20th Century Landscape Prints

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...

Hans Füsser (German, 1898-1959) Signed: Hans Füsser (Lower, Right) " Siebengebirge ", circa 1920s Etching Plate Size: 6 1/4" x 8 1/2" Housed in a 1/2" Frame Overall Size: 12 3/...

Pierre BELLIER (1936-) RIVIERA : The Carlton Palace at Cannes, 1982 Original Lithograph Handsigned in pencil Numbered / 600 in Artist's Proof (the number you can see can be differe...

Pierre BELLIER (1936-) RIVIERA : The Negresco Palace, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On high end Coated Paper...

Ramon DILLEY (1932-2013) DEAUVILLE : Twenties Elegant, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Tony Bennett Title: Lovers in Monet's Garden Lithograph Signed and Marked PP  1/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Anthony...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Serge VERGEZ (1933-) Venice : The handbag, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 x 22 in...

Serge VERGEZ (1933-) Venice : Bride with bouquet, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 ...

Serge VERGEZ (1933-) Venice : Beautiful Woman, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x 3...

Vintage Raymond Pettibon exhibition poster: Raymond Pettibon 'Illustration Without Tears': Rare vintage Pettibon exhibit poster published by Regen Pr...

Andre SAVY (1938-) Riviera : Three Boats in Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c...

Bold and bright depiction of a dining room by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky, rectilinear forms, creating an ani...

Serge LASSUS (1933-) Horses : Riders and Blood Forest, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Vellum 76 x 56 cm (c...

Serge FENECH (1951-) Riviera : Flower Bouquet and Mediterranean, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 76 ...

Serge FENECH (1951-) Riviera : View on Clyclades, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 ...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Day) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.67 ...

Serge FENECH (1951-) Riviera : Beautiful Flowers at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x ...

Serge FENECH (1951-) Riviera : Flowery Boat at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm...

The Spring is a very brightly colored serigraph realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-sign...

Andre SAVY (1938-) Riviera : Sailboat at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c. 2...

Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge. Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. This lithograph of male laborers, Street Pavers, remi...

A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...

Limited edition of 100 prints, numbered and hand signed.

Paris, houses and tree is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno Original title: Pa...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

Rendered in hues of blue, teal, and brown, this Ralph Fasanella print is a bustling depiction of New York City including views of identifiable landmarks from various boroughs and loc...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Metropolis by Richard Florsheim, American (1916–1979) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 300 Size: 34.5 in. x 44.5 in. (87.63 cm x 113.03 cm)

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Artist: Lowell Nesbitt (1933-1993) Title: Lily & Rose Year: 1974 Edition: 60/100, plus proofs. Medium: Silkscreen on Arches paper Size: 24 x 35.5 inches Condition: Good Inscription: ...

Hand signed and dated. Signed on plate. Very good conditions Passepartout included : 49 x 34 cm Image Dimensions : 25 x16 cm This artwork is shipped from Italy. Under existing legis...

"Exposition d'Art Français" features a busy, dreamy depiction of the French countryside in a very loose style. Created by Raoul Dufy as the poster for an exhibition held in Kaunas, L...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Signed, titled and numbered by the artist from the edition of 76. Artist and community activist Leo Límon lives and works in Los Angeles, where he was born ...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'. Georges Lambert first studied in Paris at the Academie de l...

This one is a dark burgundy or purple color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony...

Panoramic View of Saruhashi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

Andre SAVY (1938-) Riviera : Terrace in Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22...

Kuwana Station is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1920s. Original woodcut print oban yokoe. After the famous Tokaido series, ...

Andre SAVY (1938-) Riviera : Three Boats in Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) The meal of the Lion Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vellum 57 x 75 cm ...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Fight Between a Tiger and a Buffalo Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vel...

Bold and bright depiction of a Victorian house by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky,...

Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Virgin Forest with Sunset Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vellum 57 x 7...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

Artist: Wayne Ensrud, American (1934 - ) Title: Comogli Italy Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 300, HC Image Size: 21.5 x 28 inches Size: ...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. after Maurice Utrillo (1883 - 1955) France: La Cathédrale de Reims Original vintage poster 100 x 62 cm Commissioned by the Ministère des Travaux Publics et des Transports and the Commissariat général au Tourisme. Printed in France, by and for the French Government. Printed by Braun & Cie, Mulhouse-Paris. This poster, featuring a Utrillo painting of Reims Cathedral, was printed by the French tourist board to encourage holidays to France. Utrillo's depiction of Reims is highly post-impressionist, with thick layers of impasto and an inventive colour palette. Maurice Utrillo was a French painter who specialised in post-impressionist cityscapes...