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Medium: Engraving
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Early 20th Century Contemporary Engraving Landscape Prints
Materials
Oil, Engraving, Lithograph
$320 Sale Price
20% Off
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Old Houses in Amsterdam
By T.F. Simon
Located in Fairlawn, OH
Old Houses in Amsterdam
Drypoint, 1909
Signed and dedicated in pencil lower right.
"A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10"
Simon...
Category
Early 1900s American Impressionist Engraving Landscape Prints
Materials
Drypoint
The Acropolis, Athens
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic Engraving Landscape Prints
Materials
Engraving
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category
Mid-18th Century Rococo Engraving Landscape Prints
Materials
Engraving
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings
Ancient Greek views and monument landmarks including the Pantheon, Athens.
each paper : 9 x 12 inches...
Category
19th Century Renaissance Engraving Landscape Prints
Materials
Engraving
Hope, by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
The Beheading of the King of England; Enthauptung des Königs in England
Located in Middletown, NY
The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below.
Engravin...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving, Laid Paper
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Engraving Landscape Prints
Materials
Mezzotint
Pee-amerdu Plant: A Rare 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Pee-amerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 19 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Pee-amerdu plant, a large leafed plant climbing plant off the Malabar Coast in India. The plant is noted for its medicinal uses. It may be related to Tinospora species. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked watermarked paper. The sheet measures 14.88" high by 18.75" wide. There is a central fold, as issued. There are a few faint smudges, a spot in the upper margin and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van Rheede tot Drakenstein...
Category
Late 17th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Mid-19th Century Romantic Engraving Landscape Prints
Materials
Engraving
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Autumn Pine
Located in Deddington, GB
This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light.
This body of work is based on the book by Suzanne Simard, Finding the Mo...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
Greyhound
Located in Columbia, MO
Greyhound
1773-1802
Engraving
14 x 10 inches
Framed: 24 x 21 inches
Category
1770s Naturalistic Engraving Landscape Prints
Materials
Engraving
Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Seventy Percent Chance
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2023
Edition: 50
Image Size: 11.75 x 17.5 inches
Pedestrians sheltering from the rain under umbrellas in an urban downtown setting,
Art Werger’s prints show...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884.
Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Engraving, Aquatint
Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Engraving
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709)
PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578)
Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category
17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Engraving, Etching
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Engraving Landscape Prints
Materials
Etching, Drypoint
Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799.
Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category
Late 18th Century Dutch School Engraving Landscape Prints
Materials
Laid Paper, Engraving
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
From My Window, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotint
Year: 2018
Edition: 30
Image Size: 19 x 19 inches
Signed, titled and numbered in pencil by the artist
Montage of scenes of the street below as seen from the artist...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames.
London: 1760.
Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Persia, Armenia & Adjacent Regions: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...
Category
Late 17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
$2,800 Sale Price
20% Off
Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
Autumn Light, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Rives BFK paper
Limited edition: L/CC (50/200)
Printer: Atelier Rigal, Paris, France
Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252
Sheet size: 26" x 19.63"
Image size: 19.88" x 14.5"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Etching, Drypoint, Intaglio
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Orchids: Framed 19th C. Hand-Colored Engraving of "Laelia Anceps" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...
Category
1880s Naturalistic Engraving Landscape Prints
Materials
Engraving
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Engraving Landscape Prints
Materials
Mezzotint
Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category
Mid-18th Century Engraving Landscape Prints
Materials
Engraving
Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Etching, Engraving
The Shadowed Valley.
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category
1920s Modern Engraving Landscape Prints
Materials
Mezzotint
$2,750 Sale Price
38% Off
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
1810s Naturalistic Engraving Landscape Prints
Materials
Engraving
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Engraving Landscape Prints
Materials
Engraving
Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Landscape, Modern Drypoint with Embossing by Alena Kučerová
Located in Long Island City, NY
Alena Kucerova, Czech (1935 - ) - Landscape, Year: 1971, Medium: Drypoint with Embossing, Signed, numbered, and dated in pencil, Edition: 1/100, Image Size: 10.5 x 15 inches, Siz...
Category
1970s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Mid-18th Century Rococo Engraving Landscape Prints
Materials
Engraving
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$850 Sale Price
43% Off
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595.
This is an English translation of an excerpt from the original text in the atlas:
"Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown.
Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Engraving
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Engraving Landscape Prints
Materials
Drypoint
The Manhattan Municipal Building
By Chester B. Price
Located in Fairlawn, OH
Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…"
Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...
Category
1910s Engraving Landscape Prints
Materials
Drypoint
Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category
Early 18th Century Academic Engraving Landscape Prints
Materials
Engraving
Caernarfon Castle, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Caernarvon Castle'
Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, ...
Category
18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
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