Giuseppe Malandrino

Saint Peter and Castel Sanit Angelo - Etching by Giuseppe Malandrino - 1970s

1970s

Saint Peter and Castel Saint Angelo is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil  and signed on plate G. Malandrino...

Saint Peter and Castel Sant'Angelo is an artwork realized by Giuseppe Malandrino. Mixed colored etching Hand-signed by the artist in pencil on the lower right corner. Numbered edi...

Castel Sant'Angelo is an original etching artwork realized in 1970s by Giuseppe Malandrino. Hand-signed by the artist in pencil on the lower right corner. Numbered on the lower left...

Roman Landscape is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Numbered in Roman numeral...

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing w...

Jean Michel Mathieux-Marie Rialto Bridge, Venise Original drypoint etching Handsigned in pencil On vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch) Numbered /100 copies Excellent condition

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931 - 1991) Ponte Vecchio, Florence (1972) Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...