1980s Figurative Prints

Hand signed, numbered and dated by the artist. From Eight Little Nudes (D'Oench & Feinberg 123-30). Etching with drypoint and aquatint in colors on BFK Riv...

"En Salada" Salad Fixings Etching on Paper by Joseph C. MaCarthy This Intaglio print, titled "En Salada," by San Francisco Bay area artist Joseph C. McCarthy (American, 20th C), cre...

PARIS RAGE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. PARIS RAGE depicts a colorful, fun portrait of three young women in Paris...

"Off to School" is a Limited Edition Etching, 3/77 by the artist J. LEWIS. It measures 17 x 11 inches and is unframed. The date of creation is 3-27-82. The print is covered in plasti...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Vintage David Hockney poster for the XIV 1984 Olympic Games in Sarajevo published as part of the official 1984 Olympic Fine Art Posters Series. The Olympic Committee commissioned 15 ...

With a title translating to "The Yellow Room", this print by José Luis Cuevas features several pained figures standing around, seemingly in wait. El Cuarto Amarillo José Luis Cuevas...

OPERATION MOSES is an original hand drawn lithograph by the American artist/sculptor Chaim Gross, hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. OPERATION MOSES is a contemporary style figurative watercolor drawing created to commemorate the evacuation of African Jews to Israel here represented by visual elements including colorful doves, a yellow menorah, an out stretched hand, city of Jerusalem, the U S White House, stone tablets, and a group of seated Ethiopian people studying Torah. OPERATION MOSES was printed in watercolor shades of light blues, reds, yellow, green, salmon pink, purple, browns and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. OPERATION MOSES is a very unique, extremely limited edition lithograph created in commemoration of the historic airlift of Ethiopian Jews to Israel in 1984. Operation Moses refers to the covert evacuation of Ethiopian Jews (known as the "Beta Israel" community or "Falashas") from Sudan during a civil war that caused a famine in 1984. Print size - 16 x 20 inches, unframed, excellent condition, pencil signed by Chaim Gross Image size - 10.5 x 15 1/8 inches Edition size - 10, plus proofs Printer - J K Fine Art Editions Co. NY Never been framed or mounted, pencil signed A.P.(Artist Proof) aside from an edition of 10, printers chop on lower left corner, from the master printers private collection Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

A unique monotype print by New York based artist, Helen Oji. The print is signed and dated in pencil. Image size 22.75 x 30.5 inches.

Portrait of an Old Flyer Whirligig John Russell Clift, American (1925–1999) Date: 1980 Screenprint, signed and numbered in pencil Edition of 260 Image Size: 31.5 x 21 inches Size: 42...

Normand Hudon 1929-1997 LA SORTIE DE L’ÉCOLE Lithograph 18 x 24 in INSCRIPTIONS Signed, titled and numbered in pencil framed

José Luis Cuevas, Mexican (1934 - 2017) - Tasende Gallery, Year: 1989, Medium: Poster, Size: 23 in. x 19 in. (58.42 cm x 48.26 cm)

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

Keith Haring One plate from "The Valley" 1989 Original etching on paper Signed, dated and numbered in pencil Edition of 80 Unframed, pristine condition We have a number of these avai...

Keith Haring Memorial 1990: Original announcement to Keith Haring’s memorial exhibition, ‘Keith Haring Early Works on Paper,’ at Tony Shafrazi Gallery, 1990. The exhibition was held from May 4th to June 2nd, 1990. Printed on heavy stock textured paper; measures 7.25 x 7.25 inches. Very good condition. A classic, vintage Keith Haring collectible. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring snakes. Keith Haring posters. Keith Haring and Tony Shafrazi. Keith Haring pyramid...

Hand signed and numbered by the artist. From the Roman Numeral edition of 150. Framed size approx 50 x 34 inches. Artwork is in excellent condition. Certificate of Authenticity inc...

Hand signed and numbered by the artist. From the Zodiac Suite. Framed size approx 31 x 26 inches. Artwork in excellent condition. Additional images are available upon request. Certif...

Artist: Kevin Red Star, American (1942 - ) Title: Crow Husband and Wife Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP Size: 31 in. x 22 in. (78.7...

Etching in colors on paper. Hand signed and numbered by Max Papart. Image size 31 x 25 inches. Sheet size 39 x 31 inches. Frame size approx 44 x 37 inches. Edition HC IX/XV. Ar...

Giancarlo Impiglia, Italian/American (1940 - ) - Pierrot, Year: 1982, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: 149/300, Image Size: 29.25 x 19....

Marcel Marceau, French (1923 - 2007) - Recital, Medium: Lithograph, Edition: 22/50, Image Size: 27 x 12.75 inches, Size: 36.25 x 19 in. (92.08 x 48.26 cm)

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

"Sale Julia" Abstract Figurative Monotype by California artist Linda O'Hagan. This dynamic print by Linda O'Hagan captures the movement of a dancer mid-turn. The background is comp...

Yves SAINT-LAURENT Love Story of La Vilaine Lulu, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited to 300 ...

