Early 18th Century Figurative Prints
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Period: Early 18th Century
Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Calendula Flowers: An 18th Century Hand-colored Botanical Engraving by B. Besler
Located in Alamo, CA
A hand-colored copper plate engraving depicting "Calendula prolifera; Calendula lutea flore pleno; Calendula lute medioruffa" flowers from Basilius Besler's landmark work, Hortus Eys...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Chamomile & Safflower: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Chamemelum Romanum flore simplici (Chamomile), Cincus Sativus (False saffron, Safflower), Chamaemelum Romanum Flore (Roman Chamomile)", depicting flowering Chamomile, Safflower and Roman Chamomile plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There are a few small spots and some irregularity of the lower edge. There is some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.25" high and 17.38" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Flowering Henbane : A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyosciamus albus and Hyosciamus vulgaris" (Henbane) plants from Basilius Besler's landmark work, Hortus Eystettensi...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Robert van Audenaerde after Carlo Maratti - Engraving, Rebecca at the Well
Located in Corsham, GB
A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.
Category
Early 18th Century Figurative Prints
Materials
Engraving
Cactus & Rose of Jericho Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
A hand-colored copper plate engraving depicting flowering "Melocactos" (Turk's Cap Cactus or Mother-in-law's Cushion), "Rosa Hiericontea aperta" (Rose of Jericho Unfolded), "Rosa Hie...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world.
This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641)
Title: "Dominus Nicolaus Vander Borcht"
Year: 1703 (first or second state of three)
Medium: Original Engraving on laid paper
Limi...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Engraving
Map of Lucca - Etching by Pierre Mortier - Early 18th Century
Located in Roma, IT
Map of Lucca is an etching realized by Pierre Mortier in the early 18th Century
Good condition.
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Etching, Engraving, Drypoint
Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
Citrus and Apricots
Located in London, GB
WEINMANN, Johann Wilhelm.
Citrus and Apricots
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plate, being one of the earliest examples of colour printing.
Johann ...
Category
Naturalistic Early 18th Century Figurative Prints
Materials
Laid Paper, Mezzotint
German folk dancing, set of six engravings, circa 1720
Located in Melbourne, Victoria
A series of six German engravings of couples dancing. Published by Josef Friderick Leopold in Bavaria.
260mm by 165mm (platemark)
Category
Romantic Early 18th Century Figurative Prints
Materials
Etching
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Engraving, Etching
Le Paon - Etching by Catherine Haussard - 1771
Located in Roma, IT
Le Paon is an etching realized by Haussard in 1771.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Engraving, Etching
Celestial Music - Etching by C.N. Cochin the Elder - Early 18th Century
Located in Roma, IT
Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Etching
Melons
Located in London, GB
WEINMANN, Johann Wilhelm.
Melons
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann (168...
Category
Naturalistic Early 18th Century Figurative Prints
Materials
Laid Paper, Mezzotint
Java Apples
Located in London, GB
WEINMANN, Johann Wilhelm.
Java Apples
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Weinmann...
Category
Naturalistic Early 18th Century Figurative Prints
Materials
Laid Paper, Mezzotint
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Engraving, Etching
Ward after Morland - 1797 Mezzotint, Inside of a Country Alehouse
Located in Corsham, GB
W. Ward after George Morland. Title, artists and date inscribed in print. Presented in a part gilt frame. On paper.
Category
Early 18th Century Figurative Prints
Materials
Mezzotint
After Annibale Carracci (1560-1609) - 1627 Engraving, The Agony in the Garden
Located in Corsham, GB
A 17th century engraving by Lucas Vorsterman I (1595-1675) after 'The Agony in the Garden' by Annibale Carracci (1560-1609). According to the lettering, this plate was made at the co...
Category
Early 18th Century Figurative Prints
Materials
Engraving
After Jacques Stella (1596-1657) - 18th Century Engraving, One Lily
Located in Corsham, GB
An original 18th century engraving after Jacques Stella (1596-1657). Unsigned. Well presented in a gilt frame with a beaded inner. On paper.
Category
Early 18th Century Figurative Prints
Materials
Engraving
18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category
Realist Early 18th Century Figurative Prints
Materials
Engraving
Drying Paper
Located in Middletown, NY
Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining.
Okumura Masanobu (Japanese 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women").
While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii school of ukiyo-e painting...
Category
Edo Early 18th Century Figurative Prints
Materials
Handmade Paper, Woodcut
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Woodcut
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Etching
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
English School Early 18th Century Figurative Prints
Materials
Handmade Paper, Engraving, Etching
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster
By Johannes Kip
Located in Middletown, NY
A fine prospect image of gardens at Lincoln's Inn, London.
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster; The Fountain and Gardens in New Square, Lin...
Category
English School Early 18th Century Figurative Prints
Materials
Handmade Paper, Engraving
Two military studies, a preparatory red chalk drawing by Jean-Baptiste Pater
By Jean-Baptiste Pater
Located in PARIS, FR
As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings.
1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau
Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713.
Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings.
Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death.
2. Description of the drawing and related artworks
Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions.
His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s.
The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Chalk
Motifs Decorative - Etching by Bernard Picart - 1729
Located in Roma, IT
Motifs decorative is a black and white etching on paper, realized in 1729 by Bernard Picart.
