Lithograph Figurative Prints

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Latin Quarter Year: 1978 Medium: Lithograph on premium paper Size: 27.75 x 22.75 inches Condition: Exc...

Texas Swing Luis Alfonso Jimenez 1940-2006 Stone Lithograph Edition of 50 Artist Proof 24 x 18 inches Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Four prints by Mel Ramos. “Tomato Catsup, A.C. Annie, Lola Cola,” and “Tobacco Red” are pop art, offset lithographs in a palette of yellows, orange, and pink by the playful Mel Ramos. The artwork is signed in pencil in the lower right of each print, “Mel Ramos 72.” Framed dimensions are 37 x 31 5/8 x 1 7/8 inches each. Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Frame Included: held in vintage 1970s metal period frame This is a rare vintage post...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...

Artist: After Jim Dine (1935) Title: Hands, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by the ar...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Satyricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of figures with their feeling expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...

Medium: original lithograph. Catalogue reference: Belknap 24 (appendix). Printed in 1973 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 3/8 inch...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Les Songes Drolatiques De Pantagruel Year: 1973 Medium: Lithograph Edition: Inscribed E.A (Epreuve d' Artiste) i...

A picador rides in on a horse, lance in hand, to enrage a bull we cannot see. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beau...

Rdeči oblaki (eng. Red clouds). Original color silkscreen and lithograph, 1975. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Metka Krašovec...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Artist: Lester Johnson Title: Group Scene Slacks Medium: Lithograph Signed: Hand Signed Edition: Edition of 175 Measurements: 29" x 21" Year: 1979 Note: This piece is sold UNFRAMED ...

Holopherne, lithograph on Arches paper realized by Dorothea Tanning in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. The Suite ...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (verde)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-002-075

Artist: Bernard Cathelin, French (1919 - 2004) Title: Les Mexicaines Year: circa 1975 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 24/50 Image Size: 21.5...

Alan Davie Guli Wall, 1971 Lithograph on Rives BFK Paper with Deckled Edges Hand signed, numbered 26/200 and dated on the lower front 20 × 25 1/2 inches Unframed This whimsical mid-century modern hand signed, dated and numbered print by renowned Scottish-born British Pop artist Alan Davie published in 1971 was chosen to be included in the 1975 portfolio for the Swiss Society for Fine Arts (Grafikmappe des Schweizerischen Kunstvereins) as part of an international portfolio of 27 prints by world renowned artists. Hand signed and numbered from the edition of 200. Unframed and in fine condition. This vintage European print...

Hand Signed. Edition 25/150 prints. Very good conditions.

Monkey is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower margin in pencil. from the edition of 150 prints. ...

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

A very good impression of this lithograph on Arches Roll paper. Signed and numbered 25/35 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: L'Hirondelle Year: 1973 Medium: Color lithograph Edition: Numbered XLVI/CCL in pencil Paper: Arches watermarked Image size: 18.5 x 25 inches paper size: 19 x 25.5 inches Signature: Hand signed in pencil by the artist Publisher: Martin Lawrence and Jacques Carpentier...

"Fuji" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's cla...

Signed lower right, 'Pla Domenech' for Jordi Pla Domenech (Spanish, 1917-1992) and created circa 1975. Paper dimensions: 19 x 13.5 inches Jordi Pla...

Statimque Tobias visum recepit ("And immediately Tobit revovered his sight") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediola...

Harold Town (1924–1990) was one of the most dynamic and brilliant figures in Canadian art throughout his lengthy career. While often associated with Painters Eleven, he was also a m...

Un rêve vert Color lithograph on Arches without watermark, 1975 Signed lower left in red area (see photo) Numbered lower left in red area Dated in same red area Edition: 100 (67/100) There are also some AP's and 10 HC's in Roman numerals Printed by Michel Cassé, Paris Published by Berggruen, Paris Condition: Excellent Image/Sheet size: 25 3/4 x 19 3/4 inches Reference: Corneille p. 305, No. 453 Corneille Guillaume Beverloo (1922-2010) From Wikipedia, the free encyclopedia Born Cornelis Guillaume van Beverloo 3 July 1922 Liège, Belgium Died 5 September 2010 (aged 88) Auvers-sur-Oise, France Movement COBRA Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl]. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send more information to his home in Paris about this project. He decided to promote the initiative. He started with a support list and persuaded other artists such as Shinkichi Tajiri...

