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Medium: Etching
Earl Horter, (European Fountain)
By Earl Horter
Located in New York, NY
Signed in pencil. A European town square with fountain and tower.
Category
Early 20th Century American Impressionist Etching Landscape Prints
Materials
Etching
Coursing Scene, etching by Samuel Alken
Located in London, GB
Samuel Alken
Coursing Scene
Lithograph with hand colouring
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family of painter...
Category
Early 19th Century Realist Etching Landscape Prints
Materials
Etching
Landscape - Etching by Enrico Paulucci - Mid-20th Century
Located in Roma, IT
Etching and drypoint on paper realized by Paulucci.
Edition of 20.
Good condition except for some diffused foxing.
Category
Mid-20th Century Modern Etching Landscape Prints
Materials
Etching
Landscape with Marching Soldiers
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Etching Landscape Prints
Materials
Etching
Passiflora Laurigera original signed etching Flora Dalinae 1968 Salvador Dali
Located in Paonia, CO
Passiflora Laurigera original signed limited edition ( 121/200) etching from Flora Dalinae 1968 suite by Salvador Dali. This suite consis...
Category
1960s Surrealist Etching Landscape Prints
Materials
Etching
Waterfall I, de-accessioned from Denver Art Museum, etching, drypoint, Signed/N
Located in New York, NY
David Shapiro (American, b. 1922)
Waterfall I (de-accessioned from the Denver Art Museum), 1979
Spit-bite etching, drypoint and carborundrum on Lanaq...
Category
1970s Abstract Etching Landscape Prints
Materials
Drypoint, Mezzotint, Etching
Wake on the Ferry.
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Etching Landscape Prints
Materials
Etching
19th century etching black and white seascape print boats water buildings signed
By Thomas Moran
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Category
1880s Hudson River School Etching Landscape Prints
Materials
Parchment Paper, Etching
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
1820s Old Masters Etching Landscape Prints
Materials
Etching
Nymphe Assise Accoudé au Pied d’un Arbre - Etching by Ker Xavier Roussel - 1900s
Located in Roma, IT
Ker-Xavier Roussel , " Nymphe Assise Accoudé au Pied d’un Arbre" , Etching, 1900 ca.
Beautiful Proof printed in sanguine, 6th state, justified and Signed by the artist in pencil . F...
Category
1910s Modern Etching Landscape Prints
Materials
Etching
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Etching Landscape Prints
Materials
Etching
View of Avellino - Etching by Tommaso Piroli - Mid-19th century
Located in Roma, IT
View of Avellino is a print realized by Tommaso Piroli in the mid-19th century.
Etching Hand-watercolored on paper.
Signed and titled on the plate.
Good conditions with foxing
Category
Mid-19th Century Contemporary Etching Landscape Prints
Materials
Etching
Nashville in Winter
Located in Fairlawn, OH
Nashville in Winter
Etching, c. 1928
Signed in pencil lower right (see photo)
Very small edition
A rare image of early Nashville, Indiana
Excellent impression with plate tone in the sky
First state before the aquatint depicting a winter nocturne with fall snow
Printed on a fine laid paper with a Crown & Shield watermark
Provenance: Estate of the artist
By decent
Louis Oscar Griffith
(1875-1956)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category
1920s American Realist Etching Landscape Prints
Materials
Etching
Fine Etching of Municipal (Midway) Airport Chicago by Kent Hagerman
Located in Chicago, IL
A fine & captivating etching of Municipal (Midway) Airport Chicago by artist Kent Hagerman. Artwork size: 7" x 10". Archivally matted to 12" x 16".
Kent Hagerman, also known as ...
Category
1950s American Modern Etching Landscape Prints
Materials
Paper, Etching
Luigi Kasimir (1881-1962) - Framed Etching, New York from Governor Island
Located in Corsham, GB
An original etching with aquatint by Hungarian printmaker Luigi Kasimir (1881-1962). Signed in graphite to the lower margin. Presented in a plain gilt-effect frame with a wide linen ...
Category
Early 20th Century Etching Landscape Prints
Materials
Etching
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching
Standard Oil Building.
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Julian Trevelyan, Westminster, Etching and Aquatint
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller".
Julian Trevelyan (1910-19...
Category
1960s Modern Etching Landscape Prints
Materials
Etching, Aquatint
L'Hôtel de Ville, A La gloire à Paris, Robert Louis Antral
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist Etching Landscape Prints
Materials
Etching
Italian Summer, Framed Etching by Michael Chapman
By Michael James Chaplin
Located in Brecon, Powys
Etching from the studio of this acclaimed British Watercolorist.
Good condition. Image 15.5" x 11.5"
English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...
Category
1990s Realist Etching Landscape Prints
Materials
Etching
Evening Moon
Located in New York, NY
Kathan Brown
Evening Moon, 1962
Color etching on wove paper
Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front
18 3/4 × 27 3/4 inches
De-accessioned from the...
