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Art Subject: Plant
Study For Nature By Caroline Walker
Located in London, GB
Study For Nature By Caroline Walker Caroline Walker is a British artist renowned for her detailed and evocative figurative paintings that explore the...
Category

2010s Contemporary Figurative Prints

Materials

Lithograph

Frère Ogrin, l'hermite (Brother Ogrin, the Hermit) /// Surrealism Salvador Dali
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989) Title: "Frère Ogrin, l'hermite (Brother Ogrin, the Hermit)" Portfolio: Tristan et Iseult *Monogram signed by Dali in pencil lower right Year: 1970 Medium: Original Engraving on Mandeure paper Limited edition: 101/125 Printer: Atelier Rigal, Paris, France Publisher: Leon Amiel, New York, NY and Paris, France Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-10-K, page 60; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 416, page 183-184 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, gold filet, and 99% UV protective Museum Glass Framed size: 28" x 22.25" Sheet size (folded): 18" x 12.75" Sheet size (unfolded): 18" x 25.5" Image size: 15.75" x 10.5" Condition: One tiny tear upper left. Some faint spots lower left. It is otherwise a strong impression is excellent condition Notes: Provenance: private collection - Indianapolis, IN; acquired from Ferdinand Roten Galleries, Baltimore, MD retaining their original gallery label on verso. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Tristan et Iseult" portfolio of 21 color engravings. Leon Amiel chop mark/blind stamp lower left. These engravings from the "Tristan et Iseult" portfolio were printed on folded sheets with their respective text descriptions as issued. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...
Category

1970s Surrealist Figurative Prints

Materials

Engraving, Intaglio

New Modern Way of Life
Located in Greenwich, CT
New Modern Way of Life is a digital pigment print on paper, image size 20 x 20 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotated l...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Digital Pigment

The Digestive System - De Humani Corporis Fabrica - by A. Vesalio - 1642
Located in Roma, IT
The Digestive System is an original etching realized as plate no.35 for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist ...
Category

1640s Modern Figurative Prints

Materials

Etching

Shadow of Camels - Original Etching by Tullio Diamanti - 1980
Located in Roma, IT
Shadow of Camels is original etching realized by Tullio Diamanti in 1980. Hand-signed. Artist's proof. Sheet dimension: 70 x 0,1 x 50 cm. Image dimension: 39 x 39 cm. In excell...
Category

1980s Contemporary Animal Prints

Materials

Etching

The Physiognomy- Insects - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Insects is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category

1810s Post-Modern Figurative Prints

Materials

Etching

Max Ernst - Abstract Birds - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued
Category

1960s Surrealist Animal Prints

Materials

Lithograph

"Cherry Tree in Bloom" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...
Category

1910s Symbolist Figurative Prints

Materials

Paper

Tulips - Large Scale Contemporary Floral Color Photograph
Located in Zürich, CH
Dry Tulips - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Dry Tulips is ...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Carbon Pigment, Polaroid

Six Green Poppies, 2021
Located in Fairfield, CT
Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60
Category

2010s Contemporary Figurative Prints

Materials

Ink, Satin Paper

Madison Square, N.Y.C.
Located in Middletown, NY
New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Etching

Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category

Mid-18th Century Figurative Prints

Materials

Handmade Paper, Engraving, Mezzotint

The Vale of Ribble - Etching by Joseph Banks - 1837
Located in Roma, IT
The Vale of Ribble is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Editio...
Category

1830s Modern Figurative Prints

Materials

Etching

Gild the Lily II
Located in New York, NY
GILD THE LILY II Year: 2017 Medium: Archival pigment inks on Crane, Museo Max, 365 gsm fine art paper Size: 46 x 35 inches (117 x 89 cm) Edition: 30 Price: $2,875 Also available in a suite of 2 Carlos Rolón...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

Flordali : Surreal Tree, Fingers & Lips - Original Signed Etching (Field #68-3I)
Located in Paris, IDF
Salvador DALI Flordali : Surreal Tree (Fingers and Lips), 1969 Original Lithograph and Etching Handsigned in pencil Numbered /175 copies On Japan paper 77 x 57 cm (c. 31 x 22.4 inc...
Category

1960s Surrealist Figurative Prints

Materials

Etching, Lithograph

"Femme au cep de vigne, 4th var." (Woman by the Grape Vine, 4th variant)
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE (1841 -1919) "Femme au cep de vigne, 4th variante" Woman by the Grape Vine, 4th variant Delteil 48, Stella 48 Original lithograph in black ink, 1904 -1905 On...
Category

