthouse renovations several second-floor rooms that have been transformed into a gallery. Ceiling-mounted pendant lamps that recall the courthouse's 1933 renovation now hang alongside track lighting. Long blinds have been installed in the building's tall window frames to protect the paintings, some of them about 150 years old. "Ken's vision has moved the courthouse renovation from a great project to an incredible one, increasing its value exponentially," Sanders said. "Visitors will come here from all over the country." The Bingham artworks make up the principal holdings of the nonprofit museum, which will be administered by its own board of directors. Other works are on loan from the State Historical Society of Missouri and the Jackson County Historical Society. McClain hopes that future acquisitions, as well as other loaned artworks, can be rotated through the holdings. Bingham began painting about 1830. Although his reputation today may rest on paintings such as The Jolly Flatboatmen...

George Caleb Bingham (American, Missouri, 1811-1879) Painted by G. C. Bingham. Engraved by John Sartain, published by Goupil and Co. The County Election, 1854 Hand Colored Engraving 21 1/4 x 30 inches (image) 30 x 37 inches (sheet) 31.5 x 39 inches (framed) The following exhibition review is from The Kansas City Star, September 8, 2013, and refers to an exhibition at the Jackson County Historical Society. By BRIAN BURNES The Kansas City Star Three judges can be found on the second floor of the renovated Jackson County Truman Courthouse in Independence. That wouldn't be unusual, except for the way the judges gaze upon visitors — steady, unmoving and frozen on canvas. Turns out all three judges sat for 19th century Missouri artist George Caleb Bingham. Now their portraits hang on a wall of the new Jackson County Museum of Art, opening Saturday in the recently renovated courthouse, not far from the offices of the county's assessments and collections departments. Many of the 27 Bingham artworks displayed are owned by Ken McClain, Independence lawyer and developer. "Bingham is recognized as a national treasure, but his Jackson County roots are not focused on that frequently," McClain said of the artist, who maintained a studio in his Independence home, later served as a Kansas City police commissioner and is buried in Union Cemetery. "I thought the courthouse would be an appropriate place for a museum dedicated to him." Jackson County Executive Mike Sanders worked with McClain to set aside during courthouse renovations several second-floor rooms that have been transformed into a gallery. Ceiling-mounted pendant lamps that recall the courthouse's 1933 renovation now hang alongside track lighting. Long blinds have been installed in the building's tall window frames to protect the paintings, some of them about 150 years old. "Ken's vision has moved the courthouse renovation from a great project to an incredible one, increasing its value exponentially," Sanders said. "Visitors will come here from all over the country." The Bingham artworks make up the principal holdings of the nonprofit museum, which will be administered by its own board of directors. Other works are on loan from the State Historical Society of Missouri and the Jackson County Historical Society. McClain hopes that future acquisitions, as well as other loaned artworks, can be rotated through the holdings. Bingham began painting about 1830. Although his reputation today may rest on paintings such as The Jolly Flatboatmen...

George Caleb Bingham (American, Missouri, 1811-1879) Painted by G. C. Bingham Engraved by T. Doney The Jolly Flatboatmen, 1847 Engraving 18 1/2 x 24 ...

John William Hill (1812-1879) "Boston" 1857 Hand-Colored Engraving Site Size: 29 x 41 inches Framed Size: 39 x 52 inches Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...

Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...

A mezzotint by Samuel Arlent Edwards after the 1439 oil on wood painting by the Early Netherlandish master Jan van Eyck, titled, Portrait of Margaret van Eyck. The print is signed to the lower right margin. The image depicts the van Eyck’s wife, clothed in a red robe lined in squirrel fur...

Aquating Engraving Image Size: Approx 19 x 15.5 Framed Size: Approx. 28.5 x 24.5 William Albert Ablett (1877 - 1937) Although born to English parents, William Ablett lived in Par...

Original drypoint printed in dark umber ink on laid paper bearing the “VANDERLEY” watermark. Hand-signed in pencil in the margin below the image lower right Mary Cassatt. A super...

Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...

Hans Sebald Beham (1500-1550), engraving, c. 1540, [with initials in the plate]. Reference: Bartsch 244, Pauli 253, only state. In generally good condition, with slight abrasions, soft rust marks, trimmed on or just into the plate mark but outside of image. 15/16 x 5 1/8 inches, archival mounting. Provenance: ex Collection Dr. Herweg (stamp verso, Lugt 3974); P. Davidsohn (Lugt 654). This impression is mentioned in the Hollstein catalogue raisonné. A very good impression of this great rarity. Sebald Beham, like the other illustrious German Little Masters of the Northern Renaissance including his brother Barthel, Heinrich Aldegrever, Albrecht Altdorfer...

Lea Grundig-Langer (1906-1977), The Wash Kitchen, 1934, drypoint, signed and dated in pencil lower right, titled lower center (Waschk, cycle name (Fra...

McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...

Albrecht Dürer (1471 – Nuremberg – 1528), The Virgin and Child with Saint Anne ca. 1500, engraving; 115 x 71 mm (4 ½ x 2 13/16 inches), B...

Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...

Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). . Edition 115 recorded impress...

Original drypoint printed in colors on wove paper bearing the “ARCHES FRANCE” watermark, with hand-coloring added. Hand-signed in pencil in the margin lower right Dalí. A supe...

A good, clear later 16th century Meder “l” impression, showing strong contrasts throughout, printed after the appearance of the dot in the clouds upper center.  Catalog: Bartsch 42;...

Original drypoint printed in colors on wove paper bearing the “ARCHES FRANCE” watermark, with hand-coloring added. Hand-signed in pencil in the margin lower right Dalí. A su...

1969-70 Original drypoint printed in colors on wove paper bearing the “ARCHES FRANCE” watermark, with hand-coloring added. Hand-signed in pencil in the margin lower right Dali...

Original drypoint printed in black ink on Japan paper, with hand-coloring added. Hand-signed in pencil in the margin lower right Dalí. A superb impression of the definitive...