Framed Landscape Prints

John Baldessari's Paradise is a thought-provoking piece that plays with the concept of utopia and the viewer’s expectations of imagery. Known for his witty and conceptual approach, B...

PUBLIC POOL Giclée Print on Hahnemühle_Daguerre Canvas 400g 63 x 81 cm (with frame) Edition of 100 Frame: Solid Pine L-Type - 0.7cm (front) / 4cm (side), white finish Canvas stretche...

Werner Bronkhorst Sail Away, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in...

Mid 20th Century hand coloured lithograph of the Alexander III bridge and the Eiffel Tower by Janicotte. Signed in the plate bottom right and titled. Presented in a fine carved wood,...

Werner Bronkhorst Sail Away, 2025 Giclée print on 310gsm Smooth Cotton Rag using Epson archival inks Shadow box framed in FSC certified timber with a smooth white finish and 3mm mu...

Monaco, 2025 Giclée print on heavyweight 395gsm canvas. Hand-stretched over FSC-certified, finger-jointed New Zealand pine, and float framed in FSC-certified Meranti with a painted w...

Werner Bronkhorst Going Tandem, 2024 Gicleé print on Hahnemuhle Daguerre Canvas, framed in Tasmanian Oak 42.5 × 32 cm (16 7/10 × 12 3/5 in) Edition of 42 Hand-signed and numbered...

Stay In Your Lane, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks Hand-stretched over FSC-certified, fin...

Werner Bronkhorst Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

Werner Bronkhorst Walk On Water, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 ...

Blue Water High, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-certified, fing...

Diamond Sea, 2025 Gicleé print on Hahnemuhle Daguerre Canvas framed in Tasmanian Oak edition of 69 100 x 100 x 5 cm (Framed) Hand-signed and numbered by the artist. Werner Bronkhor...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

edition 21/35 Published by Durham Press In her sculpture, wall hangings, and prints, Apfelbaum explores complex formal and chromatic relationships, pushing the canon of modernist ab...

Bob Dylan Sidewalk Cafe, 2011 Giclee on Archival paper Framed: 68 x 85 cm Sheet: 58 x 76 cm Image: 40 x 54.5 cm Edition of 295 Comes with C.O.A by Washington Green Publishers. Bob ...

Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...

Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...

Original off set lithograph in black and white with hand colored tinting by the artist. Artist signed, titled and numbered by the artist 47/250. Condition is excellent. Under glass...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography! Print size - 32 x 21.25 in., archival framing, double mat, excellent condition, pencil signed and numbered - Certificate of Authenticity provided 1 / 15 H.C. by James Denmark, publisher's chop embossed lower left corner Edition size - 250, plus proofs Year published - 1996 Printer - JK Fine Art Editions Co. NJ Publisher - Mojo Portfolio...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

Marc Chagall, After, Russian (1887 - 1985) - La Procession de Noel, Medium: Giclee, facsimile signed, Edition: 375, Image Size: 11 x 18 inches, Frame Size: 26 x 31 inches, Publ...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

Beautifully framed large Thomas Kinkade "Hometown Lake, Hometown Memories IV". Measures 32.5 x 38.5 in excellent condition. Limited edition Artist Proof 267/495.

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Autumn Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...

