Modern Figurative Prints

Artist: Alexander Calder (1898-1976) Title: Potpourri en Ciel Year: 1975 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 29...

Menashe Kadishman Clothes 2, 1973 Silkscreen on wove paper Signed and numbered 31/70 on the front 23 1/4 × 32 1/2 inches Edition 31/70 Chris Prater of Kelpra Studio, Kentish Town, En...

Leonard Marchant Techtite Messotint Engraving Year: circa 1980 Size: 13.6x14.75 on 31x23in Edition: 70 Signed, inscribed and numbered by hand Drystamp lower left COA provided Ref.: 9...

Portrait of Christ is an etching on paper realized by Marcel Muelu in the mid-20th Century. Signed on the lower. The artwork is in good condition...

Michel DELACROIX France : Traditional Village Lithograph Printed signature in the plate On wove paper 85 x 59 cm (c. 34 x 24 inch) Lithographic poster for the artist personal exhibi...

Marino Marini Chevalier (Knight), 1970 Lithograph Hand signed and numbered by the artist 22/50 from the edition of 50

Original G.M.E. Sanitaire vintage French poster. Linen backed in very good condition and ready to frame. GME Sanitaire c'est la Cuisine is a French vintage poster that has been linen backed for preservation. The poster advertises the GME tile and cladding company, which specializes in kitchen tiles...

This is an exceptional edition that the artist has dedicated to various subjects of bullfighting. Salvador Aulestia published several books on the subject, and his drawings are consi...

This is an exceptional edition that the artist has dedicated to various subjects of bullfighting. Salvador Aulestia published several books on the subject, and his drawings are consi...

Alexander CALDER Flying Colors : Plane under Red Sun, 1976 Original lithograph Printed signature in the plate On light vellum 58 x 83 cm (c. 23 x 33 in) INFORMATION : Calder create...

The House of Women is a print realized by Massimo Campigli in the 1970/1971s. Etching and aquatint on paper. This artwork it is part of a series of works created in the last perio...

The House of Women is an original print realized by Massimo Campigli in the 1970/1971s. Etching and aquatint on paper. This artwork it is part of a series of works created in the ...

Original 1976 July 4th in Old New York vintage Bicentennial festival vintage poster. The poster is copyrighted by Macy’s New York. Artists were: Griesbach and Martucci. Arc...

The Butterfly is an etching on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. Artist Proof. it is an artist's proofs edition on the lower left. Very ...

Pandora's Vase is a print realized in 1977. Woodcut on paper. Signed on the lower, illegible. Good conditions with diffused foxing. The artwork created a mesmerizing creative cha...

Paul Aizpiri, French (1919–2016) Clown with Flower Date: circa 1970 Lithograph, signed and numbered in pencil Edition of Epreuve d'Artiste Image Size: 28 x 20 inches Size: 30 in. x 2...

Salvador Dalí Le Musée de genie et du caprice (The Museum of Genius and Whim) from After 50 Years of Surrealism Original etching with han...

"Agneta I" Signed Limited Edition By Blank Barbie pop artwork of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 Archival pigment print signed & number...

Salvador Dalí "L'amour sacré de Gala" (The Sacred Love of Gala) from After 50 Years of Surrealism Original etching with hand coloring, ha...

Salvador Dalí "Dieu, le temps, l'espace, et le Pape" (God, time, space, and the Pope) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 19...

A very good impression of this scarce color aquatint and etching. Signed and numbered 84/99 in white crayon by Tamayo. Printed and published by Polígrafa, Barcelona. From "Rufino Tam...

Salvador Dalí "Le dos divin de Gala" (The divine back of Gala) from After 50 Years of Surrealism Original etching with hand coloring, hand sig...

I will be a writer is an original modern artwork realized by Jannis Kounellis. Photo-lithograph, hand retouched. Hand signed by the artist. Edition of 90 copies (13/90). Original ...

"Agneta II" Signed Limited Edition by Blank Barbie pop artwork of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 Archival pigment print signed & number...

