Abstract Landscape Prints

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

This abstract landscape limited edition print by Elwood Howell features a vibrant green palette. Colorful orange, blue, and violet accent the green area of the composition, which ext...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi, First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim'' Steimatzky Gallery, Jerusalem 1936 Artists: Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh Group Exhibition Group Exhibition Katz Art Gallery, Tel Aviv 1939 Artists: Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...

Robert Petersen The Clocktower Exhibition (Hand signed and inscribed), 1979 Offset lithograph poster (hand signed and warmly inscribed) Warmly signed and inscribed "For Marilyn Love ...

Artist: Georg Karl Pfahler (1926-2002) Title: Untitled Year: 1993 Edition: 13/100, plus proofs Medium: Silkscreen on Arches paper Size: 27.5 x 27.5 inches Condition: Good Inscription...

Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

GREGORY AMENOFF El Santuario de Chimayó, 1986 Lithograph in Colors on wove paper 37 × 38 inches Edition 1/40 Hand Signed, titled, dated, and numbered in pencil 1 from the edition of ...

Artist Name: Richard Estes Year: 1983 Size-Width Size-Height: 22¾" x 20"  Natalie Knight Gallery David Krut Fine Art 8 Oct 83 Unframed in Very Good Condition. Richard Estes is an ...

Joe Goode Grey Folded Clouds - IV Grey 1971 Lithograph, Edition of 50 50.8 x 75 cms (20 x 29 1/2 ins)

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Sydney Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 in. ...

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 163/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 149, published by Aimé Maeght, Éditeur...

This abstract landscape limited edition print by Ken Elliott depicts an abstracted forestscape, with cool blue and violet trees and a yellow-green forest floor. The cool blues are co...

Artist: Gene Davis (1920-1985) Title: Yellow Jack Year: 1979 Medium: Silkscreen on Arches paper Edition: 241/250, plus proofs Size: 22.5 x 25 inches Condition: Excellent Inscription:...

The photo was done during a lovely walk in the park during the pandemic.

Joseph Grippi, American (1924 -2001) - Golden Sky, Year: 1973, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 29.5 x 40 in. (74.93 x 101.6 cm)

Original Air France - "Italy"; U. S. edition in English. Size 24.5" x 39.5" Professional acid-free archival linen backed, ready to frame. Excellent condition lithograph. The ...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Artist: Marc Chagall (after) Medium: Original lithograph Title: The Yellow Background Year: 1964 Edition: 3,000 Sheet Size: 30 1/2" x 22 1/2" Reference: Chagall's Posters, pg. 56 Sig...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

African Sky by Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Image Size: 23.5 x 17.5 inches Size: 30 in. x 22 in...

Urbaine Huchet (French, b. 1930) "Untitled: Horse Show" Edition D'Artiste, Abstract Impressionist Lithograph signed and numbered in Pencil, 28.25 x 20.63,...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...

Watch Us: Together We Can Do It, I 2019 by Chin Chih Yang is a signed limited edition digitally created print on archival paper: 27/75 - edition number, date of creation, and artist'...

Autumn gold [2022] Mid November in the Surrey hills when the Autumnal colours are most vivid. Shades of gold, burnt orange, yellow ochre and beige dominate the woodland. Addition...

Artist: Arman (1929-2005) Title: Salome Year: 1978 Edition: A.P., 150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 22.25 inches Condition: Good Inscription: Signed by t...

Artist: Yaacov Agam Title: Circles in Yellow Medium: Screenprint in colors Year: 1980 Edition: 154/200 Sheet Size: 30" x 28 1/2" Image Size: 35 1/4" x 33 3/4" Signed: Hand signed an...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

Santoro, "Untitled: Lavender, Blue & Pink Serigraph (Edition 303/350)" Mid-Century Modern Serigraph/ Abstract Geometric Screenprint, Signed in Graphite lower right, marked as an Edit...

‘Love Shack’ by Anna Marrow. Each print is hand printed on Somerset satin, 350gsm paper and hand finished with glitter in an edition of 25. Signed, titled and numbered by the Artist....

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Assemblee des Rabbins et Notables au 16 siecle  dans un village de Lithuanie is an original artist proof ( E. A. ) lithograph by  Theo Tobiasse (b.1927 -2012) , an internationally successful French painter, engraver, illustrator, and sculptor. He grew up in Paris during the Nazi occupation. His work has great depth and originality as he seeks to express the inner world of man.  Perhaps the hardships he and his family endured helped define his artistic expression. He has had many exhibitions around the world, in Paris at the Drouant gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lauzanne, Los Angeles, Kyiv. He also had a solo exhibition in New York and many more shows world wide over the years.  A visit to Jerusalem in 1970 brought him closer to his Jewish origins. He created his first stained glass windows on the theme of “Jewish Holidays” for the Jewish Community Center in Nice and a monumental oil on canvas entitled Que tes tentes sont belles, ô Jacob (1982). He traveled and immersed himself in the cultures he encountered, the jazz of New Orleans, Mexican archaeological sites and Native American totems. In New York, he met Elie Wiesel...

This abstract landscape limited edition print by Elwood Howell features a vibrant green palette. Colorful orange, blue, and violet accent the green area of the composition, which ext...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

Nicolas de Staël (after) Paris : Seine River with Eiffel Tower Stone lithograph after a painting Printed in Mourlot workshop On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent...

Zygmund Jankowski is known for his modernist compositions and effective use of “the white of the paper.” 'Come Fly with Me' perfectly illustrates that skill; It is signed, titled, and dated in pencil. Jankowski was born in South Bend, Indiana. After serving in the US Navy Jankowski attended the California College of Arts and Crafts, where studied with Victor DeWilde, Otis Oldfield, and George Post. Returning to the mid-west he taught at Indiana University, South Western Michigan College, Hilton Leech School of Art, the Bremen Art Center, the Niles Art Center, the South Bend Art Association, and the Rockport Art Association. Beginning in 1964 he summered in Rocky Neck, MA, and opened a summertime gallery. In the 1970s he made a permanent move to Gloucester where he held workshops at his studio. In the 1990s he moved to Lanesville. Among those institutions with work by Jankowski is the Cape Ann Museum. In their biography of the artist they acknowledge his role of inspiring a generation of Cape Ann artists...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

This artwork titled "Arcadia" c.1990, is an original colors etching with aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered ...

Orange Mesa Screenprint on Fabric

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 88/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by T...

Lithograph on vélin paper. Paper Size: 14.173 x 11.181 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Matsu (Pine) Woodcut, 1968 Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo) Annotated in pencil "Ed 25" (see photo) Edition: 25 Condition: 7" long waterstain at ...

Signed, titled and numbered in pencil, edition of 15. Abstracted image of rain ferns featuring shaades of green and blue. Rosalyn Richards has been a member of the Bucknell Universi...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

"Storm" is one of the monoprints that Joyce Nagel so enjoyed creating. Like an actual storm whose characteristics are unique this monoprint is a one-off pr...

Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...