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Medium: Engraving
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper Ed: 63/75
Category

Mid-20th Century Realist Engraving Landscape Prints

Materials

Engraving

Moths and a Lady Bug in a Landscape: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Leaf
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...
Category

1990s Contemporary Engraving Landscape Prints

Materials

Mezzotint

Leaf
Leaf
$78 Sale Price
35% Off
Rudolf Häsler, The El, 1981, stipple engraving
Located in New York, NY
The Swiss-born Rudolf Häsler (1927-1999) lead a varied and busy artistic life, living and working in his native Switzerland, the United States, Spain, where he died, and for an exten...
Category

1980s Contemporary Engraving Landscape Prints

Materials

Engraving

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Exact Chart of all the Countries through which Capt. Behring Travelled from Tobolski, Capital of Siberia to the Country...
Category

Mid-18th Century Old Masters Engraving Landscape Prints

Materials

Engraving

Composition, L'amour du plus lointain, James Coignard
Located in Auburn Hills, MI
Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...
Category

1960s Post-War Engraving Landscape Prints

Materials

Engraving

Aubervilliers (France)
Located in New York, NY
Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...
Category

1940s Abstract Expressionist Engraving Landscape Prints

Materials

Drypoint, Etching

View of the village and Lake Brientz by Johann Ludwig Aberli - Engraving 30x42
Located in Geneva, CH
Work on paper
Category

Mid-18th Century Realist Engraving Landscape Prints

Materials

Engraving

Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category

Mid-18th Century Rococo Engraving Landscape Prints

Materials

Engraving

Rainy Day, Queens
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category

1930s American Realist Engraving Landscape Prints

Materials

Drypoint

John Speede, Map of the County of Surrey, described and divided into hundreds
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Speed/Speede (1551/2-1629) The County of Surrey Described and Divided into Hundreds Engraving with later hand colouring and text to the reverse.  Dated to c.1650 36 x 49 cm Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'. In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam. By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family. This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category

17th Century Realist Engraving Landscape Prints

Materials

Engraving

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category

1710s Old Masters Engraving Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

A Human Sacrifice, in a Morai, in Otaheite (Tahiti) 1784 James Cook Final Voyage
Located in Paonia, CO
 A Human Sacrifice in a Morai in Otaheite (Tahiti)  1784 by John Webber is from the  First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain...
Category

1780s Realist Engraving Landscape Prints

Materials

Engraving

Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category

Late 17th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category

Mid-18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Mezzotint

The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category

1920s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Middleham Castle, Yorkshire. Paul Sandby C18th English landscape engraving
Located in Melbourne, Victoria
'Part of Middleham Castle, NW Riding, Yorkshire' Engraving by T Woodyer after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...
Category

18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category

Mid-18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Mezzotint

Rainy Night in Rome
Located in Fairlawn, OH
Rainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X ...
Category

1910s English School Engraving Landscape Prints

Materials

Drypoint

Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category

Late 18th Century Italian School Engraving Landscape Prints

Materials

Engraving, Mezzotint, Etching

Looking Up (left profile of a man looking toward the heavens)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category

Late 20th Century Surrealist Engraving Landscape Prints

Materials

Mezzotint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Aquatint

Engraving after POUSSIN by JAZET 19th French classical landscape 17th
Located in PARIS, FR
Jean Pierre Marie JAZET Paris, 1788 - Paris, 1871 (after Nicolas POUSSIN) Color engraving 46 x 63.5 cm (59 x 74 cm for the sheet)
Category

19th Century French School Engraving Landscape Prints

Materials

Engraving

After Paul Fourdrinier - 19th Century Engraving, The Ruins of Palmyra I
Located in Corsham, GB
This architectural drawing showcases the intricate details of a classical column and entablature, emphasising the ornate pediment and decorative frieze. The original plate was made ...
Category

19th Century Engraving Landscape Prints

Materials

Engraving

Waterfall I, de-accessioned from Denver Art Museum, etching, drypoint, Signed/N
Located in New York, NY
David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaq...
Category

1970s Abstract Engraving Landscape Prints

Materials

Drypoint, Mezzotint, Etching

View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
Category

1930s American Modern Engraving Landscape Prints

Materials

Drypoint

Wren's City, by Joseph Pennell
Located in Palm Springs, CA
WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimm...
Category

