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Expressionist Landscape Prints

EXPRESSIONIST STYLE

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

​​Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.

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Style: Expressionist
Coffee Peloton (cp07_Nov23)
Located in Deddington, GB
Original Artwork by Eliza Southwood made from specially treated coffee and then submitted to a further setting treatment. Additional  information: Eliza Southwood Coffee on paper So...
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2010s Expressionist Landscape Prints

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Paper, Coffee

H.O. Miethke Das Werk folio "Pond in the Morning" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

Materials

Paper

H.O. Miethke Das Werk folio "Fruit Trees" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

Materials

Paper

Carlotta Auba by Simon Tozer, Limited edition print, Sailing, Coastal
Located in Deddington, GB
Carlotta Auba by Simon Tozer [2022] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 18 Image size: H:23.5 cm x W:3...
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21st Century and Contemporary Expressionist Landscape Prints

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Paper, Screen

Moïse I (Mourlot 117-46; Cramer 25)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

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Lithograph

Introduction for a Blues Queen (Gelburd/Rosenberg 70-77), Jazz Series
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 144/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...
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1970s Expressionist Landscape Prints

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Lithograph

Buffet, Les deux oiseaux, Lithographs 1952-1966 (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...
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1960s Expressionist Landscape Prints

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Lithograph

H.O. Miethke Das Werk folio "Schloss Kammer on Lake Attarsee II" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...
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Early 1900s Expressionist Landscape Prints

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Paper

Mother Catherine, Bookmarks in the Pages of Life
Located in Auburn Hills, MI
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
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Early 2000s Expressionist Landscape Prints

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Screen

High John De Conquer, Bookmarks in the Pages of Life
Located in Auburn Hills, MI
Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...
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Early 2000s Expressionist Landscape Prints

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Screen

Chagall, Tribe of Gad, Vitraux pour Jérusalem (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
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1960s Expressionist Landscape Prints

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Lithograph

H.O. Miethke Das Werk folio "Orchard in the Evening" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

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Paper

H.O. Miethke Das Werk folio "The Great Poplar II (Thunderstorm)" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

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Paper

Chagall, Tribe of Reuben, Vitraux pour Jérusalem (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
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1960s Expressionist Landscape Prints

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Lithograph

H.O. Miethke Das Werk folio "Cottage Garden with Crucifix" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

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Paper

La Tour Eiffel verte (Cramer 34; Mourlot 201), Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 7.875 x 9.06 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...
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1950s Expressionist Landscape Prints

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Lithograph

La Maison de Mon Village (Cramer 43; Mourlot 283), The Lithographs of Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...
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1960s Expressionist Landscape Prints

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Lithograph

L'ange à l'épée (Mourlot 117-46; Cramer 25)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

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Lithograph

La Hage, Pyrenees , France original etching by J.J. Regal
Located in Paonia, CO
La Hage, Pyrenees , France  by French artist J.J. Regal is an original signed, limited edition aquatint etching printed on BFK Rives paper. This is a very bold design with an or...
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20th Century Expressionist Landscape Prints

Materials

Etching

London, England original signed original aquatint etching by J.J. Regal
Located in Paonia, CO
London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...
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20th Century Expressionist Landscape Prints

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Etching

New York City Street Scene (L.18), Fairfield Porter
Located in Fairfield, CT
Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...
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1960s Expressionist Landscape Prints

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Lithograph

Jérémie (Mourlot 117-46; Cramer 25)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

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Lithograph

Chagall, Composition, Le Dur Désir de Durer (after)
Located in Auburn Hills, MI
Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...
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1950s Expressionist Landscape Prints

Materials

Lithograph

Moïse II (Mourlot 117-46; Cramer 25)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

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Lithograph

Sailing at Sunset By Kate Heiss
Located in Deddington, GB
limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...
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2010s Expressionist Landscape Prints

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Bromoil

Excelsior by Simon Tozer, Limited edition, Sailing, Landscape, Figurative art
Located in Deddington, GB
Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...
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21st Century and Contemporary Expressionist Landscape Prints

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Paper, Screen

H.O. Miethke Das Werk folio "Farm Garden With Sunflowers" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

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Paper

Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
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1930s Expressionist Landscape Prints

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Paper

Sea Of Stars, Kate Willows, Limited Edition Print, Seascape Sky Art, Affordable
Located in Deddington, GB
Sea of Stars by Kate Willows [2020] limited edition Ink on paper Edition of 40 Image size: H:15 cm x W:15 cm Sold Unframed Please note that insitu im...
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21st Century and Contemporary Expressionist Landscape Prints

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Paper, Ink

Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
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1930s Expressionist Landscape Prints

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Paper

H.O. Miethke Das Werk folio "Rose" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper wi...
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Early 1900s Expressionist Landscape Prints

Materials

Paper

H.O. Miethke Das Werk folio "The Great Poplar I" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
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Early 1900s Expressionist Landscape Prints

