Mixed Media Prints and Multiples

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan masterfully bridges the realms of realis...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

MAX STEVEN GROSSMAN RAFF SQ LM Trans Mounted Metallic Print 40 x 44 in. Ed 1 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a completely sold out, limited series in 2019 in conjunction with Complexcon and Kaikai Kiki co. This deck is new in its original packaging. A brilliant piece that makes for vibrant one of a kind wall-art that hangs with ease. Medium: Offset print on Maple Wood. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Excellent Overall Condition. Murakami trademark inscribed on verso. Unsigned from a sold out edition of unknown. Published in conjunction with Kaikai Kiki Gallery Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. _ Pairs quite nicely with many of our other Andy Warhol, Keith Haring, Damien Hirst & Roy Lichtenstein items on our page. Please feel free to ask for any further suggestions in this regard. Related Categories Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Contemporary Graphic Realism, Popular Culture, Contemporary Asian Art...

John Baldessari (June 17, 1931 - January 2, 2020, American) Helmsmen (With Various Fires) 1989-1990 Sugar lift, spit bit, aquatint and photogravure in colors on three sheets of Somer...

MAX STEVEN GROSSMAN RAFF SQ YL Trans Mounted Metallic Print 40 x 44 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value o...

Created in 1984, this lithograph and collage on paper is hand-signed by Robert Motherwell (Aberdeen, 1915 - Provincetown, 1991) in pencil in the lower right margin. Numbered from the...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Takashi Murakami Flowers Skateboard Decks 2017 & 2019: set of 2 works: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami ...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

"Sovereign Shield" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Figurativve art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and ornate wisps of cosmic iconography -- spirit animals and protectors (hares, rabbits, bunnies, lion), symbolic objects (shield, heart, eyes, eye, feet, shackles, shackled ankles, faces, hand, feather, princess, crown, tiara, figure, heart, mushroom creatures). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman Spare...

"Sovereign Sword" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and wisps of cosmic iconography -- spirit animals and protectors (roosters), symbolic objects (sword, eyes, faces, hand, tree of life). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman...

TECHNICAL INFORMATION Jesus Rafael Soto Expo 60 - ARC Musee D'Art Moderne Ville De Paris 1969 Screenprint on Cardboard 27 1/2 x 18 1/2 in. Edition of 1000 Signed on bottom right, si...

Technical Information: James Rosenquist While the Earth Revolves at Night 1982 Pastel and pencil on paper 36 1/2 x 72 1/4 in. Unique Signed, dated, and titled Additional Technical ...

MAX STEVEN GROSSMAN Fashion SQ 3 Trans Mounted Metallic Print 48 x 53 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value...

TECHNICAL INFORMATION: Victor Vasarely Sinlag II 1990 Cast paper relief in colors 29 3/4 x 29 3/4 in. Edition of 120 Pencil Signed and Numbered Acc...

Agent X One Queen (6) White Materials: Mixed Media Date: 2020 Dimensions: 28 x 19 inches Signed, Edition of 100 COA Provided Agent X, cultural explorer and agent of the unknown, is...

Agent X One Queen (1) Red Materials: Mixed Media Date: 2020 Dimensions: 28 x 20 inches Signed, Edition of 50 COA Provided Agent X, cultural explorer and agent of the unknown, is an ...

Agent X One Queen (4) White Materials: Mixed Media Date: 2020 Dimensions: 28 x 19 inches Signed, Edition of 100 COA Provided Agent X, cultural explorer and agent of the unknown, is...

Agent X One Queen (2) Black Materials: Mixed Media Date: 2020 Dimensions: 28 x 20 inches Signed, Edition of 50 COA Provided Agent X, cultural explorer and agent of the unknown, is a...

Agent X One Queen (2) White Materials: Mixed Media Date: 2020 Dimensions: 28 x 19 inches Signed, Edition of 100 COA Provided Agent X, cultural explorer and agent of the unknown, is...

Agent X One Queen (2) Sliver Materials: Mixed Media Date: 2020 Dimensions: 28 x 20 inches Signed, Edition of 50 COA Provided Agent X, cultural explorer and agent of the unknown, is...

Agent X One Queen (1) White Materials: Mixed Media Date: 2020 Dimensions: 28 x 19 inches Signed, Edition of 100 COA Provided Agent X, cultural explorer and agent of the unknown, is...

Date: 2004 Mixografia print on handmade paper, signed and numbered in pencil Edition of 25 Size: 44 x 31 in. (111.76 x 78.74 cm) Printer: Mixografia Publisher: Mixografia

TECHNICAL INFORMATION Tom Wesselmann Rosemary Lying on One Elbow 1989 Laser-cut steel with alkyd oil 9 x 14 in. Edition of 45 Signed, titled, dated and numbered on verso Accompanie...

Gelatin silver lumen print, plant matter, soil (Unique) This artwork is offered by ClampArt, located in New York City.

TECHNICAL INFORMATION Ed Ruscha For Sale 17 Acres, from Rusty Signs 2014 Mixograph on handmade paper 24 x 24 in. Edition of 85 Pencil signed, dated & numbered Accompanied wit...

TECHNICAL INFORMATION: Ed Ruscha Cash For Tools 2, from Rusty Signs 2014 Mixograph on handmade paper 24 x 24 in. Edition of 50 Pencil signed, dated and numbered Accompanied with CO...

Archival Pigment Print on canvas Edition size: 10 plus 2 artist proofs Each canvas is hand painted by the artist Available in the following sizes: 20" x 40" • 30" x 60" • 36" x 72" • 47" x 96" “American Icon” examines the world’s perception of America. It combines quintessential American imagery to create a depiction of this nation as seen through the eyes of the world. From the Founding Fathers to Facebook, Cowboys and the Wild West; The Wright Brothers to PanAm; Mickey Mouse to Marilyn Monroe, John Wayne, Frank Sinatra, Elvis; Babe Ruth to Hank Aaron...

Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...

Monkey Train (birds) 2007 silkscreen with archival pigmented inkjet 33 x 26.25 inches ed 40