Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Pablo Picasso
Figurative Picasso Etching, 'Sculpteur et Modèle Debout', 1933

1933

$28,000
$40,00030% Off
£21,634.86
£30,906.9430% Off
€25,011.93
€35,731.3330% Off
CA$39,566.02
CA$56,522.8930% Off
A$44,375.93
A$63,394.1830% Off
CHF 23,238.99
CHF 33,198.5530% Off
MX$539,210.80
MX$770,301.1430% Off
NOK 295,096.20
NOK 421,56630% Off
SEK 279,771.99
SEK 399,674.2730% Off
DKK 186,701
DKK 266,715.7230% Off

About the Item

Pablo Picasso's "Sculpteur et modèle debout" (1933), (which translates to "Sculptor and Model Standing") is a striking example of his exploration of the human form and his innovative approach to both sculpture and painting. The work depicts a sculptor and his standing model, a theme Picasso frequently revisited throughout his career, engaging with both the act of creation and the relationship between the artist and the subject. The composition is dynamic and filled with tension, capturing a moment of artistic creation in the process. Picasso portrays the sculptor, with his back turned, as he works on his model, who stands in a contorted pose, revealing a raw, almost primal energy. The artist's treatment of the figures is highly abstract, with distorted proportions and geometric forms that break away from traditional representations of the human body. The model's figure, elongated and angular, interacts with the sculptor's posture and tools in a way that suggests a deep connection between creator and creation, as if the sculptor is in the act of both observing and transforming his model into an artwork. The background is minimal, drawing focus to the figures and their interaction. The work's color palette is muted, with earthy tones and subtle use of light and shadow, emphasizing the forms rather than creating a sense of place. Picasso’s ability to convey a sense of movement and tactile texture, even in a static representation, is evident in the way the sculptor's hands are poised and the model's stance suggests an implied action. This piece from 1933 is part of Picasso's broader interest in the dualities of life and art—creation and destruction, subject and object, reality and abstraction. It reflects the artist’s ongoing experiments with Cubism, Surrealism, and his desire to push the boundaries of artistic expression. Picasso's portrayal of the sculptor and his model is not just about the physicality of the figures but also an exploration of the emotional and psychological undercurrents of artistic creation. The etching is part of the Vollard Suite, a group of 100 etchings that Picasso created for Ambroise Vollard, a Parisian art dealer and publisher, between 1930 and 1937. The suite's main theme is the Sculptor's Studio, which reflects Picasso's engagement with classical sculpture at the time.  Picasso was a highly inventive artist who experimented with many techniques and materials, including collage, assemblage, and sculpture. He was a pioneer of Cubism, a revolutionary style that depicts abstracted forms from multiple viewpoints.  Pablo Picasso’s most celebrated series of etchings, The Vollard Suite, comprises 100 etchings created by Picasso between 1930 and 1937, at a critical juncture in Picasso’s career. The etchings were made when Picasso was involved in a passionate affair with his muse and model, Marie-Thérèse Walter, whose classical features are a recurrent presence in the series. The predominant theme of the suite is the Sculptor’s Studio, which deals with Picasso’s engagement with classical sculpture. At this point he was making sculptures at his new home and studio, the Château de Boisgeloup outside Paris. The Vollard Suite takes its name from Ambroise Vollard (1866-1939), the greatest avant-garde Paris art dealer and publisher of his day, who gave Picasso his first Paris exhibition in 1901. From the Suite Vollard (S.V. 68), edition of 260 Signed by the artist in pencil, lower right Printed by Lacourière, 1939 Published by Vollard, 1939 (Bloch 177) (Baer 330.B.d)
  • Creator:
    Pablo Picasso (1881-1973, Spanish)
  • Creation Year:
    1933
  • Dimensions:
    Height: 14.5 in (36.83 cm)Width: 11.6 in (29.47 cm)
  • More Editions & Sizes:
    Edition of 260Price: $40,000
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU835116204362

More From This Seller

View All
Figurative Picasso Etching, 'Trois Femmes nues et une Coupe d’Anémones', 1933
By Pablo Picasso
Located in New York, NY
Pablo Picasso's "Trois Femmes nues et une Coupe d'Anémones" (1933) is a powerful and evocative work that captures the artist's fascination with the female form and his ongoing explor...
Category

1930s Cubist Nude Prints

Materials

Laid Paper, Etching

Figurative Picasso Etching, 'Minotaure Endormi Contemplé Par Une Femme', 1933
By Pablo Picasso
Located in New York, NY
"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...
Category

1930s Cubist Figurative Prints

Materials

Laid Paper, Etching

Sur la plage II (trois nus), 1921
By Pablo Picasso
Located in New York, NY
Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...
Category

1920s Cubist Nude Prints

Materials

Paper, Lithograph

Sur la plage II (trois nus), 1921
$28,000 Sale Price
30% Off
Free Shipping
Archival Picasso Linocut Print, ‘B1296 Madoura’, 1961
By Pablo Picasso
Located in New York, NY
Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...
Category

1960s Abstract Abstract Prints

Materials

Linocut

'Portrait of a woman II (Jacqueline Roque)' Cubist Lithograph Print, 1955
By Pablo Picasso
Located in New York, NY
Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...
Category

1950s Cubist Abstract Prints

Materials

Black and White, Lithograph

'Jeune Fillet et sa Suite'
By Alexander Calder
Located in New York, NY
Alexander Calder’s ‘Jeune Fillette et sa Suite’ lithograph reflects his signature style of playful abstraction while offering a whimsical portrayal of human figures through simplifie...
Category

1970s Abstract Geometric Abstract Prints

Materials

Lithograph

'Jeune Fillet et sa Suite'
$9,520 Sale Price
20% Off
Free Shipping

You May Also Like

Pablo Picasso, "Sculpteur et Modele debout, " etching, hand signed
By Pablo Picasso
Located in Chatsworth, CA
Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...
Category

1930s Surrealist Figurative Prints

Materials

Etching

Le Modèle et son Peintre - Etching by Pablo Picasso - 1963
By Pablo Picasso
Located in Roma, IT
Etching, burin and Aquatint. Edition of 50 prints, numbered and hand signed. Rare and in very good conditions. Bibliography: G. Bloch, Picasso: Catalog of the Printed Graphic work 1...
Category

1960s Modern Figurative Prints

Materials

Etching

Pablo Picasso, "Untitled" from 23 novembre 1966 II, etching
By Pablo Picasso
Located in Chatsworth, CA
An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...
Category

1960s Modern Figurative Prints

Materials

Etching

Le Peintre et Son Modèle - Etching by Pablo Picasso - 1963
By Pablo Picasso
Located in Roma, IT
Hand Signed and numbered. Edition of 22/150 pieces. Full margins. Edition Circle d'Art, Paris; Printed by Crommelynck, Paris. Ref. Bloch 1139. Excellent condition.
Category

1960s Cubist Figurative Prints

Materials

Paper, Etching

Pablo Picasso ( 1881 – 1973 ) – hand-signed etching on BFK Rives paper - 1968
By Pablo Picasso
Located in Varese, IT
Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...
Category

1960s Cubist Nude Prints

Materials

Paper, Etching

Patron et sa Suite en Visite à l’Atelier - Etching by P. Picasso - 1968
By Pablo Picasso
Located in Roma, IT
Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...
Category

1960s Cubist Figurative Prints

Materials

Drypoint, Aquatint