Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Pablo Picasso
La Petite Corrida (Bloch 839; Cramer 92; Mourlot 302), Hommage à Picasso

1971

$1,196
$1,49520% Off
£901.79
£1,127.2320% Off
€1,043.05
€1,303.8120% Off
CA$1,692.09
CA$2,115.1220% Off
A$1,844.75
A$2,305.9420% Off
CHF 974.73
CHF 1,218.4120% Off
MX$22,686.09
MX$28,357.6220% Off
NOK 12,119.99
NOK 15,149.9920% Off
SEK 11,409.37
SEK 14,261.7120% Off
DKK 7,786.55
DKK 9,733.1920% Off

About the Item

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonne references: Picasso, Pablo, and Georges Bloch. Pablo Picasso: Catalogue de L’oeuvre Grave et Lithographie, Pablo Picasso: Catalogue of the Printed Graphic Work. Editions Kornfeld, 1967, illustration 839. Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonné. Patrick Cramer, 1983, illustration 92. Picasso, Pablo, and Fernand Mourlot. Picasso Lithographs, Translated by Jean Didry, Boston Book and Art Publisher, 1970, illustration 302. Notes: From the album, Special issue of the XX Siècle Review, Edited by G. di San Lazzaro, Hommage à Picasso, 1971. Published by Tudor Publishing Co., New York, in collaboration with Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1971. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. PABLO PICASSO (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art. In May 2015, Pablo Picasso’s painting, Les Femmes d'Alger (Version O), sold for $179.4 million USD at Christie’s New York, setting a world record for the artist.
  • Creator:
    Pablo Picasso (1881-1973, Spanish)
  • Creation Year:
    1971
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216913182

More From This Seller

View All
Picasso, Le peintre et son modèle (Cramer 128; Bloch 1848) (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Picasso, Le Vautour (The Vulture) (Orozco p.82), Histoire naturelle (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Paper Size: 12.99 x 9.84 inches. Catalogue raisonné reference: Orozco, Miguel. T...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition (Cramer 30; Horodisch D14; Bloch 307; Matarasso 28) (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, L'indicatif présent ou l'infirme del qu'il est, 1938. Published by Éditions Sou...
Category

1930s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition (Orozco 238), Picasso, La flûte double (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...
Category

1960s Cubist Figurative Prints

Materials

Stencil, Lithograph

Picasso, Composition (Orozco 238), Picasso, La flûte double (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...
Category

1960s Cubist Figurative Prints

Materials

Lithograph, Stencil

Picasso, Composition (Orozco 238), Picasso, La flûte double (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...
Category

1960s Cubist Figurative Prints

Materials

Lithograph, Stencil

You May Also Like

Abstracted Lithograph of The Louve Museum with E.M Pei Pyramids
By Bu King
Located in Soquel, CA
Abstract Lithograph of The Louve with E.M. Pei Glass Pyramids Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...
Category

Late 20th Century Analytic Cubist Landscape Prints

Materials

Paper, Ink, Aquatint, Lithograph

LE VERTE GALANT
By (after) Pablo Picasso
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category

1980s Cubist Landscape Prints

Materials

Lithograph, Paper

ITALIAN LANDSCAPE Original Lithograph, Seaside Village Scene, Young Woman, Boat
By Jorge Dumas
Located in Union City, NJ
ITALIAN VILLAGE by the South American artist Jorge Dumas, is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on archival printmaki...
Category

1970s Cubist Landscape Prints

Materials

Lithograph

de La Fresnaye, Le Bouvier, Collection Pierre Lévy (after)
By Roger de la Fresnaye
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

de La Fresnaye, L'entrée du village, Collection Pierre Lévy (after)
By Roger de la Fresnaye
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

de La Fresnaye, La Roumaine, Collection Pierre Lévy (after)
By Roger de la Fresnaye
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...
Category

1960s Cubist Landscape Prints

Materials

Lithograph