Mountain Landscape Prints

FRANCES H. GEARHART (1869-1958) LAKE TAHOE c. 1933 Color block print, signed and titled in pencil on her typical fibrous Japan paper 10 7/8 x 12”. Full sheet 12 ¾ x 14 3/8” with t...

"Hillside Fence Study 9 Teshikaga Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to...

FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...

FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...

Original vintage poster: Alitalia Airlines, Italy. Archival linen-backed, vintage travel poster to take you skiing in the Italian Alps. The image features two young children on skis preparing for a great day on the slopes. This original poster is in fine condition and ready to frame. Transform your space into a nostalgic ski resort paradise with this original vintage Alitalia Airlines ski...

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

The Lake by David Hockney, 1969-70 Additional information: Medium: etching 35 x 20 cm 13 3/4 x 7 7/8 in David Hockney is an English painter, printmaker, photographer, designer and ...

Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Early Works, 'Wrapped Coast (1968-1969)' Project for Little Bay, Australia Offset lithograph in colors on smooth paper Signed in blue crayon, upper right, within image Original photograph by Harry Shunk...

This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...

'Samivel' Paul Gayet-Tancrède (1907-1992) Chamonix Mont Blanc, France - au centre d'un monde de cristal Imprimé en France pour l'office du tourisme...

FRANCES H. GEARHART (1869 – 1958) RED ROCK CANYON ca 1936 Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...

This is an exclusive handprinted limited edition cyanotype. Contemporary linear cyanotype showing a 3D mountain terrain. Details: + Title: 3D Render Mountain + Year: 2021 + Edition ...

Beth Ganz, 'Mount Fuji, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Beth Ganz, 'Mount St. Elias, Yukon, Alaska', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Saint Elias, the second-highest mountain in Canada and the United States stands on the Yukon and Alaska border about 26 miles (42 km) southwest of Mount Logan, the highest mountain in Canada. The Canadian side of Mount Saint Elias forms part of Kluane National Park and Reserve, while the U.S. side is within Wrangell-St. Elias National Park and Preserve. Mount Saint Elias is notable for its immense vertical relief. Its summit rises 18,008 feet (5,489 m) vertically in just 10 miles (16 km) horizontal distance from the head of Taan Fjord, off of Icy Bay. The name of the mountain in Tlingit (indigenous peoples of the Pacific Northwest Coast of North America), Yasʼéitʼaa Shaa, means "mountain behind Icy Bay"; the Yakutat Tlingit occasionally call it Shaa Tlein "Big Mountain". It is one of the most important crests of the Kwaashkʼiḵwáan clan, who used it as a guide during their journey down the Copper River. Mount Fairweather, at the apex of the British Columbia and Alaska borders at the head of the Alaska Panhandle, is known as Tsalx̱aan; legend states that this mountain and Yasʼéitʼaa Shaa (Mt. St. Elias) originally stood next to each other, but had an argument and separated. Their children, the mountains between the two peaks, are called Tsalx̱aan Yátxʼi ("Children of Tsalxaan"). European explorers first sighted the mountain on July 16, 1741, with the arrival of the expedition commanded by Vitus Bering, a Danish explorer in service of Russia. While some historians contend that Bering named the mountain, others believe that eighteenth-century mapmakers named it after Cape Saint Elias when Bering left the peak unnamed. Mt. St. Elias was first climbed on July 31, 1897, by an Italian expedition led by famed explorer Prince Luigi Amedeo, Duke of the Abruzzi (who also reconnoitered the current standard route on K2 in 1909) and included noted mountain photographer Vittorio Sella. In 2007 Gerald Salmina directed an Austrian documentary film, Mount St. Elias, about a team of skiers/mountaineers determined to make "the planet's longest skiing descent" by ascending the mountain and then skiing nearly all 18,000 feet down to the Gulf of Alaska; the movie finished editing and underwent limited release in 2009. The climbers ended up summiting on the second attempt and skiing down to 13,000 ft (3,960 m). ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Mt. Fuji warmly illuminated by the morning sky. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (...

'Brother Water descending from Kirkstone' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etch...

Lithograph Edition of 100 Signed, numbered, dated and titled on the front Mint

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Original Ha...

Artist Mati (Abdul) Klarwein Title: Developments  Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 2/300 Hand embellished by the artis...

S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...

Montagne by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Montagne is a limited edition signed etching print on paper by Sarah Duncan of a black and white mountain...

Ski paradise by Anne Storno [2021] limited_edition and hand signed by the artist Screenprinting Edition number 30 Image size: H:58 cm x W:40 cm Complete Size of Unframed Work: H:70 ...

Ian Phillips Mist Limited Edition Linocut Print on Paper Edition of 11 Image Size: H 38cm x W 51cm Sheet Size: H 40.5m x W 64cm x D 0.01cm Sold Unframed Free Shipping Mist is a limi...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

First edition lithographs in stock Full plate: 118 Presented in a acid free mount

The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...