Otto Eglau (1917 Berlin - 1988 Kampen), Wadden spirits, 1982. Aquatint etching, 14.5 cm x 18 cm (plate size), 32 cm x 33.8 cm (frame), signed “Eglau” and dated “[19]82” in pencil lower right, inscribed “Wattgeister” in the center and identified as no. 232 / 250 on the right. Attractively framed. - Three minimal foxing spots in the white margin, otherwise in very good condition - The imagination of the beach - In this puzzle, ghostly faces intertwine with the mudflat landscape, which is interwoven with rivulets of water that enliven the entire sandy surface. Other faces emerge from these faces, creating a puzzle within a puzzle. These ghosts, each with their own character, transform the floor into a turbulent image, and the work also reflects on the art of "looking" into linear structures. About the artist After his release from captivity in 1947, Otto Eglau studied at the Hochschule für Bildende Künste in Berlin. He was a student of Oskar Nerlinger, Max Kaus and Wolf Hoffmann. From 1953 he taught free drawing for architects at the Technical University of Berlin. In the years that followed, Eglau undertook numerous study trips that took him to Scandinavia, the Arab world, the Far East and even Macau. During these travels he cultivated the technique of watercolour, which allowed him to work quickly in the open air, while retaining a strong painterly quality. Scholarships enabled Eglau to stay in Japan from 1962 to 1963 and in Naples in 1970. From 1969 to 1976 Eglau was professor of etching at the International Summer Academy of Fine Arts in Salzburg. Between 1983 and 1988 Eglau worked simultaneously in his Berlin studio at Lietzensee, which had its own printing press, and in his studio in Kampen on the island of Sylt. Otto Eglau's work has been shown in more than 100 solo exhibitions worldwide and in more than 120 group exhibitions. "I love the vastness of the island. The mudflats off Kampen are my treasure trove; here I discover new shapes and colors every day. Without Sylt, I would be like a fish without water." - Otto Eglau Selected Bibliography Hanns Theodor Flemming: Otto Eglau. Das graphische Werk, Flensburg 1966. Heinrich Seemann (Einführung): Otto Eglau. Inselskizzen, Hamburg 1982. Heinrich Seemann (Einführung): Otto Eglau. Japan, Nepal, Sylt. Aquarelle. Zeichen und Strukturen. Einführung von Heinrich Seemann, Hamburg 1986. Otto Eglau: Watt-Tagebuch. Ausgewählte Aquarelle aus den Skizzenbüchern Otto Eglaus. Kampen 1996. GERMAN VERSION Otto Eglau (1917 Berlin - 1988 Kampen), Wattgeister, 1982. Aquatintaradierung, 14,5 cm x 18 cm (Plattengröße), 32 cm x 33,8 cm (Rahmen), unten rechts in Blei mit „Eglau“ signiert und auf „[19]82“ datiert, mittig als „Wattgeister“ bezeichnet und rechts als Nr. 232 / 250 ausgewiesen. Ansprechend gerahmt. - drei minimale Stockflecke im weißen Rand, ansonsten in sehr gutem Zustand - Die Imagination des Strandes - Auf diesem Vexierbild formen sich aus der von Wasserrinnsalen durchflossenen Wattlandschaft ineinander verschlungene Geistergesichter, die die gesamte Sandfläche beleben. Dabei gehen aus den Gesichtern weitere Gesichter hervor, so dass die Gesichter ihrerseits zu Vexierbildern werden. Die Geister, die ganz unterschiedliche Charaktere aufweisen, verwandeln die Standfläche in ein turbulentes Flächenbild, womit das Werk zugleich eine Reflexion auf die Kunst ist, etwas in Liniengefüge ‚hineinzusehen‘. zum Künstler Nach seiner Entlassung aus der Kriegsgefangenschaft 1947 nahm Otto Eglau ein Studium an der Hochschule für Bildende Künste in Berlin auf. Dort war wer Schüler von Oskar Nerlinger, Max Kaus und Wolf Hoffmann. Ab 1953 unterrichtete er freies Zeichnen für Architekten an der Technischen Universität Berlin. In den Folgejahren unternahm Eglau zahlreiche Studienreisen, die ihn nach Skandinavien, in den arabischen Raum, nach Fernost und bis nach Macau führten. Auf diesen Fahrten kultivierte er die Technik des Aquarellierens, die eine zügige Bildschöpfung im Freiraum erlaubt und dennoch eine stark malerische Qualität aufweist. Stipendien ermöglichten es Eglau, sich von 1962 bis 1963 in Japan aufzuhalten und 1970 länger in Neapel zu verweilen. Von 1969 bis 1976 hatte Eglau die Professur für Radierung an der Internationalen Sommerakademie für Bildende Kunst in Salzburg inne. Zwischen 1983 und 1988 war Eglau parallel in seinem Berliner Atelier am...

"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...

3722 Japanese Woodblock on paper set in a vintage wood frame Image size 9x10.5"

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures a landscape scene with lu...

Artist: Salvador Dali Medium: Heliogravure Title: The Mock Turtle's Story Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: ...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Canoe. Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint. This beautiful Gould hummingbird...

This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

COULD ALSO BE FRAMED IN A BLACK FRAME - SAME SIZE & MODEL Christo The Umbrellas (Yellow & Blue) Lithoserigraphs Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches (EACH) Framed: 20....

Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...

Bob Dylan Brooklyn Heights, 2016. Giclée print on Hahnemühle 350gsm Museum etching paper. Signed and numbered 142/295 in pencil Published by Washington Green Fine Art in associatio...

This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...

Artist/Designer; Manufacturer: David Hockney (British, b. 1937) Marking(s); notes: signed, blind stamp; SP aside from the edition of 1000; 1980 Materials: lithograph on Arches paper ...

A high quality hand-signed limited edition print entitled 'New York Storm' on 42nd Street with the Chrysler Building by Leading British Urban Landscape Artist, Angela Wakefield. Part of her New York Series. The character of New York’s skyline and large residential districts is often defined by the skyscrapers, street scenes and elegant brownstone row houses, town houses, and shabby tenements that were built during a period of rapid expansion at the end of the 19th century. Angela has now produced over 100 paintings of New York City in her New York Series. “New York City’s five boroughs are home to some of the world’s most recognisable, cherished landmarks and attractions. Angela’s painting style perfectly encapsulates the mood of New York.” Angela Wakefield (Born 1978) has twice been on the front cover of ‘Art of England’ and featured in ARTnews – the most widely read art magazine in the world. Angela has attracted international attention with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and she is often favourably compared with Edward Hopper by collectors and art critics. Her work is held in private collections in Europe and the USA, and has been exhibited in London and across the United Kingdom. Angela's admirers include leading figures in international business, filmmaking and the media. Angela studied at UCLan in the UK, gaining a BA(Hons) in Fine Art. Working with acrylic paint on canvas or board, she is mainly associated with cityscapes and city street scenes, incorporating figurative elements of the landscape, architecture, transportation and the human figure. Angela Wakefield has undertaken several high-profile commissions: She was commissioned by the University of York to paint the high profile £800,000 renovation project 'Greg's Place', kindly funded by Greg Dyke, the former Chancellor of the University, FA Boss & Director General of the BBC. Angela was also commissioned by Stonyhurst College to paint the world-famous Grade 1 listed building. (Former Alumni inching JRR Tolkien...

Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...

The contemporary pop art cherry blossom landscape ‘Politeness' is one of the eight from the iconic ‘Virtues’ series by Damien Hirst, the laminated giclée print on aluminum panel was ...

Saint-Tropez-Le Port Color lithograph, 1897-1898 Signed in pencil lower right (see photo) Numbered in pencil lower right: No. 68 (see photo) From: Album des Peintres-Gravures, 1898 ...

Seven Statues Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of LVII/LXXV Image Size: 34 x 23 inches Size: 42 x 30.5 in. (106.68 x 77.47 cm) Fram...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

Sidewalk Cafe, 2016; Giclée print in colours on 350gsm Hahnemühle Museum Etching wove paper signed and numbered in pencil Edition of 295 printed by GTZ Fine Art Editions, New York, ...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Billy Childish Man in a Small Boat, 2017 Edition of 100 hand-signed and numbered 31 x 37 cm - sheet size. published by L4. Billy Childish is a prolific British artist, musician, an...

This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...

Eyvind Earle (1916-2000) Three Horses (Version 2), 1987 Serigraph in colors on black wove paper Edition 46/100 Signed and editioned in blue pencil along lower edge 21 1/4 x 40- /8 in...

Artist: Marc Chagall Title: Vision of Paris Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 22" x 19" Image Size: 12 1/2" x 9 1/2" Sh...

Roger Muhl (1929-2008) Provence #7, 1986. Signed and numbered in pencil by the artist, lower margins. Artwork is in excellent condition with no damage or conservation. Frame shows ...

Unique screen print on paper. Hand signed and numbered on verso. Published by David Whitney, New York, with the ‘HOTEL MARQUETTE PRINTS’ ink stamp on the reverse. Feldman & Schellman...

Giclée print in colours 58 × 76 cm - Paper size 62 x 80 cm - Framed size Edition of 295 hand-signed and numbered by the artist. comes with COA from the publishers. framed by the pub...

"Late Light" by Robert Burkert is a lithograph landscape by the master printmaker that depicts a clearing with autumn/winter trees in the subtle but vib...

A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75. Hand...