Mid-18th Century Figurative Prints
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Period: Mid-18th Century
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
Realist Mid-18th Century Figurative Prints
Materials
Engraving
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School Mid-18th Century Figurative Prints
Materials
Laid Paper, Engraving, Watercolor
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Renaissance Mid-18th Century Figurative Prints
Materials
Engraving
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Erotic scene from the series "Koshuko zue juni ko".
A courtesan with a customer under a kimono stand...
Category
Modern Mid-18th Century Figurative Prints
Materials
Paper, Woodcut
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Handmade Paper, Laid Paper, Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
Modern Mid-18th Century Figurative Prints
Materials
Paper, Woodcut
18th-century celestial - Camelopardal & Auriga
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Camelopardal & Auriga
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Watercolor, Engraving
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque Mid-18th Century Figurative Prints
Materials
Engraving
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Appearance - Etching by C.N. Cochin the Elder - 1750s
Located in Roma, IT
Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s.
Good condition.
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
'Bacchus Cumampelo' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist Mid-18th Century Figurative Prints
Materials
Engraving
Surgical Instruments - Etching by Lorenz Heister - 1750
Located in Roma, IT
Surgical Instruments is part of the suite realized by Lorenz Heister in the series of Institutiones Chirurgicae, Amsterdam, Janssonius-Waesberg, 1750.
Etching on paper.
The work be...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Suite de Vases - Original Etching By Jacques François Saly - 1750s
Located in Roma, IT
Suite de Vases is an original artwork realized by the French artist Jacques François Saly (1717-1776)
Etching print. drawing on the back, 1750 c. Passepartout cm 21x22,5
Good cond...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Veduta del Porto di Ripa Grande - View of the Port of Ripa Grande - 1753
Located in Roma, IT
G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande)
Etching, Burin and Drypoint on fine watermarked paper (with lily watermarked). Signed on plate lower-right: “G.B. Piranesi Architetto fec.”.
2nd State/ VI (Hind 27)
Image Dim: cm 38.2 x 61.5, Dim: 53.3 x 77.3.
Good conditions, with some normal fold of paper at the center
From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Giambattista Piranesi...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category
Mid-18th Century Figurative Prints
Materials
Handmade Paper, Engraving, Mezzotint
18th-century celestial - Hydra Crater Corvus Sextans Virgo
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Hydra Crater Corvus Sextans Virgo
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star a...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Watercolor, Engraving
The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames.
London: 1760.
Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category
English School Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Engraving
BATHOS / Tail PIece
Located in Santa Monica, CA
WILLIAM HOGRATH (1767- 1764)
THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I)
Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto.
This Hogarth’s last print is fascinating as it is prophacy about death.
Various institutions have interesting commentaries - to wit:
Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects.
Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).”
Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin.
British Caricature...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Woodcut
Portrait of a Man after Raphael - Etching by Nicholas Dupuis - 1755
Located in Roma, IT
Portrait After Raphael is an etching realized by N. Dupuis Junior in 1755.
Good conditions.
Signed in plate.
The artwork is depicted through confident strokes.
The etching was re...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Engraving, Etching
Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Earl Waldegrave coat of arms
Located in Middletown, NY
London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...
Category
English School Mid-18th Century Figurative Prints
Materials
Engraving, Etching
Terence, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Terenzio' (Terence)
Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) w...
Category
Renaissance Mid-18th Century Figurative Prints
Materials
Engraving
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Engraving
Euripides, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Euripide Poeta Tragico' (Euripides, Tragic Poet)
Copper-line engraving by Nicola Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico...
Category
Renaissance Mid-18th Century Figurative Prints
Materials
Engraving
The plan of St. Martin's Church, St. Martin in the Fields
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category
English School Mid-18th Century Figurative Prints
Materials
Handmade Paper, Engraving
Terence, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Terenzio' (Terence)
Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) w...
Category
Renaissance Mid-18th Century Figurative Prints
Materials
Engraving
Roman Theater - Etching after Michelangelo Specchi - Mid-18th Century
Located in Roma, IT
Roman Theater is an original etching on paper realized after Michelangelo Specchi, the engraver is anonymous.
Signed on the plate, lower left.
With the description on the lower.
T...
Category
Mid-18th Century Figurative Prints
Materials
Etching
View of Castello dell'Acqua Felice - Etching by G. B. Piranesi - 1751
Located in Roma, IT
View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751.
Very precoius and rare lifetime impression. Roman edition. I...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Temple of Asclepius with the Chariot - Etching by Giuseppe Vasi - 1753
Located in Roma, IT
The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.
The title: Prospetto della prima machina de fuochi d'artifizio, rappresentante il Tempio di Esculapio figl...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Two Nude Me - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Two Nude Men is an etching realized by Nicholas Cochin in 1755.
Signed on the plate.
Good conditions with central folding.
The artwork is depicted through confident strokes.
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757.
This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808).
Thisbe, finding the dead body of Pyramus, throws herself on a sword.
Fro...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Engraving
Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762.
Image Dimensions: 43 x 63 cm
Very good condition.
Ref. Ficacci., p.442
Category
Mid-18th Century Figurative Prints
Materials
Etching
Ruins of an Ancient Tomb - G. B. Piranesi - 1762
Located in Roma, IT
Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Image dimensions: 41.5x56 cm
Very precoius and rare lifetime spec...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Skeleton after Titian - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Skeleton after Titian is an etching realized by Jean Francois Poletnich in 1755.
Signed in the plate.
Good conditions with foxing.
The artwork is depicted through confident stroke...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
18th-century celestial - Cetus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Cetus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Watercolor, Engraving
18th-century celestial - Aquila Sagitta.Vulpecula & Anser Delphinus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Aquila Sagitta.Vulpecula & Anser Delphinus
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by ...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Watercolor, Gouache
Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category
Mid-18th Century Figurative Prints
Materials
Engraving, Mezzotint
Veduta della Piazza della Rotonda - Early Lifetime Impression
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
Category
Mid-18th Century Figurative Prints
Materials
Etching
Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755.
Good condition.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Offers to the Sun God among the Incas - by G. Pivati - 1746-1751
Located in Roma, IT
Offers to the Sun God among the Incas
Etchings, Hand-Watercoloured. Tom.VIII , Plate LXXVI
Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34
Very fi...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Royal Militia District - Etching by Giuseppe Vasi - 1753
Located in Roma, IT
The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi. Etching on paper.
Good condition.
The title: Celebratasi colla Machina della precedente sera la beneficenz...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Capital Letter - Etching by Various Old Masters - 1750s
Located in Roma, IT
Capital Letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters.
In very good...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Phinée - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Phineus.
Beautiful plate with fresh impression and sharp details, from the volume “Le Temple des Muses”, pu...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
18th-century celestial - Eridanus Orion Lepus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Eridanus Orion Lepus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Watercolor, Engraving
