Plant Landscape Prints

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Sagitaire (The Sagittarius), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates f...

Butterfly blossom by Anne Storno Limited edition print and hand signed by the artist Screenprint on paper Images Size: H:52 cm x W:40 cm Complete size of unframed work: H:52cm x L:40cm x D:0.1cm Sold unframed Please note that the insitu images are purely an indication of how a piece may look. I have always believed that butterflies are magical and that if one lands on you, you can make a wish! So delicate and beautiful, I adore them. They effortlessly glide from flower to flower embracing their opportunity for freedom and change. Signifying sunshine and beauty, butterflies are everywhere in our culture. Often people say how butterflies are inspiring and that they can motivate one to change for the better. Maybe it’s their stunning beauty, or the fact that through metamorphosis they inspire change in a short period. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Mel Hunter, American (1927 - 2004) - In Our Birch Grove, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edition: 10, XXV, Size: 22 x 26 in. (55.88 x 66.04 cm)

Brian - White Flower and House is an original offset of 1980, realized by Douglas Prince. The state of preservation of the artwork is good. On the left margin, Signed, Titled and ...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...

Field, Sabra Johnson.(American, born 1935). FULL MOON. Color Woodcut, c. 1968. Edition of 50. Titled, numbered 37/50, and signed in pencil. 16 x 8 3/4 inches (image), 20 5/8 x 12 inc...

Max Epstein, Canadian (1932 - 2002) - Misty, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 70, Image Size: 17 x 18 inches, Size: 18.5 in. x 19 in. (46...

This artwork titled "The Sun Flower" c.1990, is an original colors woodcut on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 9/20 in...

"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...

Tomás Sánchez (1948) This lithograph from 1982 shows a beautiful landscape by the artist Tomas Sanchez. It is signed and dated in the bottom right corner and numbered on the left on...

Tomas Sanchez Inner Love, 2024 Print Ed. 510 of 630 23 x 18 in Includes a certificate of authenticity signed by the artist

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

Jack Hofflander, American (1920 - 2003) - S. Bennington Building, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 23/30, Image Size: 22 x 30.5 inches, ...

Autumn Heath is a contemporary landscape print by Phil Greenwood. The vibrant, warm leaves of the trees are broken up by the bold tree trunk and the background. Additional Informati...

Alex Katz Purple Irises on Red 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Kat...

This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...

This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...

This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...

Linda Plotkin, American (1938 - ) - Poplars II, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/90, Image Size: 20.75 x 16.5 inc...

This lithograph comes from an edition of 120 and it is signed and numbered. Guiramand’s works all have one element in common: the artist’s extraordinary sensitivity and ability to a...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. Morning View III Robert Kipniss, American...

Jack Hofflander, American (1920 - 2003) - Pennsylvania Dutch, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Siz...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Homage to Thoreau. Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Image Size: 19.5 x 25 inches, Size: 27 ...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

Harold Altman was born in New York City in 1924. He attended the Art Students League, the Black Mountain College, the Academie de la Grande Chaumiere in Paris, and was a graduate of ...

Rebecca Skinner’s “Duration” is a 24 x 36 inch color photograph. Overgrown green vines and foliage envelop an old stone building, blending nature with rustic architecture, symbolizin...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

This is a hand-colored folio sized lithograph entitled "Iyngipicus Gymnophthalamus" (Ceylonese Pygmy Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The print, which was drawn by Gould and W. Hart and lithographed by Hullmandel and Walton, depicts two striped brown and ivory-colored woodpeckers with white and black on their heads. One is perched on a tree limb with pea green-colored leaves and the other on a round rose, brown-colored fruit. Both are pecking at fruit. This beautiful Gould hand-colored woodpecker lithograph measures 21" x 14.13". There is minimal faint focal discoloration in the lower margin. It is otherwise in excellent condition. The original text page is included with a round blindstamp in the right lower corner. There are several other unframed Gould woodpecker and other bird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

Max Epstein, Canadian (1932 - 2002) - Old Stone Bridge, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 30 x 44 in. (76.2 x 111.76 cm)

