Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Sir David Young Cameron, R.A.
Almshouses, St. Cross

1902

About the Item

Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower left margin. Scattered significant foxing throughout image area, surface soiling, framing marks in pencil, printing smudges and adhesive residue, all on recto. Verso has linen tape residue, adhesive residue, and residual visible foxing. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched his focus from interior scenes to architectural and landscape compositions. His feathery line etching technique married beautifully with the dramatic landscape of the Highlands, and his compositions are delicate studies of light and shadow that capture both the softness and the severity of the atmospheric skies, rocky outcroppings, and mossy ruins that surrounded him. Many of these compositions focus on a central shadow, or an emanating light, and show the influence of Francis Seymour Haden, James McNeil Whistler, and Charles Meryon. In 1901 Cameron joined the International Society of Sculptors, Painters and Gravers, an organization that had been founded 1898 by Whistler. He had exhibited with the society from the date of its inception, and later served on its council. In 1917 Cameron was commissioned by the Canadian government to serve as the Official War Artist. Among the numerous prestigious appointments that Cameron held during the course of his career, he was elected Trustee of the Tate Gallery and the Scottish National Gallery from 1921 to 1927, and was Knighted in 1924. He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the permanent collections of the Tate Gallery, the British Museum, the National Gallery of Scotland, the National Gallery of Canada, the Metropolitan Museum of Art, and the Art Institute of Chicago. Cameron died in Perth, Scotland, in 1945.
  • Creator:
    Sir David Young Cameron, R.A. (1865 - 1945, British)
  • Creation Year:
    1902
  • Dimensions:
    Height: 3.88 in (9.86 cm)Width: 5.94 in (15.09 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Middletown, NY
  • Reference Number:
    Seller: BH2811stDibs: LU1979210397322

More From This Seller

View All
Wrexham Tower, Yale University
Located in Middletown, NY
Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Ruff's Farm
By Sidney Mackenzie Litten
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Drypoint, Etching

Sunlight on Stone; Caudebec-en-Caux
By John Taylor Arms
Located in Middletown, NY
Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching, Handmade Paper

Wilby Church, Northhamptonshire, England
By John Taylor Arms
Located in Middletown, NY
A fine proof impression on antique paper Etching on antique laid paper with a large heraldic watermark. 4 1/4 x 2 3/8 inches (109 x 61mm), full margins. Signed, dated, and inscribed...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Afterglow; Geddington, England.
By John Taylor Arms
Located in Middletown, NY
Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inche...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

You May Also Like

Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...
Category

1990s American Modern Landscape Prints

Materials

Etching

S. L Margolies, Silent Symphony
Located in New York, NY
S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Etching

John Winkler, View from Colby Meadows
Located in New York, NY
Winker is pulling out all the stops to make as stunning a Western Landscape as possible. The sky in this impression is open. There are also impressions with clouds in the sky. Sign...
Category

1960s American Modern Figurative Prints

Materials

Etching

Kent Hagerman, (US Air Force Fairchild C-119, the 'Flying Boxcar')
By Kent Hagerman
Located in New York, NY
While this is probably a military airport, Kent Hagerman still shows it at its futuristic best. Hagerman was an amazing draftsman who managed to get fantastic detail into his work. This is really a portrait of a plane -- the Fairchild C-119. The words 'United States Air Force' on the side of the plane date it to 1947 or later, after the Air Force split from the Army. The design featured the 'twin boom' clearly showing in this etching. Thanks to this feature it was called the Flying Boxcar. About 1100 were built and used until 1955. It was also used by the Chinese Air...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching

Kent Hagerman, (United States Air Force, Fairchild XC-120 Packplane)
By Kent Hagerman
Located in New York, NY
Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching

Fugi Nakamizo, New York Harbor from the Battery
Located in New York, NY
Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...
Category

1920s American Modern Figurative Prints

Materials

Etching

Recently Viewed

View All