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Art Subject: Plant
Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
CHRISTMAS TREE Signed Mini Lithograph, Evergreen, Shining Star, Clouds, Blue Sky
Located in Union City, NJ
CHRISTMAS TREE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival A...
Category
1990s Surrealist Portrait Prints
Materials
Lithograph
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Orchard
Located in San Francisco, CA
Artist: David Smith-Harrison– American (1959-)
Title: Orchard
Year: circa 1988
Medium: Multiple Plate Intaglio etching
Plate size: 19.75 x 27.5 inches.
Sheet size: 26.5 x 35.5 inch...
Category
1980s Realist Landscape Prints
Materials
Paper, Etching, Intaglio
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
GROVE #2
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...
Category
1960s Landscape Prints
Materials
Etching
MORNING IN YOSEMITE
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974)
MORNING IN YOSEMITE c 1938
Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1930s American Realist Landscape Prints
Materials
Aquatint
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Clinton Township, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
1860s Impressionist Landscape Prints
Materials
Lithograph
Malbacco Desiata - large format photograph of iconic Italian summer moment
Located in San Francisco, CA
large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
The Pathfinder
By Mark Maggiori
Located in Draper, UT
Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag.
28 × 32 in from an Edition of 539.
O...
Category
2010s Land Landscape Prints
Materials
Paper
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
de Segonzac, Paysage a la petite route, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1967
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Dunoyer de Segonzac...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Topiary I - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott ...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Purple Irises on White
By Alex Katz
Located in New York, NY
Alex Katz
Purple Irises on White
2023
Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm
24 x 30 inches (61 x 76 cm) unframed
Signed and numbered edition of 100
Alex K...
Category
2010s Pop Art Landscape Prints
Materials
Archival Pigment
Plantes tropicales [Tropical Plants]
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...
Category
Mid-19th Century French School Landscape Prints
Materials
Handmade Paper, Engraving
![Plantes tropicales [Tropical Plants]](https://a.1stdibscdn.com/jules-ferdinand-jacquemart-2-prints-works-on-paper-plantes-tropicales-tropical-plants-for-sale/a_19792/a_138073821705694714828/957_1_master.jpg?width=240 "Jules-Ferdinand Jacquemart - Plantes tropicales [Tropical Plants]")
Flowering Chestnut Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Castanea Equina, Chateignier amaire (Horse Chestnut)". It is plate 342 in...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
BIRD IN HAND Signed Lithograph, Comical Landscape, Couple Walking, British Humor
By Beryl Cook
Located in Union City, NJ
BIRD IN HAND is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook. BIRD IN HAND is a lighthearted, comical la...
Category
1990s Contemporary Figurative Prints
Materials
Lithograph
"February Bouquet" from 'The Twelve Months of Flowers' series by Robert Furber
By Robert Furber
Located in Alamo, CA
This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom.
This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition.
Robert Furber...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Inner World. Print on canvas
Located in Zofingen, AG
Print on canvas
The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, alwa...
Category
2010s Art Deco Animal Prints
Materials
Digital Pigment
Klimt, Bauernhaus mit Birken, Das Werk von Gustav Klimt (after)
By Gustav Klimt
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category
1910s Symbolist Figurative Prints
Materials
Lithograph
Klimt, Obstbäume am Attersee, Das Werk von Gustav Klimt (after)
By Gustav Klimt
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.64 x 10.12 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category
1910s Symbolist Figurative Prints
Materials
Lithograph
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
Summer Maple
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Landscape Prints
Materials
Drypoint
The Purple Mountain’s Majestic
Located in San Francisco, CA
This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...
Category
Late 20th Century American Realist Landscape Prints
Materials
Lithograph
Flowering Masterwort Plant: 18th C. Hand-colored Botanical Weinmann Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Imperatoria seu ostrution Imperatoire Meisterwirk". It is plate 604 in We...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Flowering Sweet William Plant: 18th C. Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Caryophyllus Arborescens, b. Caryophyllus Barbatus". It is plate 327 i...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Der Wald (portfolio of 9) 10 of 12 - grouping, woodblock prints on art paper
By Peter Hoffer
Located in Bloomfield, ON
Der Wald - or, the Forest - consists of nine wood block prints in a single portfolio. In each of the nine images a single tree is printed cleanly in solid black on manila colored ar...
Category
2010s Contemporary Landscape Prints
Materials
Archival Paper, Woodcut
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Divide black and white soft ground etching and aquatint by April Gornik
By April Gornik
Located in Boca Raton, FL
"Divide" black and white soft ground etching and aquatint by April Gornik. Edition 23 of 30. Image size: 33 1/2 x 31 1/2 inches. Published by The S...
