Boat Landscape Prints

Landscape is an original contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958). Original etching on paper. Hand-signed Artist's proof Passpartout is included: ...

V. Beffa - Seaside. Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Lyon - France Pittoresque is an original lithograph realized by an Anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fr...

Figures is an original woodcut realized by Ernesto Romagnoli in 1963. No signature, in very good conditions. The artwork is after Mino Maccari.

Montauban - France Pittoresque is a lithograph realized by an Anonymous engraver in the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France ...

La Pointe à Pitre prise du Morne is an original lithograph realized by an Anonymous artist of the 19th Century. Realized within the series of "France Pittor...

Landscape is an original etching on paper realized by P.Ziliken Hand-signed on the lower right. Image Dimensions: 25 x 18.5 cm The state of preservation of the artwork is good exc...

View of Lé Hâvre is an original lithograph on paper realized by an Anonymous artist of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in Fran...

Bombing of Tanger is an original Hand-colored lithograph on paper realized by an Anonymous artist of the XIX century. Titled on the lower center. The state of preservation of the...

Artist: (after) John Constable (English, 1776-1837) Title: "View on the Orwell near Ipswich" (Plate 28) and "Hampstead Heath, Harrow in the distance" (Plate 10) Portfolio: English La...

This map of Kampen (the ancient Campensis) is an original etching realized by George Braun and Franz Hogenberg as part of the famous Series "Civitates Orbis Terrarum". The “Civita...

Beautiful colored lithograph, representing a marine landscape. Numbered and hand-signed with pencil on the lower margin by the Italian artist, Ampelio Tettamanti. Edition of 90 print...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Brendan Neiland (b.1941) R.A. (Expelled) Hampton Court (1984) Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...

Image dimensions: 45.5x32 cm. Hand signed. Artist's proof. Trimmed margins. Very good conditions.

Image dimensions: 24.5 x 31.8 cm. La laguna di Venezia (Il gondoliere) is an original artwork realized by Luigi Bartolini in 1951. Etching and aquating on China paper applied. Tit...

Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821) North View of Whitehaven, Cumbria Hand-coloured engraving 27.5 x 56.5 cm A view of the cliffs and port of Whitehaven in Cumbria. Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...

Original etching by Robert Pierre Grouiller after a painting by Johan Barthold Jongkind. Signed and dated on plate by Jongkind. Edition of 600 prints. Etching and aquatint print on v...

"Song of Portofino" features a colorful harbor scene with rich blues and golds leading to the sparkling Mediterranean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 96 color serigraph exhibits all of the bold colors and strong composition that Swimm is known for. It is hand signed by the artist in an edition of 240 including Proofs. Born and raised on the East Coast, he had a successful career as an advertising commercial artist in New York, then resettled in southern California with his wife and son in 1982. Inspired by the light and landscape of the West Coast, he renewed his passion for painting and was accepted for his first exhibition in the Festival Of Arts in Laguna Beach, California in 1988. His paintings soon became recognizable for their exceptional use of light and color -- a style that he continues to develop with each new work. To quote the artist: “Light is the most important aspect of my work, offering the ultimate challenge and reward. To capture its elusive qualities on canvas offers great personal satisfaction, and it’s what I thrive on artistically.” To seek inspiration, the artist travels extensively, working from photos and sketches that he uses for reference, then creates his original oils...

Trabucchi (which is a triptych, consisting of three platemarks and three sheets) is an exceptional work in terms of its size, especially considering that it was printed in 1987 when ...

Image dimensions: 10.1 x 13.9 cm. Port of New Orleans is a black and white xylograph on paper, realized in 1890 by Holland Tringham. Of little dimensions but high quality, this ori...

Image dimensions: 17 x 26 cm. Coblenz is a beautiful watercolored lithograph on paper, realized by F. Foltz and published by v. J. Halenza, Mainz. This modern artwork representing ...

Robert Charles Goff (1837-1922), original etching. Boats on a Dutch river with horse-drawn carriage running alongside. Signed in pencil to the lower right. Well-presented in a smart ...

Fisherman by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed in pencil Edition of AP Image Size: 22 x 29.5 inches Siz...

Claude Tabet, French (1924 - 1979) - City Canal. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 23 x 20 inches, Size: 30 x 22 in. (76....

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Mezzotint after J.M.W. Turner, Signed in pencil. Ref: Hardie 58. This seascape is one of Frank Short’s finest mezzotint works after J.M.W. Turner. T...

New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...

The Seine is a lithograph on paper with an image size of 2.75 x 3.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone class...

Otto Kuhler (1894-1976) original etching, 1923. Title: “Mississippi Evening” Signed in pencil lower right. Title in pencil lower center. Dated lower left, 1923. Image measures 7 7/8...

Henry Winzenreid (American, 1892-1981) Untitled (Steamboats and Factories), 20th century Lithograph Sight size: 10 x 14 in. Framed: 17 1/8 x 21 1/4 in. Signed lower right: AP/60 Wi...

Spires is a contemporary landscape print by Phil Greenwood. The strong outline of the spires is softened by blue haze. A green river bank splits the work into three planes and allows...

A ca. 1958 lithograph with applied pastel titled "Edgartown Harbor" by notable Chicago artist Francis Chapin. Image size: 14 3/4" x 19 3/4. Archivally matted to: 20" x 25 1/2". ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Artist: Gordon Grant, American (1875 - 1962) Title: Old Coaster Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40.6...

Boats is a modern artwork realized by Michele Ricciuti in 1971. Black and white etching Hand signed, numberec and dated on the lower margin. Edition of 3/20 Includes frame

Artist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching ...

Lithograph on Magnani-Pescia paper. Paper size 24,5 cm x 17,5 cm work size 22 cm x14,5 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the...

Sail on by By Gordon Hunt [2022] limited_edition Original painted in acrylic Edition number 3 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:...

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

New York in 1835 from the bay near Bellows Island Raoul Varin ( 1856 - 1943 ) Hand-colored aquatint 1931 paper size 24.50 x 35 image size 17 x 22.75 cond...

A bunch of cheery sunflowers arranged in a Cornish Ware jug sits pride of place on the window sill of this harbour cottage. A collection of beach finds fr...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

"Ebb Tide" is an original color lithograph by Helen Rundell, signed in the lower right corner. It depicts a light sea green rowboat with red oars stranded on a rocky shore at low tid...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Day) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.67 ...

Seascape with boat, West from Taylor Dock, Bellingham, WA. Signed and titled by the artist, one of 25 artist proofs aside from the edition. Born in Berkeley, California, on December...

Artist: Wayne Ensrud, American (1934 - ) Title: Leaving Port Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 23.5 x 31 inches Size:...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Sky Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are co...

Boats is a lithograph realized by Paul Petit in the mid-20th Century. Hand-signed. Numbered, 67/75 The artwork is depicted through confident strokes in a well-balanced composition.

Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...

A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...

'New South Wales' With decorative border surrounds and vignettes of 'Sydney Cove'. 'The Murray' and 'Xanthorrhea'. 'Drawn and engraved by J Rapkin'. Published by John Tallis. 375m...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

Sailing Diptych by Kate Heiss Consists of Burnham Overy Staithe Sailing To Scolt Head Each individual print is H 30 cm x W 30 cm x D 0.5 cm Minimum wall space required landscape H 30 cm x W 60 cm Minimum wall space required portrait H 60 cm x W 30 cm Oil based inks on somerset velvet paper Please note that insitu images are purely an indication of how a piece may look Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

signed in plate

Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...