Category
Mid-20th Century Modern Etching Landscape Prints
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Late 18th Century Italian School Etching Landscape Prints
Materials
Engraving, Mezzotint, Etching
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Picasso, L'Homme au chapeau (Bloch 29; Baer 42; Cramer 46), Du cubisme (after)
Located in Auburn Hills, MI
Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Late 18th Century Italian School Etching Landscape Prints
Materials
Engraving, Mezzotint, Etching
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Aquatint
Original etchings C. Bernier - International monument of the reformation, Geneva
Located in Geneva, CH
This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier
Category
19th Century Realist Etching Landscape Prints
Materials
Etching
Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops.
The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition.
Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s.
Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category
Late 17th Century Old Masters Etching Landscape Prints
Materials
Engraving, Etching
Ruins of an Ancient Tomb - G. B. Piranesi - 1762
Located in Roma, IT
Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Image dimensions: 41.5x56 cm
Very precoius and rare lifetime spec...
Category
1760s Old Masters Etching Landscape Prints
Materials
Etching
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Puerta del Obispo ( Romanesque Spanish Cathedral)
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category
1930s American Modern Etching Landscape Prints
Materials
Etching
St Paul's School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'St Paul's School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...
Category
Early 20th Century Naturalistic Etching Landscape Prints
Materials
Etching
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Etching Landscape Prints
Materials
Engraving, Etching
Boxthorn Japanese, Lyciym japonicum Plate 361
Located in Columbia, MO
Boxthorn Japanese, Lyciym japonicum Plate 361
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Landscape Prints
Materials
Etching
Marins et Femmes de Pecheurs Bretons sur les Quais
By Manuel Robbe
Located in San Francisco, CA
Artist: Manuel Robbe (French, 1872-1936)
Title: Marins et Femmes de Pecheurs Bretons sur les Quais
Year: c.1930
Medium: Etching with aquatint
Paper: B.F.K Rives
Image (plate mark...
Category
1930s Impressionist Etching Landscape Prints
Materials
Aquatint
Julian Trevelyan Richmond Thames Series London Etching Modern British Art Print
Located in London, GB
Julian Trevelyan (1910-1988)
Richmond (1969)
Etching and aquatint, signed, numbered 48/75
48x35cm
Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity Colleg...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Etching Landscape Prints
Materials
Drypoint, Etching
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Composition, Heart of Darkness, Sean Scully
By Sean Scully
Located in Auburn Hills, MI
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
'Old Cedars' – Early New Mexico Landscape, Southwest Regionalism
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Category
1920s Realist Etching Landscape Prints
Materials
Etching
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category
1870s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching, Aquatint
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Etching Landscape Prints
Materials
Etching
17th century etching black and white landscape scene forest trees goats
Located in Milwaukee, WI
"Les Chevres (The Goats)" is an original etching by Claude Lorrain. It depicts two pairs of goats and a shepherd watching over them. This etching is also in the collections of the Me...
Category
1630s Old Masters Etching Landscape Prints
Materials
Etching
Cascades No. 1
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching.
François Houtin was...
Category
1980s Contemporary Etching Landscape Prints
Materials
Etching
RAINY DAY, BROADWAY
Located in Portland, ME
Mielatz, Charles. RAINY DAY, BROADWAY. Etching, 1892. Edition size not known. Signed in oencil and inscribed "imp," and signed and dated in the plate.
9 7/8 x 7 inches. In excelle...
Category
1890s Etching Landscape Prints
Materials
Etching
Villeneuve la Carenne - Etching by Alfred Taiée - 1860s
Located in Roma, IT
Villeneuve la Carenne is a black and White etching realized by Alfred Taiée in the 1860s.
Titled in the lower.
Image size: 10x28.
Very good impression with wide margins and a ver...
Category
1860s Modern Etching Landscape Prints
Materials
Etching
Jardins de Paris, A La gloire à Paris, Luc-Albert Moreau
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
Le Port de Monaco - Etching by Appian - 1874
Located in Roma, IT
Le Port de Monaco is an artwork realized by Appian.
Etching, realized in 1874.
Sheet 158 x 237 mm..
Curtis and Prouté 36.
Meeting of a very beautiful proof on white laid paper, f...
Category
1860s Modern Etching Landscape Prints
Materials
Etching
Ethiopian Churches - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Ethiopian Churches is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.59 (as reported in the higher margi...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
'Beach at Menton', Paris, Ecole des Beaux-Arts, New York, Woman Artist, Madrid
By Cuca Romley
Located in Santa Cruz, CA
Signed, lower right, in pencil, 'Cuca Romley' (Spanish, born 1933), titled 'Plage de Menton' lower center and inscribed, lower left, with number and limitation, '77/175'.
An elegant view of this famous resort town in the South of France with bathers and holiday makers seen on the beach and a view beyond to the famous 17th century, baroque Basilica of St. Michael.
Born in Madrid, Cuca Romley studied at the Ecole des Beaux-Arts in Paris. Over the course of a long career, she has exhibited internationally with success including at the Salon Nacional de Dibujos de Alta Costura...
Category
Late 20th Century Modern Etching Landscape Prints
Materials
Laid Paper, Etching
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Etching Landscape Prints
Materials
Drypoint, Etching
Piazzetta, Venice
By Jan C. Vondrous
Located in Myrtle Beach, SC
Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...
Category
1930s Impressionist Etching Landscape Prints
Materials
Etching
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Etching Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available