Early 1900s Engraving Landscape Prints

Materials

Mezzotint

Naples and S. Italy: A Large 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Naples Divisé en Douze Provinces. sur les Memoires les plus Nouveaux. Par le Sr. Sanson Presenté" was originally created by Nicholas Sanson d'Abbeville and published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts central and southern Italy, as well as Corfu, Albania, Mediterranean Sea and the Adriatic Sea. Naples, Sorrento, the Isle of Capri, Rome in the upper left corner of the map, as well as many other landmarks. This striking original hand-colored map of Italy is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 20" high and 24.88" wide. There is one spot on the left, it is otherwise in very good to excellent condition. Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category

1690s Engraving Landscape Prints

Materials

Engraving

Saint Louis en Ile, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé Edition of 180 Image Size: 4.5 X 9 inches Signed, titled and numbered, from the edition of 180. A view of a bridge over the Seine River in Paris wit...
Category

1970s Contemporary Engraving Landscape Prints

Materials

Drypoint

Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category

Mid-18th Century Rococo Engraving Landscape Prints

Materials

Engraving

Andres Rueda Spanish Artist 1997 Original Hand Signed silkscreen on canvas
Located in Miami, FL
Andrés Rueda (Spain, 1956) 'Tarde gris', 1997 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: RUE1222-001-075 Unframed Hand-signed by author
Category

1990s Contemporary Engraving Landscape Prints

Materials

Paper, Engraving, Screen

A Hand Colored 17th Century Janssonius Map of Prussia: Poland, N. Germany, etc.
Located in Alamo, CA
An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...
Category

Mid-17th Century Old Masters Engraving Landscape Prints

Materials

Engraving

Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category

Late 17th Century Old Masters Engraving Landscape Prints

Materials

Engraving, Etching

"End of Day" Original Limited Edition Etching
Located in Soquel, CA
"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...
Category

Early 20th Century American Realist Engraving Landscape Prints

Materials

Paper, Ink, Drypoint, Etching

North America: A Framed Hand-colored 19th Century German Map by Adolph Stieler
By Adolf Stieler
Located in Alamo, CA
This framed early 19th century map of North America entitled "Nord-Amerika" is plate No. LIV (No. 46) from Adolph Stieler's Hand-Atlas, published in Gotha, Germany by Justus Perthes ...
Category

1830s Engraving Landscape Prints

Materials

Engraving

Waterfall on Fordingdale beck, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Waterfall on Fordingdale beck, at the foot of Hawes Water' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Aquatint

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Aquatint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Hungary & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...
Category

1690s Engraving Landscape Prints

Materials

Engraving

A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category

1820s Naturalistic Engraving Landscape Prints

Materials

Engraving

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Conway, Wales. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'Conway' Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland'...
Category

18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

South Front of Queen's College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'South Front of Queen's College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (p...
Category

19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category

Early 17th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Holiday Pine Cones
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category

1990s American Modern Engraving Landscape Prints

Materials

Mezzotint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

Village in Southern Italy (Edition 10/30)
By Ruth Kerkovius
Located in New York, NY
Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967 Colors: Black, Brown, Blue, White, Red She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...
Category

1960s Abstract Engraving Landscape Prints

Materials

Drypoint, Etching, Aquatint

Tournai (Tournay), Belgium: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map. This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town. This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...
Category

16th Century Old Masters Engraving Landscape Prints

Materials

Engraving

An Inland View; in Atooi ( Hawaii ) 1784 Captain Cook engraving by John Webber
Located in Paonia, CO
An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...
Category

1780s Realist Engraving Landscape Prints

Materials

Engraving

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses
Located in Union City, NJ
COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...
Category

1970s Realist Engraving Landscape Prints

Materials

Engraving

The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category

1690s Engraving Landscape Prints

Materials

Engraving

Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category

1920s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Newstead in Nottinghamshire. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'Newstead in Nottinghamshire, the Seat of Lord Byron' Engraving by Thomas Malton after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views i...
Category

18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Foggy Night (the way home or a Stephen King setting)
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern Engraving Landscape Prints

Materials

Engraving, Mezzotint

Engraving landscape prints for sale on 1stDibs.

Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available

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