Stencil Figurative Prints

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Gala's Castle – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 675; Field 74-8 Plate K Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Artist: Corneille, Belgian (1922 - 2010) Title: China Suite I Year: 2004 Medium: Terragraph on Canvas, signed and numbered in ink Edition: 31/120 Images Size: 18 x 18 inches Canvas ...

Kaiko Moti, Indian (1921 - 1989) - Nude Figure of a Woman, Medium: Pochoir, signed and numbered in pencil, Edition: 283/300, Size: 25.75 x 19.5 in. (65.41 x 49.53 cm), Printer: D. Ja...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Francisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel...

Virgin Mary with child Jesus is a wonderful black and white gouache on cardboard realized by Henri Joseph Dubouchet (1833-1909). This touching ...

Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908. Passepartout included : 69 x 50 cm.

Artist: Aiko Title: Emotions - Purple Variant Medium: 8 Color Hand Painted Stencil + 2 Screen Print on 290gsm Fine Art Paper Size: 24 x 20 inches (Framed: 25.5 x 21.5 Inches) Editio...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an artwork realized in 1929. Original colored pochoir on cardboard. Perfect conditions. Le Bonheur du Jour is...

Miroir de Paris n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

Stencil The work signed in the plate 24.00 cm. x 35.00 cm. 9.45 in. x 13.78 in. (image) 42.50 cm. x 53.00 cm. 16.73 in. x 20.87 in. (frame) LCD5581

Ready to dance is an original pouchoir on ivory-colored paper glued on cardboard, realized by Anonymous Artist of the 20th Century, in 1920. In excellent conditions: as good as new....

Three Models is an original lithograph realized by Paul Iribe, signed. Sheet dimension: 31,5 x 27,5 cm. With Passepartout dimension : 69 x 49 cm. In excellent condition. Here the...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 10, from the series Souvenirs Grotesque...

GAMY and MONTAUT, Ernest. La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley. Mabileau & Co., ...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

GAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...

Poison Apple 2 - Gold Edition: Available for the first time as a screen print edition, Poison Apple 2.0 marks 5 years of the original exhibition at Dismaland....

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Martin Luther King Artists: Yerena, Ernesto Year: 2021 Class: Art Print Released: 01/16/21 Technique: Original Mixed Media Paper: 100% Cotton Rag Size: 26 X 20 Markings: Signed & Numbered About: Ernesto Yerena...

Lithograph and stencil with gouache and pastel inks on vélin de Rives paper, archivally hinged on vélin de Rives backing sheet, as issued. Inscription: signed in the plate and unnumb...

Stencil The work signed in the plate 35.00 cm. x 24.00 cm. 13.78 in. x 9.45 in. (image) 52.50 cm. x 41.50 cm. 20.67 in. x 16.34 in. (frame) LCD5580

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

God, Time, Space, and the Pope – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 667; Field 74-8 Plate I Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

Three Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...

(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Artist: Aiko Title: Emotions - Orange Variant Medium: 8 Color Hand Painted Stencil + 2 Screen Print on 290gsm Fine Art Paper Size: 24 x 20 inches (Framed: 25.5 x 21.5 Inches) Editio...

after Jean Dubuffet - Flowers - Pochoir 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unumbered as issued

Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in graphite pencil on the front Published by Brooke Alexander, New York and Galerie Biedermann, Munich, Germany; Printer: Deli Sacilotto...

"French Air Show with Remarque of Head of Pilot" is an original lithograph and stencil print by Marguerite Montaut (GAMY). It depicts an early airplane flying above a crowd of specta...

after Jean Dubuffet - Man - Pochoir 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXè siècle Unsigned and unumbered as issued

Società Fratellanza Italiana is a beautiful historical document to confer to the General Giuseppe Garibaldi the honorary presidency of the Italian Brotherhood Society in 1881. A lo...

The Capitol is a beautiful lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century. It represents the incredible landscape of the communal site of t...

after Henri Laurens - Cubism - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

The Museum of Genius and Fancy – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 676; Field 74-8 Plate L Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

after Jean Arp - Pochoir 1957 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

after Jean Arp Moustaches et Squelette Executed in 1957 after the original artwork by the studios from Daniel Jacomet in Paris, France Pochoir Dimensions: 32 x 24 cm From the art re...

Jean Arp (after) - Composition - Pochoir 1958 Dimensions: 32 x 24 cm From the art revue XXe siècle Unsigned and unumbered as issued

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

after Jean Dubuffet Personnage Pochoir on paper 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered as issued

Artist: Arman, French (1929 - 2005) Title: New Year's Card, 2003 Year: 2003 Medium: Print on Aluminum and Cut out Cardboard, signed in marker Size: 11.25 in. x 8.25 in. (28.58 cm x ...

Artist: Grace Graupe-Pillard, American Title: Plates of Light Year: 1991 Medium: Cut-out Silhouette Lithograph, signed and numbered in pencil Edition: 30/30 Size: 45 x 33 in. (114.3 ...

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...