Nude is a lithograph on paper realized in the 1980s by Sergio Barletta. Hand-signed on the lower right in pencil. From the edition of 100 prints. Numbered in pencil on the lower left. In good condition. Sergio Barletta  (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs: Galleria Marino  – Roma, 1965  Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967  Galleria d’arte moderna Villa Reale – Milano, 1967  Palazzo Costanzi – Trieste, 1967  Galleria del Naviglio – Milano, 1967  Galleria Marino – Roma, 1967  Galleria Libreria Renzo Cortina – Milano, 1968  Galleria Libreria Renzo Cortina – Milano, 1969  Society Art’s Club – Messina, 1970  Galleria Marino – Roma, 1970  Galleria Libreria Renzo Cortina – Milano, 1972  Galleria Marino – Roma, 1972  Galleria Il Diaframma – Milano, 1973  Galleria Libreria Renzo Cortina – Milano, 1974  Galleria Il Ventaglio – Firenze, 1975  Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976  Bedford House...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Leonor Fini - Orgy - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

Jim Dine Galerie Maeght exhibition print, 1983 Lithograph and offset lithograph Signed in plate 31 1/4 × 21 inches Limited Edition of 500 Unframed Th...

From Historia de Don Quichotte de la Mancha. Edition: 73/300. Authenticated by Albert Field on verso. Sheet size: 29.875 x 22.125 inches. Image Size: 15.75 x 17.5 inches. Frame size...

Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...

Beautiful offset lithography by Jacques Monory. Numbered and signed by the artist in pencil. Issue 31/79 Size of the work 52 x 80 cm Size with white margin: 73 x 100 cm Perfect cond...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

Yvon TAILLANDIER The Traveller, Havana, 1982 Original screen print Handsigned in pencil Justified ‘prueba de color’ (colour test) On Canson paper 43 x 57.5 cm (c. 16.9 x 22.6 in) I...

Arnold Iger Lily (Readers Digest Association Art Collection), 1988 Intaglio (Hand Signed, Dated, Titled, Numbered & Framed) Signed in pencil lower right recto Numbered "77/350" on lo...

Théo Tobiasse Title: Un Homme Raconte les Matins Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Henry Moore Seven Sculpture Ideas I (Cramer 589) Etching, aquatint and roulette in 10 colors, 1982, on Arches, signed in pencil. 39/50 From the numbered edition of 50. Published by ...

"The two flirtatious Dublin barmaids are the 'Sirens' in the eleventh episode of Ulysses. They pull beer for their male clients in the bar of the Ormond Hotel late in the afternoon. ...

Lithograph on Magnani-Pescia paper. Paper size 64cm x 49cm, work size 48cm x 32cm. Excellent condition, no defects. Hand colored by the artist. The master Romano Parmeggiani was born...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Papillon Gallery, 1981 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, Santa Monica, signed in plate Total tirage 1275 plus proofs (there ...

Victor Vasarely's style is a unique take on the op art movement. Rather than only gear towards the solely geometric and abstract, he also often ventures into representation. Using co...

Peynet (1908-199 Lithograph + original drawings Le Marché aux Oiseaux” (The Bird Market) 1985 Number 30/350 Signed in pencil 76 x 56 cms

Yves SAINT-LAURENT La Vilaine Lulu with Butterflies II, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited t...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

'Balinese Boy', original signed lithograph, by Arie Smit (circa 1980s). Young Balinese men feature heavily in the oeuvre of the artist. In this case, it appe...

Otto Eglau (1917 Berlin - 1988 Kampen), Wadden spirits, 1982. Aquatint etching, 14.5 cm x 18 cm (plate size), 32 cm x 33.8 cm (frame), signed “Eglau” and dated “[19]82” in pencil low...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Yaacov Agam Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph (hand signed by Yaacov Agam) Hand signed twice in black and ...

Hand signed & numbered by the artist. From the edition of 325. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. Pl...

Keith Haring Pop Shop bag c.1987: Rare original 1980s Keith Haring Pop Shop collectible featuring Keith Haring’s Three Eyed Smiling Face on a double-sided vinyl pouch. A classic 1980s Keith Haring Pop Shop collectible that is well-suited for display. Medium & Dimensions: Screen-printed heavy-weight vinyl pouch with sliding zip top. Double-sided. Approximately 9x9 inches. Condition: Well-preserved and in very good overall vintage condition. Unsigned from an edition of unknown; scarce. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...

Head of Woman, 1981 Etching on paper.
 Hand-signed and numbered by the artist. Paper size: 57 x 46 cm
 Framed: 60 x 49 cm Edition of 50 Henry Moore’s prints are a vital aspect of hi...

Color lithograph, on Magnani-Pescia paper. Paper size 56cmx76cm, work size 47cmx66cm. Excellent condition, no defects. Artist, costume designer, after having created numerous scenog...

Complete suite of 6 hand signed and numbered etchings. Includes hand signed binder. Numbered AP 24 (aside from the main edition of 100). Sheet size is 15 x 19 inches each. Image ...

Spoleto Festival is an original lithograph on cardboard, realized by Larry Rivers in 1988. Signed on plate. Good conditions. Larry Rivers (1923 – 2...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Serigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...

Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and...