Framed Landscape Prints

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Brood Mare Pasture Year: circa 1977 Medium: Lithograph, signed in pencil Edition: 250, A...

This early original copper-plate engraving entitled "Attaque avec le Belier" from 'L'antiquité expliquée et représentée en figures' (Antiquity Explained and Represented in Diagrams), published in Paris in 1719 by Bernard de Montfaucon. It depicts an ancient...

Limited edition Heine Hartwig print from a painting by the same artist, signed & numbered in gold in the lower right, 722/800. This beautiful, colorful a...

A contemporary woodcut print of a waterfall in a forest in silver ink. The monotype brings to mind the tradition of Japanese printing while being distinctly contemporary. Edition 1...

This contemporary realist Limited Edition print by Daniel Pollera is rendered from the perspective of a view from a beach house porch, looking out toward a body of water. Two Adirond...

Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...

Landscape is a modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Includes frame Hand signed and dated on the lower margin. Edition of...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...

John McNulty, Irish/American (1949 - ) - Sailing 3, Medium: Lithograph, signed and numbered in pencil, Edition: 615/650, Size: 8 x 12 in. (20.32 x 30.4...

This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

Lithograph on paper by Roger Lersy (France, 1920 - 2004). This stunning abstract seascape cubist composition has a highly colorful design of old boats executed by the artist in Franc...

Artist: Harold Altman (American, 1924-2003) Title: Three Chairs Year: 1978 Medium: Original color lithograph Edition: Numbered 61/185 in pencil Paper: ...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Edward S. Voss M.F.H. Monkton, MD "Off To Draw" Color lithograph on paper Published 1951 by My Lady's Manor Ltd Monkton, Maryland Signed in plate to lower right Print Sz 11 1/4"H x 14"W Frame Sz 19 1/4"H x 21 3/4"W Edward (Ned) Voss rode in point-to-points (his last ride came at age 64 in 1957) and campaigned steeplechase horses like *Golpista, Flying Artist and *Atamisqui with trainer Burley Cocks. Atlanta Hall was also home to Belgian draft horses and purebred Angus cattle...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

A very interesting and important Engraving, framed between two glasses and two colors natural and gilded wood frame of the Plan of the palace of Caprarola that inspired the American ...

This is a large hand-colored 17th century map of England and the British Isles by Frederick de Wit entitled "Accuratissima Angliæ Regni et Walliæ Principatus", published in Amsterdam in 1680. It is a highly detailed map of England, Scotland, the Scottish Isles...

This realistic coastal limited edition print by Michel Brosseau features a light blue and white palette and captures a large sailboat as it sails through the ocean, carrying four pas...

Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

A lithograph by French artist Bernard Buffet (1928 - 1999) aptly titled Pont Neuf circa 1968. This lithograph is signed in the plate, and was published by the Collector's Guild, NY C...

In the High Mountains, 2019 Tom Hammick Reduction woodcut in colours, on Japanese paper Signed, titled, dated, numbered and inscribed 'EV' (edition variable) From the edition of 20 ...

"St. Jean D'Acre" is a 19th century folio sized hand-colored lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition,...

Exotic Secret Rendezvous is a digital pigment print on paper, image size 20 x 20 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotated...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed Artist Proof in pencil Paper: Arches Im...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

Hand signed and numbered by the artist. Archival pigment print on wove paper. Published by Adamson Editions, Washington, D.C. Sheet 33.86 X 52.76 in. Image: 29.92 x 48.82 in. Editio...

This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower cente...

This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Wild Garlic Bridge (2013) by Susan Derges. 30 x 17 inches unframed 34 x 21 inches framed Digital C-P...

Typical of Thornton's oeuvre, this beautiful etching and aquatint depicts a grand church exterior with bell tower. This particular print is an artist proof. Signed, inscribed and dat...

Roberto Matta, Chilean (1911 -2002) - Les Manifestes du Surrealisme Diptych, Year: 1946, Medium: Two Etchings, titled in the plate, Edition: 58, Image Size: 5.5 x 4 inches, Size:...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 6 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

A still life of flowers in a vase 27324-LU2595214540452

Jake Wood Evans Seascape with Crimson, 2018 Archival pigment print on Domerset velvet archival cotton rag paper 330gsm, with deckled edges Signed by th...

Surreal modern black and white etching by Texas based artist Lucas Johnson. The work features a prone figure wrapped in a blanket next ...

Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...

A charismatic engraving with etched details after Giovanni Battista Piranesi (1720-1778). Inscribed in plate. Presented in a painted black and gilt frame. On paper.

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

Chuzo Tamotzu (1891-1975) Untitled (Southwestern Scene), c. 1950 Lithograph Sight: 12 1/2 x 16 in. Framed: 19 1/2 x 23 1/4 x 1 in. Edition 14 of 30 Numbered lower left, signed lower...

A pair of 18th-century engravings of London, framed as one. The Monument to the Great Fire of London (top). St James's Palace (bottom). Inscribed i...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Classic hand-color plate by Eugene Pechaubes (1890-1967) pencil signed (LL) titled: 'Maisons-Laffitte' Art Sz: 11"H x 18"W Frame Sz: 18"H x 24 1/2"W Hand-Colored Lithograph The H...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 033 Subject: Red Wood Trees, Framed Size: 28.5'' x 21" x 1.5''inch, 73x53x5cm, Ready to Hang, Wooden Frame. Glass, Plastic...

Detailed lithograph of a California Sierras pond and reflections by California author and artist Sally Warner (American, B- 1946). Sally Warner grew up in Connecticut and Californi...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition, About the artist: Tanna Kasimir...

Place Le Soir (The Square at Evening) Color lithograph on wove paper, 1899 Unsigned (as issued) From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...