Water Landscape Prints

Ten Years out of a Death Row Sentence (Ocean) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 45 in...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

C-Print on argentic paper Edition of 10 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American bo...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

By Joaquim Torrents Llado 33" x 33.5" Serigraph on Paper Signed, Edition 58/75 Image Size: 28" x 28" A serene contemporary impressionist painting of a the Canal Venezia in Venice, I...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: No Room for Horses Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39...

TSUNAMI is an archival digital print created in 2015. This original print was directly drawn into the computer by Peter Milton and printed digitally. It is signed, titled, and date...

Above the Sea [2022] limited_edition and hand signed by the artist Linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:45cm cm x W:45cm cm x D:5mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Reduction linocut limited edition print. Inspired by a walk along the south west coast path from high up on Bolberry Down to Hope Cove. Ann Burnham...

Evening at Soar Mill Cove [2022] limited_edition Linocut Edition number 1-10 Image size: H:15cm cm x W:30cm cm Complete Size of Unframed Work: H:20 cm x W:60 cm x D:3mmcm Sold Unfra...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

Wells Morning by Colin Moore [2022] limited_edition Linocut on Paper Edition number A/P Image size: H:42 cm x W:59 cm Complete Size of Unframed Work: H:51 cm x W:68 cm x D:0.1cm Sol...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Dry Wells Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)

Honfleur by Alistair Grant, 1956 Additional information: Medium: lithograph 61 x 48 cm 24 x 18 7/8 in signed and dated in pencil Alistair Grant was a printmaker, painter and illust...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This reduction lino cut was inspired by the dramatic coast line on the southwest coast path. This is a method of relief printing in which each colour layer is taken from the same block (lino), meaning that an entire edition must be printed in one go as once the lino has been carved into for the next layer, you can't go back to print more. Artist bio: . Ann Burnham...

Jan Dingle Morning Pastures, Limited Edition print Image size: 5.5″ x 6.5″ (133 x 165mm) Paper size: 10″ x 11.5″ (272 x 285mm) Edition size: 150 + 10% A/P Size: H:27.2 cm x ...

Nellie by Simon Tozer Limited edition print and hand signed by the artist Screenprint on Paper Image Size: H:35cm x W:50cm Complete size of unframed work:...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Kites by John Scott Martin [2021] Original Linocut print Image size: H:11 cm x W:30 cm Complete Size of Unframed Work: H:22 cm x W:40 cm x D:0.1cm Sold Unframed Please note that insi...

Anna-Louise Felstead Padstow Harbour Limited Edition Giclee Print Edition of 25 Signed and Numbered Image Size: H 42cm x W 57cm Sheet Size: H 47cm x W 65cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Padstow Harbour is a limited edition print by by Anna-Louise Felstead. The bright colours and free flowing lines capture the friendly and cheerful atmosphere of Padstow in Cornwall. Anna-Louise graduated from the Royal College of Art in 2003 having received first class honours from Central Saint Martins. She is often regarded as a reportage artist, for her work is generally painted on location in ink on paper. These studies are then used as reference material and scaled up into large oil on canvas paintings. From 2009-2011 Anna-Louise had an art gallery in Cornwall, where she exclusively showed her own work documenting village life, local architecture and scenes from the bay. Moving to New York City in 2013, she worked on a much larger scale producing abstract cityscapes in oils. It was during this time that she began producing screen prints of Manhattan...

Ian Phillips Catching the Light Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 83cm x W 122cm x D 0.01cm Sold Unframed Free Ship...

Anna Harley Night Watch Limited Edition Silkscreen Print Edition of 30 Size: H 39cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a ...

Fiona Carver A Cornish Village Limited Edition Linocut Print Edition of 50 Image size: 13.5 x 13.5cm Mounted size: 26.5 x 27cm (approx) Sold Unframed, mounted in pale cream Free Shipping Please note that in situ images are purely an indication of how a piece may look. A Cornish Village is an original limited edition linocut by Fiona Carver. Hand printed using a victorian cast iron press...

Reflection by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Ple...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed Please note that ins...

Katie Hallam Siver Sea Limited Edition Digital Photograph Edition of 75 Image Size: H 103cm x W 50cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an...

Dusk at Morston – Large Canvas Print Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three la...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Limited Edition Embellished Giclee on Canvas, AP 17/50 24 x 36 in. Signed by Artist, comes with Certificate of Authenticity Good Condition

C-Print on argentic paper Edition of 7 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Riviera Twilight is a serigraph on paper, image size 28 x 43 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered CIX/CL (there were a...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Richard Bosman (b. 1944) is a painter and printmaker known for his woodcuts depicting turbulent seascapes. He studied at Bryam Shaw School of Painting and Drawing in London, The New ...

Johns, Joan. STERLING HARBOUR. Etching, not dated, but probably 1950s-60s. titled, inscribed "Artist's Proof," and signed in pencil. Printed on heavy wove paper. 19 1/4 x 23 5/8 inch...

Jean Carzou - Venezia II - Original Handsigned Lithograph 1985 Dimensions: 68 x 52 cm Edition: 87 / 164 HandSigned and Numbered Publisher Vision Nouvelle

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce. It presents a view of what is probably a N...

C-Print on argentic paper Edition of 8 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

C-Print on argentic paper Edition of 2 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

Harbor View is a lithograph realized by Paul Petit in the Mid-20th Century. Hand-signed. Numbered, 19/75 The artwork is depicted through confident strokes in a well-balanced compo...

C-Print on argentic paper Edition of 8 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

Poster. 1971 New York Graphic Society Ltd. Printed in U.S.A. Measures 31.25 x 36.75 inches and is unframed. The image is in Very Good Condition. The white border has discoloration/su...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left Year: 1911 Medium: Original Lithograph on pale blue smooth wove paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 13 Sheet size: 10.75" x 7.13" Image size: 8.13" x 5.75" Condition: One skillfully repaired tear upper left. Some minor toning in margins. It is otherwise a strong impression in very good condition Notes: This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot...

This abstract landscape limited edition print by Ken Elliott features deep violet hillside complemented by warm yellow trees and yellow and mint-green grass in the foreground. "Golde...

The Lady of Shallott, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. An almost abstracted seascape color photograph by artist Amanda Lomax...

Here we propose a pair of etchings by Federica Galli, whose size, subjects and composition form a pendant. But the two prints can also be sold separately. Lago dei Pageri and Squero...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame Additional fees will be requested in this type of shipping + frame or not Hugo Pondz...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good conditions with s...

Whitby is an etching realized in 1845 by Edward Francis Finden. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" The artwork is beautif...

The Quay, Yarmouth is an etching realized in the Early-20th Century by J.Sands. Signed in plate. The artwork is realized in a well-balanced composition.

Canning Dock and Custom House, Liverpool is an etching realized in 1845 by T.Higham. Signed in plate. The artwork is realized in a well-balanced composition.

Blackpool Sands is an etching realized in the Early-20th Century by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Beaumaris is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.