
Au Restaurant /// French Impressionist Etching Lady Girl Figurative Modern Art
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Tony MinartzAu Restaurant /// French Impressionist Etching Lady Girl Figurative Modern Art1904
1904
About the Item
- Creator:Tony Minartz (1873 - 1944, French)
- Creation Year:1904
- Dimensions:Height: 15.25 in (38.74 cm)Width: 13.5 in (34.29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12127766912
Tony Minartz
Antoine Guillaume (Tony) Minartz (1870-1944) was a self-taught painter. He created a significant body of work, particularly of skilfully rendered sketches and watercolours, which may be divided into two main series: Parisian life and society, and landscapes of the Côte-d’Azur. On the Côte-d’Azur, his sketches trace an itinerary between St-Tropez and Cannes, by way of Nice and Monaco, and extending even to Venice. He depicted ports crowded with yachts and other boats, the beaches and their pleasant bustle. The Parisian subjects mostly date from pre-WWI, while the post-WWI subjects tend to be of fashionable life on the Côte d’Azur. He was most known for his interpretations of Parisian life, of the Belle Époque through to the excesses of the 1930s. He illustrated the vicissitudes of society life, and was a faithful chronicler of its parties, the casino, cabaret, circus shows and their backstage goings-on, the music-hall, the Opéra and its ballets. He showed in collective exhibitions from 1896 to 1914, most notably at the Salon de la Société Nationale des Beaux-Arts, of which he became an associate member in 1901.
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By Tony Minartz
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944)
Title: "L'Avant-Foyer de l'Opera"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1903
Medium: Original Etching on cream laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival
Matted size: 17" x 14.5"
Sheet size: 12" x 9"
Image size: 9" x 7.25"
Condition: In excellent condition
Notes:
Printed in one color: bistre.
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French.
Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions.
Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...
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Artist: Anders Zorn (Swedish, 1860-1920)
Title: "Dance at Gopsmor"
*Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left
Year: 1906 (second state of two)
Medium: Original Etching on cream Van Gelder Zonen laid paper
Limited edition: approx. 50 impressions
Printer: the artist Zorn himself, Mora, Sweden
Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192
Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival
Framed size: 22.75" x 18.25"
Sheet size (irregular margins): 16.5" x 11"
Image size: 11.88" x 7.75"
Condition: A strong impression in very good condition
Very rare
Notes:
Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet.
"Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK
Biography:
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Artist: Manuel Robbe (French, 1872-1936)
Title: "Le Bouquet de Violettes (The Bouquet of Violets)"
*Signed by Robbe in pencil lower right
Year: 1903
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Portfolio: Gazette des Beaux-Arts
Year: 1866
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Artist: Eileen Alice Soper (English, 1905-1990)
Title: "Blowing Bubbles"
*Signed by Soper in pencil lower right
Year: 1924 (fourth state of four)
Medium: Original Etching on cream laid paper
Limited edition: 240
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 67, page 117, 141, 157
Framing: Recently framed in a Louis XV style frame with 100% cotton rag matting and 99% UV protective Museum Glass
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Condition: In very good condition
Notes:
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Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
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