Original poster: THE WORLD OF HOLLAND AMERICAN CRUISES. Artistic: David Klein. Rare original unbacked vintage original David Klein poster printed on heavier paper stock with a glossy UV protective finish. What's not to love about this poster? Here are a few things going on in this original cruise line poster. Some champagne with lobster, Rockefeller Center statue, Mosco, Athena Parthenon, a Japanese woman in a kimono, Christ on the hill in Brazil, the large head of an elephant in India, a zebra, African headdress...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

Pierre DELMOTTE Woman in Fire, 1972 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

Born in Richmond, Virginia, Robert Gwathmey became an artist known for his Social Realist depictions of life in the rural South. He was one of the first white artists to create digni...

Portrait is a Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand-signed and numb...

Child is an orginal modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Hand signed and numbered on the lower margin Edition of 94/150 ...

Navona Square - Fountain of 4 Rivers is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numb...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

Original Mardi Gras, New Orleans, 1978 linen-backed poster. Dressed up in what would be an American Indian costume with full headgear, he is holding a shield with a horse on it. Indian decoration on the footwear. Signed and numbered. I believe this has to deal with Big Chief leading his Congo Nation Mardi Gras Indian group. Zulu Parade. Many of the original Mardi Gras jazz posters...

Landscape is a modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Includes frame Hand signed and dated on the lower margin. Edition of...

Queen of Coins is an etching realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is very good. Hand-signed. Numbered, ...

Flowers is a Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand-signed and numbe...

James Rosenquist Untitled, 1975 is an enthralling work created by the artist as a study for a lithograph of the same title. Rosenquist, alongside artists like Andy Warhol and Roy Lic...

Sea Creature and Sky-Eyes is a colored lithograph realized by the artist Roger Chapelain-Midy in 1974. Hand-signed by the artist on the lower right. Numbered on the lower left. Edit...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

The Rest is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1971. Hand-signed by the artist on the lower right. Numbered on the lower left. Edi...

The House of Women is a contemporary print realized by Massimo Campigli in the 1970s. Etching on paper. This artwork it is part of a series of works created in the last period of ...

David Hockney A Moving Still Life, from The Blue Guitar, 1976-1977 is a playful scene that takes its title to the full extent of its literal meaning. The center of the composition is dominated by a mannequin-like head and a table with a typical still-life arrangement, set on the surface of a large table suggested by the shading and edge lines in the bottom right. The hair of the mannequin blows out behind it, threading neatly through a mysterious red hoop...

Nocturnal View is an original modern artwork realized in 1970s by Franco Gentilini. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of LXIV/LXXV. Incl...

One Star From "The Rape of the Lock" is a vintage lithograph realized in 1896 by Aubrey Bearsdley, as part of the Suite "The Rape of the Lock". Very good conditions. Included a Whi...

Detailed multi-layer etching by Alan Sanborn (American, b. 1950). A woman is running through a lush field, holding a kite. The outlines are slightly jitte...

Sunset is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1971. Hand-signed by the artist on the lower right. Numbered on the lower left. Edition ...

Artist: Bernard Cathelin, French (1919 - 2004) Title: Les Mexicaines Year: circa 1975 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 24/50 Image Size: 21.5...

The Rest is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1970s. Hand-signed by the artist on the lower right. Numbered on the lower left. Editi...

Still Life is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1970s. Hand-signed by the artist on the lower right. Numbered on the lower left. E...

Lucienne Bloch Untitled, from the Album International 2 Portfolio, 1977 Silkscreen on wove paper 11 1/2 × 11 inches Edition 1/50 Hand signed, number and dated on the front Unframed This is a rare Bloch silkscreen, signed and numbered in pencil from the limited edition of only 50. Superb provenance as it is was acquired from the original Album International Portfolio, number 1 of 50. Text from the Colophon page reads as follows: Swiss born, living in California. Limited signed edition of 50 serigraphs by Lucienne Bloch Lucienne Bloch was the daughter of famous European music composer...

Picking Salt by Dorothy Dell Dennison, American (1908–1994) Date: circa 1970 Lithograph, signed, titled and numbered in pencil Edition of 100 Siz...

The women's house is an original print realized by Massimo Campigli in the 1970s. Etching on paper. This artwork it is part of a series of works created in the last period of the ...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Flower is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is excellen...

Roses is an original etching on cardboard realized by Danilo Bergamo in the second half of the XX century, in 1970s. Not signed. Good conditions. Danilo Bergamo (1938) after starti...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...