Signed and dated on plate on the lower margin. The artwork is attached on black passep...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Shipping on the Maas, Rotterdam in the background.
Located in Middletown, NY
A beautiful 18th century nautical scene filled with movement and activity.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...
Category
Early 18th Century Figurative Prints
Materials
Laid Paper, Etching
Shipping on the IJ, Amsterdam in the Background.
Located in Middletown, NY
A busy 18th century river scene along Amsterdam's waterfront.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts six vessels, from left ...
Category
Early 18th Century Figurative Prints
Materials
Laid Paper, Etching
Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Woodcut
Altar de St. Antonio de Padua Hand Colored Engraving 1724
Located in Paonia, CO
Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...
Category
Baroque Early 18th Century Figurative Prints
Materials
Engraving
San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Engraving
Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
Category
Academic Early 18th Century Figurative Prints
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Apollo Emerging from the Waters
By Simon Thomassin
Located in Houston, TX
Antique engraving titled "Apollon Sortant Des Eaux" over 250 years old by Simon Henri Thomassin, circa 1720. Signed lower right.
Original artwork on paper displayed on a white ma...
Category
Early 18th Century Figurative Prints
Materials
Engraving
Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print
By Jean Bérain
Located in Saint Augustine, FL
Artist: Jean Berain (the Elder) (French, 1640-1711)
Title: "Untitled" (Plate 35)
Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain)
Circa: 1711 (Firs...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Laid Paper, Engraving, Intaglio, Etching
La Chouette - Etching by Jacques Blanchon - 1771
Located in Roma, IT
La Chouette is an etching realized by Jacques Blanchon in 1771.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et partic...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Le Tetras - Etching by E. Fessard - 1771
Located in Roma, IT
Le Tetras is an etching realized in 1771 by E. Fessard.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Sacred Scene - Original Etching after Pietro Testa - Early 18th Century
By Pietro Testa
Located in Roma, IT
Sacred Scene is an original etching on paper, realized by an anonymous artist after Pietro Testa in the early 18th Century.
Hand-signed on the lower righ...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
La Peintade - Etching by Catherine Haussard - 1771
Located in Roma, IT
La Peintade is an etching realized in 1771 by Catherine Haussard.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descriptio...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Le Roy Mene au Trone from Series Le Sacre de Louis XV 1722-1731
Located in Paonia, CO
Le Roy Mene au Trone from the Series Le Sacre de Louis XV (1722-1731 ) is an etching by French artist Charles Nicolas Cochin the Elder ( 1688-1754...
Category
French School Early 18th Century Figurative Prints
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Scène de Bistrot - Unknow Artist After Adrian Van Ostade - 18th Century
Located in Roma, IT
Image dimensions: 15 x 12 cm.
Scène de bistrot is a black and white etching with burin interventions on paper realized by an anonymous artist, after the Flemish artist Adrian Van Ostade...
Category
Old Masters Early 18th Century Figurative Prints
Materials
Etching
Coconut/Palm Nut
Located in London, GB
WEINMANN, Johann Wilhelm.
Coconut/Palm Nut
Hieronymous Lenzius, Regensburg, [1735]-1737-1745.
attractive plates, being one of the earliest examples of colour printing.
Johann Wei...
Category
Naturalistic Early 18th Century Figurative Prints
Materials
Laid Paper, Mezzotint
View Of Kinnungam - Hand Watercolored Etching by A. Leide
Located in Roma, IT
View Of Kinnungam is an original print realized in the beginning of the XVIII century by Pieter van der Aa.
Hand-watercolored etching. Includes frame 42 x 52.5 cm.
Original title,...
Category
Early 18th Century Figurative Prints
Materials
Etching
Evan Davis (fl.1735-1745) - 18th Century Engraving, Taste A-La Mode 1735
Located in Corsham, GB
A hand coloured engraving depicting the fashions of 1735. Well presented in a gilt effect frame. Signed in plate. On laid paper.
Category
Early 18th Century Figurative Prints
Materials
Engraving
Ancient View of Prague - Original Lithograph - First Half of the 18th century
Located in Roma, IT
Ancient View of Prague is an original modern artwork realized in Germany in the first half of the 18th century.
Original B/W lithograph on ivory paper.
Inscripted on the upper cen...
Category
Modern Early 18th Century Figurative Prints
Materials
Lithograph
Ancient View of Olmutz - Original lithograph - First Half of the 19th century
Located in Roma, IT
Ancient View of Olmutz is an original modern artwork realized in Germany in the first half of the 19th century.
Original B/W lithograph on ivory paper.
Inscripted on the lower mar...
Category
Modern Early 18th Century Figurative Prints
Materials
Lithograph
Architectural View- Original Etching by C. A. Buffagnotti - Early 18th Century
Located in Roma, IT
Architectural is an original etching artwork on creamy paper realized by Carlo Antonio Buffagnotti in the early 18th Century.
The State of preservation is aged with diffused foxing ...
Category
Modern Early 18th Century Figurative Prints
Materials
Etching
Landscape - Soldiers on Horseback - Original Etching by F. Simonini - 1720 ca.
By Francesco Simonini
Located in Roma, IT
Original etching by Francesco Simonini (1686-1753), a well-known painter and engraver active in Italy in the first half of 18th century.
Good conditions.
This artwork is shipped fro...
Category
Early 18th Century Figurative Prints
Materials
Etching
