1910s Figurative Prints
3
to
58
300
244
36
172
310
200
3
341
63
85
13
11
Overall Height
to
Overall Width
to
182
64
23
13
9
1
1
471
232
214
190
142
118
115
64
58
54
43
43
30
29
23
23
21
17
13
7
3,543
6,242
22,034
7,057
275
545
1,117
1,046
1,043
1,625
2,965
4,476
2,471
1,194
3,041
102
34
21
18
17
195
164
136
104
79
Period: 1910s
Une Marmite
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Une Marmite, engraving, 1916, signed in pencil lower left; titled, dated and inscribed “epreuve de 1er etat” bottom margin edge [with the initial an...
Category
Art Deco 1910s Figurative Prints
Materials
Engraving
Up-Rising
Located in New York, NY
Arthur B. Davies, Up-Rising, soft ground etching and aquatint on a cream laid paper, 1919, signed in pencil lower right margin. Reference: Czestochowski 78, second state (of 3). In g...
Category
American Impressionist 1910s Figurative Prints
Materials
Etching, Aquatint
L'ile Desert
Located in New York, NY
Jean-Emile Laboureur (1877-1943), L’ile Desert, etching, 1914, signed in pencil lower left and numbered lower right (33/35). Reference: Laboureur 135, only state, from the edition of...
Category
Cubist 1910s Figurative Prints
Materials
Etching
Lion Brewery
By James McBey
Located in Storrs, CT
Lion Brewery. 1914. Etching. Hardie 149. 11 1/2 x 8 1/8 (sheet 13 5/8 x 10 1/8). Edition 50, #7. Illustrated: Salaman, Modern Masters of Etching. A fine impression of this scarce pri...
Category
Modern 1910s Figurative Prints
Materials
Etching
By the Nets Bei den Netzen
Located in London, GB
KARL SCHMIDT-ROTTLUFF 1884-1976
Rottluff, Germany 1884 - 1976 Berlin (German)
Title: By the Nets Bei den Netzen, 1914
Technique: Original hand signed woodcut on laid paper
...
Category
Expressionist 1910s Figurative Prints
Materials
Woodcut
Le Docteur Ballanzone
Located in New York, NY
Pochoir Colored Plate for Journal Des Dames et Des Modes. Engraved by H. Reidel on wove paper. 15 x 19.5". 1914
Pochoir is a process where the plate is first stenciled and then ha...
Category
Art Deco 1910s Figurative Prints
Materials
Color, Engraving
Erich Heckel Woodcut "Reclining Woman", 1913
By Erich Heckel
Located in Berlin, DE
Wood cut in two colors on laid silk woven paper, 1913 by Erich Heckel ( 1883-1970 ). Signed and dated in pencil lower right: Heckel. Framed. Height: 7.13 in ( 18,1 cm ), Width: 4.21 ...
Category
Expressionist 1910s Figurative Prints
Materials
Woodcut
"Mlle Landsberg" (grade planche, pl. 16)
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914
Henri Matisse (French, 1869-1954)
Signed and Numbered Lower Right
Edition 12/15
Image size: 7 7/8 x 4 5/16 inches
Sheet size: 17 11/16 x 12 1/2 inches
With frame: 19 1/2 x 14 1/2 inches
Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension.
Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris.
Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died.
Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts).
By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913.
At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category
Fauvist 1910s Figurative Prints
Materials
Etching, Drypoint
The Two
By Anders Zorn
Located in Tallinn, EE
Anders Zorn
(Utmeland/Dalarne, 1860 - Mora/Sweden, 1920)
The Two", 1916
Signed in pencil lower right and monogrammed and dated in the plate. Etching on laid paper.
35,5 x 23 cm; 20,2...
Category
1910s Figurative Prints
Materials
Laid Paper, Etching
Les Bars
Located in Wilton, CT
A very fine copy of "Les Bars," an album of ten original etchings by the master Lobel-Riche, representing fashionable women in various Parisian social settings. This album, part of a...
Category
Art Nouveau 1910s Figurative Prints
Materials
Etching
The Nude With Landscape - Etching and Drypoint by Pierre Girieud -1910s
Located in Roma, IT
Etching realized by Pierre Girieud (1876-1940).
Good condition with foxing, on a yellowed paper included a white cardboard passpartout (50 x 70 cm).
Hand signed on the lower right corner.
Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.
