Water Landscape Prints

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Devil's Hole Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 cm ...

Robyn Forbes Morning surf Limited Edition Screen Print Screen print on fine art paper Image Size: H 21 cm x W 21 cm x 0.1 cm Sheet/Canvas Size: H 31 cm x ...

Shore Break by Rod Nelson [2021] limited_edition and hand signed by the artist Woodcut Print on on Somerset Satin 300gsm acid free paper Edition number of ...

Rachel Burgess' landscapes are explorations of memory and the resonance of nature's forms. She begins her artistic process with plein air paintings and drawings which she completes i...

Thames Bridges – Looking East is a limited edition cityscape etching of London by John Duffin. The monochromatic colour scheme of the piece allows you to see every tiny detail. Addi...

After the storm Uwe Werner, German/American (1942) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 19 in. x 25 in. (48.26 cm x 63....

Eleven Years out of a Death Row Sentence (River) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 4...

limited_edition silkscreen print Edition number 50 Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:0.1cm Sold Unframed Please note that insitu ima...

Sea Mist By Ian Phillips [2020] limited_edition Linocut on Paper Edition number 18 Image size: H:28 cm x W:41 cm Complete Size of Unframed Work: H:38 cm x W:49 cm x D:0.1cm Sold Unf...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This reduction lino cut was inspired by the dramatic coast line on the southwest coast path. This is a method of relief printing in which each colour layer is taken from the same block (lino), meaning that an entire edition must be printed in one go as once the lino has been carved into for the next layer, you can't go back to print more. Artist bio: . Ann Burnham...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Anna Harley Land's end Limited Edition Silkscreen Print Edition of 12 Size: H 56cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a p...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Ian Phillips Lighthouse Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 56cm x W 76cm x D 0.01cm Sold Unframed Free Shipping Please not...

Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...

À Bordeaux is an artwork realized by Maxime Lalanne in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

Anna Harley Land’s End: Cornish Coastal Path Series Limited Edition Screen Print Hand signed by the artist Edition of 30 Sheet size H 56 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Fowey Sailing [2021] Limited Edition Screen Print on Paper Edition number of 20 Image size: H:25 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:40 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Fowey River Racing is a limited edition print by Robyn Forbes...

Sea Garden Olga Poloukhine, French/American Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 17.5 x 23.5 inches Size: 22.25 i...

Robert Greenhalf Great White Egrets Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 48.5cm x W25.5 cm Image Size: H38.5cm x 16.5cm...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

John McNulty, Irish/American (1949 - ) - Menara Gardens, Year: 1985, Medium: Aquatint Etching, signed and titled in pencil, Edition: 250, Size: 26 in....

Marion McClanahan, American (1921 - 1993) - Dry Dock, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 23.5 x 33.5 inches, Size: 30 in. x...

Anna Harley Wild swim Limited Edition Silkscreen Print Edition of 30 Size: H 28cm x W 28.5cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a ...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Evening at Soar Mill Cove [2022] limited_edition Linocut Edition number 1-10 Image size: H:15cm cm x W:30cm cm Complete Size of Unframed Work: H:20 cm x W:60 cm x D:3mmcm Sold Unfra...

Max Epstein, Canadian (1932 - 2002) - Seagull on a Lantern, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 26.5 x 18.5 inches, Size: 3...

Ivan Theimer, Czech (1944 - ) - Le Leze III, Year: 1982, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 21 x 30 in. (53.34 x 76.2 cm)

After the Rain 2 by Karen Keogh [2018] limited_edition Etching on Paper Edition number 50 Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:...

St Paul’s In A Puddle By Michael Wallner [2018] limited_edition Brushed aluminium, wood Edition number 25 Image size: H:54 cm x W:40 cm Complete Size of Unframed Work: H:43 cm x W:3...

Canal Ring, Amsterdam and Cycle City, Amsterdam Diptych by Clare Halifax [2021] original Silkscreen Print Image size: H:35 cm x W:35 cm Complete Size of Un...

John Scott Martin Mariette Sails By Moonlight Unique Linocut Prints Linocut on Collage Image Size: H 20cm x W 20cm x D 0.3cm Mounted Size: H 34.5cm x W 34cm x D 0.3cm Sold Unframed ...

London Eye – Large Canvas Print Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Dry Wells Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)

Brendan Neiland (b. 1941) R.A. (Expelled) Cherwell Bridge Screenprint 53 x 34 cm Signed, titled, and numbered 43 / 175 in pencil. A screenprint of Oxford’s beauteous Cherwell Brid...

It is a GICLEE PRINT with my original oil painting Pink Coral Underwater Art Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas...

Honfleur by Alistair Grant, 1956 Additional information: Medium: lithograph 61 x 48 cm 24 x 18 7/8 in signed and dated in pencil Alistair Grant was a printmaker, painter and illust...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Seasons Quartet I Lithograph AP5 The French fine art paper is BFK Rives and is 30 X 22 inches. The image is 17 X 17 inches. This signed Artist Proof 5 depicts Sebastian Spreng's sig...

Deluxe signed limited edition acrylic print Edition of 20 Bright and colourful beach scene with lots of detail, ready to hang on the wall. Nick's artistic process is a captivating...

Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...

By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 This beautiful serigraph depicts an impressionist creek scene with a green and blue color palette.

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left Year: 1911 Medium: Original Lithograph on pale blue smooth wove paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 13 Sheet size: 10.75" x 7.13" Image size: 8.13" x 5.75" Condition: One skillfully repaired tear upper left. Some minor toning in margins. It is otherwise a strong impression in very good condition Notes: This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

Limited Edition Embellished Giclee on Canvas, AP 17/50 24 x 36 in. Signed by Artist, comes with Certificate of Authenticity Good Condition

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...

Pont de la Tournelle is a lithograph on paper with an image size of 2 x 4.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

Dufza - Paris - Le Vert Galant - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

Trabucchi (which is a triptych, consisting of three platemarks and three sheets) is an exceptional work in terms of its size, especially considering that it was printed in 1987 when ...

Ten Years out of a Death Row Sentence (Ocean) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 45 in...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...