Early 20th Century Impressionist Figurative Prints

Materials

Lithograph

Homage to Monet (Triptych)
Located in Fairfield, CT
Archival pigment inks on Innova etching, 315 gsm fine art paper. Left panel: 46 x 15.25 in. Center panel: 46 x 23 in. Right panel: 46 x 15.25 in. Edition 23/100.
Category

2010s Figurative Prints

Materials

Paper, Archival Pigment

Paris Evening (Rooftops of Paris)
Located in Greenwich, CT
Paris Evening from the Rooftops of Paris set is a serigraph on paper with an image size of 26 x 20", signed ‘Kondakova’ lower right and numbered lower left. From the edition of 500 a...
Category

20th Century Contemporary Prints and Multiples

Materials

Paper, Screen

Hyacinth Sequence on Black -contemporary black and green inkjet print on paper
Located in London, GB
Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery. Hugh trained as a designer /...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Inkjet

FEMME DEBOUT
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category

1980s Cubist Portrait Prints

Materials

Paper, Lithograph

Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category

Mid-18th Century Figurative Prints

Materials

Handmade Paper, Engraving, Mezzotint

Untitled (Two Lilies)
Located in New York, NY
Created as an original screenprint in colors in 1979, Lowell Nesbitt's Untitled (Two Lilies) measures 8 7/8 x 10 in. (22.54 x 25.4 cm), unframed. Hand-signed, dated, and numbered in ...
Category

20th Century Figurative Prints

Materials

Screen

Corrine
Located in New York, NY
Maurice Realier-Dumas Corrine.Plate from May 1897 issue of L'Estampe Modern. Color Lithograph. Sheet Size: 16 x 12". L'Estampe Moderne was a brilliant portfolio printed betwe...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

French Contemporary Art by Claudine Loquen - Pygmalion
Located in Paris, IDF
Claudine Loquen is a French artist born in 1965 who lives & works in Paris, France. She depicts portraits, especially women faces as Colette for liter...
Category

2010s Contemporary Figurative Prints

Materials

C Print, Paper

A swan. Limited edition print, Surreal, Established Polish artist
Located in Warsaw, PL
Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Original Vintage Poster: "Come to Puerto Rico, U.S.A. Caribbean Playground
Located in Spokane, WA
Original Vintage Poster: "Come to Puerto Rico, U.S.A. - All-Year Playground of the Caribbean." This serigraph is archivally linen-backed and ready for framing. It is in B+ condition,...
Category

1950s American Modern Figurative Prints

Materials

Screen

"Seba after Hiroshige" from "Japanese Suite" original lithograph signed pop art
Located in Milwaukee, WI
"Seba after Hiroshige" is an original color lithograph from the Japanese Suite by Michael Knigin. The artist signed the piece lower right and titled it...
Category

1970s Pop Art Landscape Prints

Materials

Lithograph

Harmony III
Located in New York, NY
ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...
Category

2010s Figurative Photography

Materials

Photographic Paper

Wildflowers - Screen Print by L. Rossi Garzione - Late 20th century
Located in Roma, IT
Hand signed and numbered. Edition of 150 prints. Excellent condition.
Category

Late 20th Century Contemporary Figurative Prints

Materials

Screen

Calla Lily Dancer
By Lilian Martinez
Located in New York, NY
In celebration of Lincoln Center’s Summer for the City 2025 festival, Lilian Martinez has created the image, Calla Lily Dancer. Known for her colorful, bold style, Martinez combines...
Category

21st Century and Contemporary Feminist Figurative Prints

Materials

Archival Pigment

Original Wiesbaden (Germany) vintage thermal spa and festival city vintage poste
Located in Spokane, WA
Original Wiesbaden (Germany) Heilbad und Festliche Stadt vintage mid-century modern vintage poster. Archival linen backed in excellent condition, ready to frame. Grade A, A-. Th...
Category

1950s Art Deco Landscape Prints

Materials

Lithograph

Castle Hill - Etching by Joseph Banks - 1837
Located in Roma, IT
Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...
Category

1830s Modern Figurative Prints

Materials

Etching

Contemporary British Print by Jane Ward - In the Mountains 2
Located in Paris, IDF
Digital print on paper, edition 1/30, 60 x 80 x 0,1 cm, 2018 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Park around Keswick and Grasmere,...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Digital

Composition (Vallier 153), Le Tir à l'arc mis en lumière par Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Price is for one framed print. Prints sold individually. Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised ...
Category

18th Century Figurative Prints

Materials

Watercolor, Mezzotint

Picasso, Composition (Orozco 207-261), Vingt-Neuf Portraits Imaginaires (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Ode to Manet's Olympia
Located in New Orleans, LA
27 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Archival Pigment