Category
Modern 1910s Figurative Prints
Materials
Etching, Drypoint
Torse de face
Located in New York, NY
Henri Matisse
Torse de face, 1913
lithograph on Japanese vellum, edition 31 of 50
19 11/16 x 13 in. (50 x 33 cm)
Ref: Duthuit 407; Cat. 31
signed in ink and numbered 31/50
Category
Modern 1910s Figurative Prints
Materials
Lithograph
L'Amore dei Tre Re - Original Advertising Lithograph by L. Caldanzano - 1913
By Luigi Caldanzano
Located in Roma, IT
L'Amore dei Tre Re is a colored lithographed original manifesto on cardboard, realized in 1913 by the Italian artist Luigi Caldanzano. Printed by Offi...
Category
1910s Figurative Prints
Materials
Lithograph
"Princess Hyacinthe" Original 1911 Lithograph, Alphonse Mucha
Located in Chicago, IL
“One of Mucha’s best Czech posters, printed by the firm of V. Neubert in the Smichov quarter of Prague, was for Princezna Hyacinta, a fairy-tale ballet and pantomime with music by Oskar Nedbal and libretto by Ladislav Novák. The portrait of the popular actress Andula Sedlácková as the princess dominates the poster. The plot develops as a dream of a village blacksmith who falls asleep after digging for a buried treasure. In his dreams he becomes lord of a castle, and his daughter Hanicka becomes the Princess Hyacinth. Of her three suitors, one is a sorcerer who abducts her to his underground palace, but she is rescued by a poor knight who looks like her real-life lover. Mucha used the motif of the hyacinth throughout the entire design, from embroideries to silver jewelry, and for an elaborate circle sparkling against the mossy green background. The portrait of the actress is seen against a sky full of stars and encircled with images from the dream: the blacksmith’s tools...
Category
Art Nouveau 1910s Figurative Prints
Materials
Lithograph
The New Year's Cake - Woodcut after Kitagawa Utamaro - 1910 ca.
By Kitagawa Utamaro 1
Located in Roma, IT
The New Year's Cake is an original modern artwork realized after Kitagawa Utamaro (1753 –1806) and printed around 1910.
Original Bijinga reprint (double page book).
From the famou...
Category
Modern 1910s Figurative Prints
Materials
Woodcut
Le rata - Original Etching by Anselmo Bucci - 1917
Located in Roma, IT
Image dimensions: 16 x 24 cm.
Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. Anselm...
Category
Futurist 1910s Figurative Prints
Materials
Drypoint, Etching
The Workers - 20th Century, Lithograph by Christopher Nevinson
Located in London, GB
Edition of 50
Signed and dated lower right
Category
Modern 1910s Figurative Prints
Materials
Lithograph
Banking at 4000 Feet - 20th Century, Lithograph by Christopher Nevinson
Located in London, GB
Edition of 200
Signed, dated and numbered
Category
Modern 1910s Figurative Prints
Materials
Lithograph
Returning to the Trenches - 20th Century, Drypoint by Christopher Nevinson
Located in London, GB
Drypoint on off-white laid paper
Edition of 75
Signed & dated in pencil
Category
Modern 1910s Figurative Prints
Materials
Drypoint
La Marchande de Violettes
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Marchande de Violettes, etching, 1914, signed in pencil lower left and numbered (33/35) lower right [also signed and dated in the plate lower rig...
Category
Cubist 1910s Figurative Prints
Materials
Etching
Le Diner a L’Auberge
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...
Category
Cubist 1910s Figurative Prints
Materials
Engraving
Driving Home in the Rain
Located in Storrs, CT
Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...
Category
Modern 1910s Figurative Prints
Materials
Drypoint
Le Gramophone
Located in New York, NY
LABOURER, Jean Emile. Le Gramophone. Woodcut on cream laid paper,
1918-21.
full margins. Signed and numbered 41/45 in pencil, lower margin.
A very goo...
Category
Cubist 1910s Figurative Prints
Materials
Woodcut
Recently Viewed
View AllMore Ways To Browse
L Sitter
Map Of Baltimore
Vintage Hunting Prints Art Prints
Vintage Japanese Map
Vintage Lemon Drawing
Vintage Lincoln
Art Exhibition Posters African American Artists
Vintage Bible Illustrations
Sarah Seven
Shark Light
Vintage Concept Dress
Retro Diner Poster
Gucci 1992
Japanese Woodblock Samurai
Jazz Piano
Persistence Of Memory
Duncan Grant
I Cannot Live Without You