Materials

Paper

Chagall, Composition (Mourlot 646), Ceramics and Sculptures of Chagall (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, The Ceramics and Sculptures of Chagall, 1972. Published by Édition...
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1970s Expressionist Landscape Prints

Materials

Lithograph

Buffet, A la plage, Lithographs 1952-1966 (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Hamburg, Mild Atmosphere - German Expressionism Hamburg Harbour Maritime Scene
Located in London, GB
This original drypoint is hand signed and dated in pencil by the artist "Emil Nolde" at the lower right margin. It is one of at least 18 impressions printed on Van Gelder Zonen pape...
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1910s Expressionist Landscape Prints

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Drypoint

Vision de Paris (Cramer 23; Mourlot 81), Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné ref...
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1950s Expressionist Landscape Prints

Materials

Lithograph

Mère et enfant devant à Nôtre-Dame (Cramer 23; Mourlot 82), Verve
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

Materials

Lithograph

Chagall, Composition (Cramer 61; Mourlot 434), Le plafond de l'Opéra (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 26 x 19 inches; image size: 18.3 x 18.3 inches, with quadfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Chagall, Tribe of Joseph, Vitraux pour Jérusalem (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
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1960s Expressionist Landscape Prints

Materials

Lithograph

'The Port of Algiers' Lithograph
Located in London, GB
'The Port of Algiers", original lithograph, by Albert Marquet (circa 1940s). Marquet spent five years in Algiers, between 1940-45. Due to his travelling, harbour scenes were an impor...
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1940s Expressionist Landscape Prints

Materials

Lithograph

Country House In The North (Landhaus im Norden)
Located in Kansas City, MO
Paul Klee (after) Country House In The North (Landhaus im Norden) Year: 1925 Serigraph Size: 14x16.9 on 19x21.5 inches Edition: 440 Signed in the stone, numbered by hand Publisher: K...
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1920s Expressionist Landscape Prints

Materials

Screen

A Second Generation, For My People, Elizabeth Catlett
Located in Auburn Hills, MI
Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...
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1990s Expressionist Landscape Prints

Materials

Lithograph

Quai de la Tournelle (Mourlot 351; Cramer 53), Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition, with centerfold, as issued; neve...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Composition (Cramer 77; Mourlot 557), The Lithographs of Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Sara et Abimelech (Mourlot 230-77; Cramer 42)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Ange du Paradis (Mourlot 117-46; Cramer 25)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
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1950s Expressionist Landscape Prints

Materials

Lithograph

Les Monstres de Notre-Dame (Cramer 24; Mourlot 101), Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...
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1950s Expressionist Landscape Prints

Materials

Lithograph

La Tour Eiffel à l'âne (Cramer 24; Mourlot 97), Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...
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1950s Expressionist Landscape Prints

Materials

Lithograph

Chagall, Tribe of Issachar, Vitraux pour Jérusalem (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Singing Their Songs, For My People, Elizabeth Catlett
Located in Auburn Hills, MI
Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...
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1990s Expressionist Landscape Prints

Materials

Lithograph

Composition, Everything That Rises Must Converge
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
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Early 2000s Expressionist Landscape Prints

Materials

Etching

Buffet, La petite plage, Lithographs 1952-1966 (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...
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1960s Expressionist Landscape Prints

Materials

Lithograph

Chagall, Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera (after)
Located in Fairfield, CT
Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...
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1970s Expressionist Landscape Prints

Materials

Lithograph

Noémie et ses Belles-Filles (Mourlot 230-77; Cramer 42)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Paris : Louvre Museum with Orange Scratch (Fire) - Original etching
Located in Paris, IDF
Arnulf Rainer (1929) Paris : Louvre Museum with Orange Scratch (Fire) Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Chalcogr...
Category

21st Century and Contemporary Expressionist Landscape Prints

Materials

Etching

Autoportrait (Cramer 43; Mourlot 282), The Lithographs of Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Chagall, Tribe of Levi, Vitraux pour Jérusalem (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Spring (Fruling) (also known as Street in Frankfort)
Located in New York, NY
Max Beckmann, Spring (Fruling) (also known as Street in Frankfort), etching and drypoint, 1918, signed lower right. Reference: Hofmaier 133IIb, from the edition of 60 on laid paper; ...
Category

1910s Expressionist Landscape Prints

Materials

Drypoint, Etching

Ève Maudite par Dieu (Mourlot 230-77; Cramer 42)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Le bouquet noir et bleu (Cramer 34; Mourlot 202), Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 9.06 x 7.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

Expressionist landscape prints for sale on 1stDibs.

Find a wide variety of authentic Expressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Marc Chagall, Gustav Klimt & K.K. Hof-und Staatsdruckerei, Graciela Rodo Boulanger, and (after) Gustav Klimt. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Expressionist landscape prints, so small editions measuring 3.25 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $79,600, while the average work sells for $980.

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