Horst Antes Untitled, from the Swiss Society of Arts Portfolio (Lutze 629), 1975 Lithograph on paper with Deckled Edges. Hand signed and numbered 26/200 by the artist on the front 2...

Portfolio of 2 lithographs on arches archival paper. One color and one black and white. Each hand signed and numbered by Raphael Soyer. From the edition of 300. Matching edition...

Lithograph Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Dedicated proof LCD5989

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Fay LANSNER Untitled I, 1971 Lithograph, ed. of 150 26 3/8 x 39 1/4 in. / 67 x 99.7 cm Fay Lansner was a leading second generation abstract expressionist ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Clarté by Mark Tobey is a characteristically delicate, abstract composition of swirling green and black curls. The gentle movement of his mark-making suggests a natural form such as ...

Infamous art forger David Stein was implicated multiple times for selling faked works of art by renowned artists. In his later years, in order to avoid further lawsuits, he began tit...

Alain Bonnefoit is a French figurative artist. His main subject depicts vast nonchalant scenes, where languid bodies assume softened poses. In this lithograph, as in the majority of ...

This artwork, titled "Rue Ferou," 1974, is an original color lithograph on Arches watermarked paper by American artist Man Ray, 1890-1976. It is hand signed ...

Andre MASSON Dancing under the Stars, 1973 Original lithograph Signed with the stamp of the artist Numbered / 100 On vellum 58 x 38 cm (c. 23 x 15 in) Very good condition, small de...

Idols is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. T...

Klimt Estelle Ginsburg, American Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 500, AP 50 Size: 21.5 in. x 29 in. (54.61 cm x 73.66 cm)

Painters in the Studio is a print realized by Fabrizio Clerici in the 1970s. Lithograph print. Hand-signed and numbered, edition of 125 prints. The artwork is realized through a r...

Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...

Original " LIDO REVUE BONJOUR LA NUIT CHAMPS ELYSEES BLUEBELLS GIRLS" vintage poster by the artist Rene Gruau. (Hello the Night). This poster features 30 Bluebell girls at the Lid...

Artist: Mel Ramos Title: I Still Get A Thrill When I See Bill I Medium: Lithograph in colors Date: 1979 Signed, dated and numbered 81/500 in pencil Excellent condition Dimensions: 28...

Bath John Hardy, American (1923–2014) Date: circa 1976 Lithograph, Signed in Pencil Edition of 275 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; center gold-line as originally issued. ...

This portrait of two philosophers in conversation is a rare figurative work from Mark Tobey, one of the founders of the American Mystical school of pa...

A close portrait of a horse wearing a laurel crown with the rays of the sun emanating from behind its head. The horse theme was frequently used by Dali throughout his career. The hor...

Artist: After Jim Dine (1935) Title: Four Hearts, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by ...

David Hockney The Prisoner, for Amnesty International, 1977 Color Offset Lithograph Hand signed, numbered 17/100 and inscribed by the artist on the lower right front Elegant hand mad...

Robert Indiana Anne inspired by Susan B. Anthony, 1977 Color Lithograph on Arches Paper Hand Signed, dated and numbered 93 from the limited edition of 150 (93/150) front in graphite ...

From a set of 6 done in 1975 at Pollenza-Macerata, Nuova Foglia Editrice. Hand signed and numbered by Wifredo Lam. Edition EA of 8. Artwork size 31.5 x 25.5 inches. Framed. Artw...

Portfolio of 2 lithographs on arches archival paper. One color and one black and white. Each hand signed and numbered by Raphael Soyer. From the edition of 300. Matching edition. Comes with original portfolio cover. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Raphael Soyer was a Russian-born American artist known for his Social-Realist paintings of daily life in New York. His painterly yet detailed descriptions of people and places, make him among the most important American scene painters of his generation. “From all that I have seen, I am more than ever convinced that art must communicate, and it must represent, describe and express people, their lives and times.” Born on December 25, 1899 in Borisoglebsk, Russia, he largely was educated by his father, a Hebrew scholar. After his family immigrated to the Bronx in 1912 due to political turmoil in Czarist Russia...

Menorah is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. ...

Christo and Jeanne-Claude, Ugo Mulas Wrapped Monument to Vittorio Emanuele II (Hand Signed by Christo) Gelatin silver print on thin board Hand signed and annotated H.C. (Hors Commer...