Category
1990s Contemporary Landscape Prints
Materials
Etching, Aquatint
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
"Scotland 0030" Photography 18" x 24" Edition of 20 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Scotland 0030" Photography 18" x 24" Edition of 20 by Ben Cope
Unframed - ships rolled in a tube
Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture ...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
Wyeth, May Day, The Four Seasons (after)
By Andrew Wyeth
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...
Category
1960s American Realist Figurative Prints
Materials
Lithograph
Cairo Citadel Palm, Cyanotype on Paper, Desert Botanical Tree in Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt.
Details:
+ Title: C...
Category
2010s Naturalistic Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, Archival Paper, Photographic Pa...
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Great Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
Donkey Ride, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Donkey Ride, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 ...
Category
1980s Folk Art Landscape Prints
Materials
Screen
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
WESTERN GRANDEUR
Located in Santa Monica, CA
HAROLD LUKENS DOOLTTLE (1883 - 1974)
WESTERN GRANDEUR c. 1945
Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...
Category
1940s American Realist Landscape Prints
Materials
Aquatint
Night Walk 3 (Natural Structures, Shifting Daylight, Floral, Botanical, 26% OFF)
Located in Kansas City, MO
Susan Davidoff
Night Walk 3 (Natural Structures, Shifting Daylight)
Year: 2013
Medium: Lithograph
Edition: 36
Paper: Rives BFK, White
Paper Size: 22″ x 21.75″
Image Size: 16″ x 15.25...
Category
2010s American Modern Figurative Prints
Materials
Lithograph
Bonnard, Le Verger, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper.
Year: 1952
Paper Size: 9.5 x 12.5 inches; image size: 9.05 x 10.24 inches
Inscription: Unsigned and unnumbered, as issued
No...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
"Coast July No. 2" - Multi Layer Landscape Screenprint (9 of 23)
Located in Soquel, CA
Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63")
Presented in a cream colored mat with foamcore backing.
Mat size: 24"H x 28"W
Paper size: 20"H x 26"W
Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926.
After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany.
Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...
Category
1960s Modern Landscape Prints
Materials
Paper, Ink, Screen
Braque, Composition, Verve: Revue Artistique et Littéraire (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Pee-amerdu Plant: A Rare 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Pee-amerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 19 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Pee-amerdu plant, a large leafed plant climbing plant off the Malabar Coast in India. The plant is noted for its medicinal uses. It may be related to Tinospora species. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked watermarked paper. The sheet measures 14.88" high by 18.75" wide. There is a central fold, as issued. There are a few faint smudges, a spot in the upper margin and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van Rheede tot Drakenstein...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Ocotillo, by Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist.
A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California.
Born in Berkeley, California,...
Category
1990s Contemporary Landscape Prints
Materials
Etching, Aquatint
The Art of Modern Living
By René Lalonde
Located in Greenwich, CT
The Art of Modern Living is a digital pigment print on paper, image size 24 x 38.5 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotat...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Digital Pigment
Rainbow Cloud, Modern Lithograph by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Rainbow Cloud, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 68/125, Image Size: 18.75 x 24 ...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Scots Pine
Located in Deddington, GB
This print depicts a mature pine tree, standing proud from the rest of the tree line. The use of gampi chine collé with it's delicate sheen, helps to give an ethereal glow to the maj...
Category
2010s Contemporary Prints and Multiples
Materials
Drypoint
Neil Welliver at O'Farrel Gallery, 1988 offset lithograph poster landscape
Located in New York, NY
Neil Welliver at O'Farrel Gallery poster, 1998
Offset lithograph
24 × 18 inches
Unframed
This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986.
Publisher
O'Farrell Gallery, Brunswick, Maine
Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery
About Neil Welliver:
Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning.
Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships.
By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005.
Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others.
- Courtesy of Alexandre Gallery
Category
1990s Realist Landscape Prints
Materials
Lithograph, Offset
Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...
Category
1920s Modern Landscape Prints
Materials
Lithograph
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Untitled
Located in Dallas, TX
Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Photogravure
Picasso, Composition (Orozco 207-261), Vingt-Neuf Portraits Imaginaires (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...
Category
1960s Cubist Figurative Prints
Materials
Lithograph
Tim Southall, Winter Woods, Limited Edition Print, Affordable Art, Landscape Art
By Tim Southall
Located in Deddington, GB
Tim Southall
Winter Woods
Limited Edition Screen print
Size: H 40cm x W 60cm
Sold Unframed
(Please note that in situ images are purely an indication of how a piece may look).
Winter...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Paper, Screen
Amolago (Aglaonema) Plant: 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Amolago" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 16 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Amolago plant, a large leafed plant, possibly corresponding to the present day aglaonema plant. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper. The sheet measures 14.75" high by 17.25" wide. There is a central fold, as issued. There are a few tiny spots and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Signac, St-Paul-de-Vence, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
