Paul Gavarni (Guillaume Sulpice Chevalier)

Clichy - Original Lithograph by Paul Gavarni - First Half of 1800

First Half of 19th Century

Arabe de la Plaine is a hand colored lithograph realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Ward Lockwood (1894 - 1963) New Mexico, Texas, Kansas / Mexico Artist Image Size: 12 x 16 Frame Size: 17.75 x 21.75 Medium: Charcoal "Siesta By The Oven" Biography Ward Lockwood (1894 - 1963) Born in Atchison, Kansas, Ward Lockwood became a key painter in the Taos, New Mexico art colony, but diverse modernist art styles including Expressionism*, Cubism*, Surrealism* and Constructivism* reflected his wide ranging travels in Europe and the United States. From the 1920s to the 1960s, his work embraced a series of stylistic changes characteristic of people who influenced him, including John Marin and Andrew Dasburg. He studied at the University of Kansas, and from 1914 to 1917 at the Pennsylvania Academy of Fine Arts* where he was introduced to Modernism*. In 1917, he began a two-year enlistment in the Army and served in France, and in 1921, a return visit to France led to his being influenced by Paul Cezanne and Vincent Van Gogh. During this time, he studied in Paris at the Academie Ranson*, but got bored with the academic climate of that school and spent time at the Louvre and galleries along the Rue de la Boetie. He painted from local models and traveled around France with fellow Kansan, Kenneth Adams. He was much impressed with the diversity of contemporary art movements including Futurism*, Cubism, and Dadaism*. His work from this period shows influences of Geometric Abstraction* and Impressionism. In 1922, he returned to Kansas, committed to the idea that an artist does best painting in his own culture. He worked as a commercial artist and also did portrait commissions. In 1926, he and his wife, artist Clyde Bonebrake, moved to Taos, New Mexico because of his friendship with Kenneth Adams, who was already established there. Lockwood became interested in the Taos Society of Artists...

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

Robert Indiana Four Winds, from the Deluxe edition of the 1 Cent Life Portfolio (with Robert Indiana's blind stamp, #85/100, acquired from the Estate of Robert Indiana), 1964 Lithograph on wove paper (bears Robert Indiana's embossed stamp) Artist's distinctive embossed blind stamp for 1964 on the lower left front which Robert Indiana used as his signature for this portfolio Frame Included: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Bears Robert the artist's distinctive blind stamp on the lower left front which Robert Indiana used as his signature for this portfolio This Robert Indiana is a rare stamped...

Catching Fire is a lithograph on paper, 9.5 x 5.5 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 170/275 (there were also 100 Roman and 20 AP). ...