Salvador Dali - Brother Ogrin, The Hermit - Original Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Brother Ogrin, The Hermit - Original Etching Dimensions: 45 x 33 cm Edition: 4/125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)
Category

1970s Surrealist Nude Prints

Materials

Etching

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Figurative Prints

Materials

Watercolor, Mezzotint

Cocteau, Por la boca de su herida, Lithographies de Jean Cocteau (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Cocteau, 1965....
Category

1960s Modern Figurative Prints

Materials

Lithograph

Le Matin
Located in Middletown, NY
Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...
Category

Mid-19th Century French School Landscape Prints

Materials

Handmade Paper, Engraving, Etching

“Permafrost” Photography 24" x 24" inch Edition of 24 by Brian Ziff
Located in Culver City, CA
“Permafrost” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series...
Category

21st Century and Contemporary Surrealist Figurative Photography

Materials

Archival Ink, Rag Paper, Giclée

Phaeton - after Georges Braque - Lithograph - 1988 - Figurative Print
Located in Sint-Truiden, BE
Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...
Category

1980s Cubist Figurative Prints

Materials

Lithograph

Jonas Wood, Jersey City apartment (Hand Signed twice by Jonas Wood) Manhattan NY
Located in New York, NY
JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...
Category

2010s Contemporary Figurative Prints

Materials

Permanent Marker, Lithograph, Offset

Lake - Original Lithograph by Mario Sportelli - 1970
Located in Roma, IT
This naturalistic lithograph in warm earthly colors Lake was made by Mario Sportelli in 1970. It is a hand-signed artist's proof.
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

Un Vase de Fleurs (Flowers in a Vase)
Located in San Francisco, CA
This artwork "Un Vase de Fleurs (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is han...
Category

Late 20th Century Modern Still-life Prints

Materials

Lithograph

Benwortham with Conclusion of a Battue - Etching by Joseph Banks - 1837
Located in Roma, IT
Benwortham with conclusion of a Battue is an artwork, realized by the artist Joseph Banks in 1837.  Etching colored. Titled and signed on plate . Beautiful engraving with contempor...
Category

1830s Modern Figurative Prints

Materials

Etching

chrysanthemum
Located in San Francisco, CA
This artwork "chrysanthemum" is an original linocut print on paper by American botanical artist Henry Evans, 1918-1990. It is hand signed, titled, dated and numbered 213/320 in penc...
Category

Late 20th Century American Realist Figurative Prints

Materials

Linocut

PEMAQUID LIGHT Signed Lithograph, Historic Lighthouse Landscape, New England
Located in Union City, NJ
PEMAQUID LIGHT is an original hand drawn lithograph by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. PEMAQUID LIGHT portrays one of mid-coast Maine’s most photogenic and popular lighthouses - The Pemaquid Point Lighthouse. Ms. Caldwell-Fisher presents a nostalgic look back at New England life - a refreshing seaside landscape featuring the white light house with lush green lawn...
Category

1990s Contemporary Landscape Prints

Materials

Lithograph

Tristan et Iseult Tristan and The Dragon
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Tristan et Iseult Tristan and The Dragon MEDIUM: Etching SIGNED: Hand Signed with Initials SD PUBLISHER: Jean Schneider, Basel/Leon Amiel, New York ...
Category

1970s Surrealist Figurative Prints

Materials

Etching

The Crow Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...
Category

1830s Modern Figurative Prints

Materials

Etching

Three Chairs
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Three Chairs Year: 1978 Medium: Original color lithograph Edition: Numbered 61/185 in pencil Paper: ...
Category

Late 20th Century American Impressionist Landscape Prints

Materials

Lithograph

Muff, a favorite Retriever - Etching by Joseph Banks - 1837
Located in Roma, IT
Muff, a favorite Retriever is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colour...
Category

1830s Modern Figurative Prints

Materials

Etching

Bronze Urns with Citrus Trees, 2 prints
Located in Middletown, NY
Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3...
Category

Late 17th Century French School Still-life Prints

Materials

Handmade Paper, Watercolor

Colosseo Quadrato - iconic neoclassical architectural elements in Rome
Located in San Francisco, CA
Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

The Garden - Original Lithograph by A. Russo Sarnelli - 1990s
Located in Roma, IT
The Garden is a very colorful artwork realized by Antonio Russo Sarnelli in the 1990s. Lithograph on paper. The print is hand-signed in pencil on the lower right. Numbered on the l...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph

The Cupolifers- Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

19th Century Modern Figurative Prints

Materials

Lithograph

The Alismaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

1870s Modern Figurative Prints

Materials

Lithograph

The Artocapeae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

1870s Modern Figurative Prints

Materials

Lithograph

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