Alex Katz, Yellow Tulips Contemporary, 21st Century, Silkscreen, Limited Edition Edition of 50 + 5 PP + 15 AP 122,5 x 195,7 cm (48.2 x 77 in.) Signed and numbered on the front In mint condition, as acquired from the publisher (Lococo) PLEASE NOTE: Edition numbers could vary from the one shown in the images. All edition available come from the edition /50 The pictures are only for illustrative reasons, the work is offered unframed. “Yellow Tulips” is part of the famous flower painting series by Alex Katz. The aesthetics of flowers such as flags, tulips, and roses has been continuously explored by the artist throughout his career. "I generally start with oil sketches, because I can paint more quickly than I can draw. In this way I try to capture the sensation of what I’m doing, getting into the unconscious and creating the images, and then figuring out what I did." — Alex Katz Katz has been painting flowers since the 1960s, often during his summer residencies in Maine. The cropped, flattened composition displays a debt to Japanese woodblock art printing. The American artist is well-known for his large paintings, whose bold simplicity and unmodulated colours are now seen as precursors of Pop Art. "Yellow Tulips" is another of Katz's wonderfully bright exploration of nature and the landscape. He represents the volumes and colors created by the natural light, this artwork breathes nature, the radiant yellow delights the vision against the limitless black background. The painting “Tulips 4” which this edition is based on belongs to the Collection of Museum of Modern Art (MoMA) in New York. ALEX KATZ Alex Katz (American, born 1927) is the outstanding protagonist of figurative painting and one of our era's most acclaimed artists. In the late 1950s, the artist began to develop his mature style, characterized by elegance, simplicity, and stylized abstraction, which typifies his entire production. Alex Katz’s paintings...

Max Epstein, Canadian (1932 - 2002) - Big Foot Country, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Image Size: 13 x 20 inches, Size: 15 in. x 2...

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...

John McNulty, Irish/American (1949 - ) - Jardins de Luxembourg, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 28 in. (55.88 x 7...

This original early 20th-century color aquatint etching by celebrated American printmaker George Elbert Burr (1859–1939) captures the majestic beauty of Longs Peak and Mount Meeker a...

This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

Max Epstein, Canadian (1932 - 2002) - Autumn Leaves, Year: 1980, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Aaron Ashley Inc., 1945. Printed in USA. Good Condition 22.5 x 20 in.

This original signed lithograph by acclaimed American artist George Elbert Burr (1859–1939) beautifully depicts a serene winter landscape with snow-covered trees. Burr’s masterful lithograph technique captures the delicate interplay of light, shadow, and snow, evoking the quiet stillness and crisp beauty of nature in winter. The image measures 7 ¼ by 10 ¼ inches and is presented in a custom archival frame with overall dimensions of 15 x 17 ¾ inches. The artist’s signature authenticates this fine example of early 20th-century American printmaking, making it an ideal addition to collections of Western art, winter landscapes, or vintage lithographs. Born in Ohio, Burr was largely self-taught, gaining recognition for his detailed etchings and lithographs that captured the American West’s rugged beauty. After years of travel across Europe and the U.S. Southwest, he created iconic series like Mountain Moods and the Desert Set...

Trees is an lithograph on paper realized by an unknown artist in the 20th Century. The artwork is in good condition.

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

Monotype Monoprint Hand signed and numbered 1/1 Lake landscape Sheet: 37.5" X 27" Image: 29.5" X 19.75" Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This body of work is based on the book by Suzanne Simard, Finding the Mo...

Forest fantasy scene. Steel etching. Original beautiful gold leaf frame. Not signed.

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Quaker Ladies, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s deep reverence for nature and his mastery of tonal subtlety. Quaker Ladies captures the full flowering of spring—an intimate study of delicate wild blossoms rendered with Wyeth’s signature restraint and sensitivity to atmosphere, texture, and light. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to express the cyclical beauty of nature’s transformations. Each image demonstrates Wyeth’s ability to translate fleeting seasonal impressions into works of quiet emotional resonance and painterly poetry. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Quaker Ladies, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

La Promenade Bordée is a modern artwork realized by Raould Dufy in 1930s Original Lithograph. Raoul Dufy (1877-1953) He was a French artist and designer. The artist painted, in th...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Farmhouse 3. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 13 x 19 inches, Size: 19.5...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Barns. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Size: 27 x 30.5 in. (68.58 x 77.47 cm), Des...