Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Robert Indiana
Anne, inspired by Gertrude Stein's opera about Susan B. Anthony Signed/N print

1977

$1,500
£1,149.57
€1,321.23
CA$2,106.82
A$2,357.92
CHF 1,234.29
MX$28,644.51
NOK 15,672.34
SEK 14,789.53
DKK 9,858.68

About the Item

Robert Indiana Anne inspired by Susan B. Anthony, 1977 Color Lithograph on Arches Paper Hand Signed, dated and numbered 93 from the limited edition of 150 (93/150) front in graphite pencil 17 4/5 × 14 inches Unframed Robert Indiana, celebrated for his iconic “LOVE” design, entered the realm of the theater in 1966 when he served as a set and costume designer for The Mother of Us All, an adaptation of Gertrude Stein and Virgil Thomson’s 1947 opera about activist Susan B. Anthony during the Women’s Suffrage Movement. Billed as “An American Pop Opera,” the play was first performed at the Guthrie Theatre in Minneapolis in 1967. After the curtain closed, Indiana memorialized his elaborate costume and set designs with a series of patriotic lithographs. From Gertrude Stein to Andrew Johnson, these prints portray a variety of suffragettes and American politicians modeling Indiana’s costume designs. Anne is a limited edition lithograph, pencil signed and numbered from the edition of 150 - based upon Robert Indiana's original eponymous cut paper costume and scene design for The Mother of Us All — Gertrude Stein and Virgil Thomson’s 1947 experimental opera inspired by Susan B. Anthony - the feminist icon and leader of the women's suffrage movement. The character "Anne", by the way, represents Anna Howard Shaw, one of Anthony’s disciples and the friend who cared for Anthony at the end of her life. (Robert Indiana's original drawings are among the treasures of the McNay Art Museum. These vibrant images establish Indiana among artists in the theatre from Pablo Picasso to David Hockney.) "The Mother of Us All", which billed itself as "An American Pop Opera", with Guest Designer Robert Indiana, was first performed in 1967 by the Center Opera Company of the Walker Art Center at the Tyrone Guthrie Theatre. A revival of "The Mother of Us All" was staged in New York in 2017 to critical acclaim.
  • Creator:
    Robert Indiana (1928 - 2018, American)
  • Creation Year:
    1977
  • Dimensions:
    Height: 17.8 in (45.22 cm)Width: 14 in (35.56 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745212536662

More From This Seller

View All
Postcard signed, inscribed by Robert Indiana about his portrait at Coenties Slip
By Robert Indiana
Located in New York, NY
Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...
Category

1990s Pop Art Abstract Drawings and Watercolors

Materials

Ink, Lithograph, Offset

1 (One), from the original Numbers portfolio (Sheehan 46-55)
By Robert Indiana
Located in New York, NY
Robert Indiana 1, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fra...
Category

1960s Pop Art Abstract Prints

Materials

Screen

Decade: Autoportrait, 1969 (Sheehan, 78), historic lithograph Signed/N, Framed
By Robert Indiana
Located in New York, NY
Robert Indiana Decade: Autoportrait, 1969 (Sheehan, 78), 1973 Color lithograph on off white wove paper Signed and numbered 84/125 in pencil on the front Frame included: This work is...
Category

1960s Pop Art Abstract Prints

Materials

Lithograph

3 (Three), Limited Edition from the Numbers portfolio (Sheehan 46-55) - FRAMED
By Robert Indiana
Located in New York, NY
Robert Indiana 3, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame Included This classic 1960s silks...
Category

1960s Pop Art Abstract Prints

Materials

Screen

Hope Wall, Silkscreen signed Proof No. IV of IV, scarce Robert Indiana print
By Robert Indiana
Located in New York, NY
ROBERT INDIANA Hope Wall, 2010 Silkscreen on wove paper 24 × 25 inches Edition IV/IV (aside from the regular edition of 33) Hand signed, numbered IV/IV and dated on lower front Unframed Robert Indiana created Hope Wall, or Wall of Hope in support of future president Barack Obama in 2008, and the print was published in 2010. This is an extremely rare Artist's Proof - one of only four in the world. It is pencil signed, dated and numbered IV of IV on the recto. The regular edition is only 33. Extremely scarce. This print has appeared on the market fewer than a handful of times over the past decade. “I’d like to cover the world with hope,” said Robert Indiana, the artist whose iconic “LOVE” series became a global symbol of unity during the turmoil of the 1960s. In 2008, Indiana felt the world was ready for a new message, and designed “HOPE” for Barack Obama’s presidential campaign. “I wanted to help name and empower the next generation and I felt that HOPE encompassed the needs of our time,” he said. With its forward-leaning O, “HOPE” symbolizes perseverance, and pushing ahead toward a brighter future. To coincide with the artist’s 86th birthday, the first annual “International Hope Day” launched on September 13, 2014 and included the public display of Indiana’s “HOPE” sculptures...
Category

2010s Pop Art Abstract Prints

Materials

Screen

6 (Six), from the original Numbers portfolio (Sheehan 46-55)
By Robert Indiana
Located in New York, NY
Robert Indiana 6, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Frame Included: Elegantly matted and framed in hand...
Category

1960s Pop Art Abstract Prints

Materials

Screen

You May Also Like

Anne (Sheehan 96), Robert Indiana
By Robert Indiana
Located in Fairfield, CT
Artist: Robert Indiana (1928-2018) Title: Anne (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 77/150, plus proofs Size: 24 x 20 inches Condition: Good Inscri...
Category

1970s Pop Art Figurative Prints

Materials

Screen

ANNE
By Robert Indiana
Located in Aventura, FL
Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.
Category

1970s Pop Art Figurative Prints

Materials

Paper, Lithograph

ANNE
$1,125 Sale Price
25% Off
Anne
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Anne - Mother of Us All portfolio by Robert Indiana, 1977
By Robert Indiana
Located in New York, NY
Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...
Category

1970s Prints and Multiples

Materials

Lithograph

CONSTANCE FLETCHER
By Robert Indiana
Located in Aventura, FL
Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.
Category

1970s Pop Art Figurative Prints

Materials

Lithograph, Paper

Constance Fletcher
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph