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Salvador Dalí­
Salvador Dali Apparition Christ Cross Glazed Ceramic Signed Surrealism Artwork

1971

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Blanchefleur, 1972 (Le Decameron, Plate H)
By Salvador Dalí­
Located in Greenwich, CT
Blanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

La Ressuscitée, 1972 (Le Decameron, Plate J)
By Salvador Dalí­
Located in Greenwich, CT
La Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Le Diable en Enfer, 1972 (Le Decameron, Plate C)
By Salvador Dalí­
Located in Greenwich, CT
Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Le Jument de Compère Pierre, 1972 (Le Decameron, Plate I)
By Salvador Dalí­
Located in Greenwich, CT
Le Jument de Compère Pierre from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edi...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Etching

Bird Lady 30x26" Framed
By George Underwood
Located in Southampton, NY
In continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the wor...
Category

2010s Surrealist Figurative Prints

Materials

Archival Ink, Rag Paper, Pigment

Profils Horizontaux (20 men seated in a church, a hall, union or political?)
By Maurice Pasternak
Located in New Orleans, LA
Viewers are always curious about this image. I count 20 people seated -- all men. Why? Three of the men are looking over their shoulders toward the back. Are they impatient to see late arrivers? The seating seems to be pew like. Pasternak, like most artists, wants the viewer to bring their own interpretation to the image and is most circumspect to give an explanation. A church, a union hall, a political meeting -- which is it? The mood seems to be one of anxiety rather than celebration. The artist did answer why all men. He says that "he likes to create the tension of the image on the page. Putting women and men together...
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Late 20th Century Surrealist Figurative Prints

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Mezzotint

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