Silkscreen, 2022 In collaboration with ArtStar and Marginal Editions H: 30.5” x W: 30” inches Limited Edition of 30 + 5 APs Hand-signed on recto $1,600 This is Zaria Forman’s first-...

A dye transfer print depicting the landscape scene of Coyote Gulch in Glen Canyon, Utah by contemporary artist Eliot Porter. Edition of 250. Signed lower r...

The artwork will be sent unframed Linocut print „ Shrouded in fog - I rise” 2023 Reduction linocut print technique Limited edition, print unique number 3/9 Paper Fabriano Rosaspina ...

'Site of Cana in Galilee', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 183...

Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...

This original vintage color aquatint etching captures the breathtaking beauty of Longs Peak and Mount Meeker, as seen from Rocky Mountain National Park near Estes Park, Colorado. Cre...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

The artwork will be sent unframed Linocut/monotype print „Soothig the soul” 2022 Linocut and monotype print technique Art print from 9 matrices Limited edition, print unique number ...

Patagonia #32 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pap...

DESERT CROSSING by Frank Schott from a series of black and white photographs capturing the Golden State's vast desert landscapes 48 x 72 inches / 122cm x 183cm signed edition of...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

Linda Plotkin, American (1938 - ) - Haystacks, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9.5 inches, Size: 9...

The artwork will be sent unframed, with passpartou Linocut „Whispers” 2023 Linocut print technique Art print from 6 matrices Limited edition, print unique number 2/8 Paper Fabriano...

Landscape of Sonoma, CA vineyards in their full autumn colors. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Fran...

Grand Canyon Susan Shatter, American (1943–2011) Date: 1981 Lithograph, signed and numbered in pencil Edition of 80 Size: 31.5 x 44 in. (80.01 x 111.76 cm)

Le Fort St. Laurent is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on the lower center. Titled "Le Fort St. Laurent". Edi...

Arcadia ii Archival ink print on Somerset Satin 330gsm paper with deckled edges 44 x 102 cm hand-signed limited edition of 25 David Wightman is a British artist known for his striki...

The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...

22"X30" silkscreen on Arches 88 paper; signed limited edition of 20. This hand-pulled, silkscreen print depicts craters on the surface of the moon, with deep shadows and surface hi...

Gran Sasso view is a postcard realized in may 25th, 1904. The photo depicts the Gran Sasso mountain pass, for the railway studies Teramo- l'Aquila. It s adressed to the deputy, Mr. ...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...

Signed, titled and numbered by the artist. Image size: 4 x 16 inches Glacier Divide from Humphreys Basin, John Muir Wilderness, California. Scene of sunlight on snow-capped mountain...

The artwork will be sent unframed Linocut print „ My mountains – peace, solace, emptiness and silence” 2023 Reduction linocut print technique Limited edition, print unique number 5/...

Beth Ganz, 'Mount Kenya, Kenya', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked im...

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 9.84 x 7.9 inches Edition Size: 85 Brooding landscape of a gorge with mist from a waterfall in the distance. Lawlor's ear...

Beth Ganz, 'Mount Vesuvius, Italy', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Vesuvius (Italian: Vesuvio) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79, one of the most catastrophic eruptions of all time, destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of 33 km (21 mi). More than 1,000 people are thought to have died in the eruption. Vesuvius has erupted about three dozen times since. It is the only volcano on Europe's mainland to have erupted in the last hundred years (1929 and 1944). It is regarded as one of the most dangerous volcanoes in the world—3,000,000 people live near enough to be affected by an eruption, with at least 600,000 in the danger zone, the most densely populated volcanic region in the world. Eruptions tend to be violent and explosive; these are known as Plinian eruptions. Vesuvius has a long historical and literary tradition. It was considered a divinity of the Genius type (a divine nature much like a guardian angel) at the time of the eruption of AD 79: it appears under the inscribed name Vesuvius as a serpent in the decorative frescos of many household shrines, surviving from Pompeii. The Romans regarded Mount Vesuvius as being devoted to Hercules. The historian Diodorus Siculus relates a tradition that Hercules, in the performance of his labors, passed through the country of nearby Cumae on his way to Sicily and found there a place called 'the Phlegraean Plain' ('plain of fire') 'from a hill which anciently vomited out fire ... now called Vesuvius.' It was inhabited by giant bandits, 'the sons of the Earth'. With the gods' assistance, he pacified the region and continued his journey. The area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors, and the park authorities maintain a small network of paths around the volcano. There is access by road to within 200 meters (660 ft) of the summit and a spiral walkway around the volcano from the road to the crater. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

Linda Plotkin, American (1938 - ) - Afterlight, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 76/175, Image Size: 26.5 x 19.75 i...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cruach Phadraig in Irish, known as Croagh Patrick...